Very good explanation Expecting a detailed REW measurement tutorial from your side You tube have alot of REW tutorial but none of them is complete we are expecting something from scratch and how to correct the issues on the measurement
I usually point the mics towards the front speakers, at about 45 degrees. These mics are omnidirecitonal over the major part of the spectrum we are interested in, so doesn't matter too much. The top octave is where it makes some sense to point towards the speaker region to be calibrated.
When Anthony Grimani puts up a video, I stop what I'm doing, watch and learn.
Always some cool little nuggets of knowledge dropped throughout these videos
Very good explanation
Expecting a detailed REW measurement tutorial from your side
You tube have alot of REW tutorial but none of them is complete we are expecting something from scratch and how to correct the issues on the measurement
Why 45 degrees mics and not 90 all around?
I'd like to know this too. This would get an average of floor speakers to Atmos speakers. So, they calibrate equally. That's my assumption.
I usually point the mics towards the front speakers, at about 45 degrees. These mics are omnidirecitonal over the major part of the spectrum we are interested in, so doesn't matter too much. The top octave is where it makes some sense to point towards the speaker region to be calibrated.
@@grimanisystems Thank you Grimani, I appreciate it.
Which calibration file are you using for this 45 degrees position? The 0 or the 90 degrees one?
Yeah i want to know why 45 degrees mic position and which calibration file are you used for that mic position?
You mentioned switching mics. Why don''t you use REW Pro and take all 4 measurements simultaneously rather than switching mic to mic?
Good idea. Haven't gotten to it yet, and don't travel with a 4-mic USB interface.
Where is he seeing the number of cycles