The Real Problem of Classical Music Explained by The Granddaughter of Gustav Mahler
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- Опубліковано 15 жов 2024
- An interview with Marina Mahler, the granddaughter of Gustav Mahler. Please subscribe! Comment and give a thumbs up! Thank you!
We talk about how music influences your life.
We also talk about the Mahler Festival 2020 in Amsterdam.
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Music by Jason Weinberger & wcfsymphony "Mahler - Symphony no. 5, I. Trauermarsch" is licensed under a Creative Commons Attribution License.
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We’re so fortunate to hear from the granddaughter of a giant of the musical world, Gustav Mahler. A great interview!
I'm 66 and was introduced to Mahler by a friend and mentor of music appreciation when I was around 15, 16 or so. I was sitting in a store recently where a retired person who I knew, sort of, for 30 years and he said "I just can't believe the beauty of Mahler's music". I had no idea anybody in my small town even listened to Mahler, never mind "get it". There is Bach, Beethoven and Mahler.. and I don't mean to slight Brahms one bit. Brahms will always be a true A+++ (my highest rating, like I have the right?). But I love Mahler in a deeply personal way. I don't know how else to put it. Heck, I'm an Irish/English Canadian and I get up and dance when he goes Klezmer.
Absolutely brilliant interview, thank you! Marina is a very intelligent and sagacious woman and her answers were fascinating and on point.
Thank you so much! Yes she is indeed!
Extremely interesting interview. Thanks a million dear Marina for such a great responses to your interviewer.Constituye un tesoro escuchar a la nieta de Mahler.
I find this woman unusually insightful and human. A worthy carrier of her grandfather’s legacy.
Mahler 3 last movement moved me to tears - it was my first really strong live concert musical experience - I can't explain why I weeped but I did.
Das Lied Von Der Erde was and is the piece that most profoundly impacted me as a 22 year old in 1990. It remains my all time favourite piece and was so far beyond what was being written in the early 20th century. Mahler was a visionary.
Amazing! This is the most interesting interview about music meaning I have ever heard. Thank you so much!
"You don't need any education. You just need to listen." So true. But also, performances need to reprioritize emotions and drama over perfectionism. People are listening to classical in greater numbers than any time in history. Yet the industry is facing a crisis of relevance. I would argue that that is because people are listening to performances online rather than live and that the live performances don't live up to the recordings. First of all because perfection in a concert is much more difficult than in a recording studio with a million splices. And two, because after 100 years of modernism, objectivity, and the transparent performer, classical music performances have lost their emotional engagement with audiences by trying to play the core romantic and classical canon too literally.
“Silence is as if one were suspended and music is the movement”. That is brilliant.
Maybe, someone thought of this analogy centuries ago and that is why we have “movements” in symphonies and sonatas?
What a great interview! Thank you so much for it. I hope you do more interviews like this.
Thanks! We certainly will….
Thank you🌟Looking forward "Mahler Month 2022"
Wonderful interview, insightful, and the idea of celebrating GM's music in larger venues is quite appealing. Of course, I write this during the pandemic, and that idea is not feasible now, but I hope in the future, it becomes a reality. I personally believe that people who really love music will gravitate towards classical at some point in their life, and within classical music, the music of GM has among the most satisfying of musical languages and construction. We know that GM's music goes beyond just melody - in his music we learn that music speaks to each of us in its own ways, whether emotional, intellectual, awe-inspiring, etc to a very high degree. For some people who listen to Mahler carefully, they have discovered that Mahler's music is a kind of "a joy supreme' if I may quote Coltrane. It makes me happy to be alive that I am first able to comprehend GM's musical language and also get to know him through his music and affirm the many beliefs I personally have which his music helps me to embrace.
Agree - I've been watching performances of some of these great symhonies lately on Mezzo (a favourite tv network of mine), some in concerts that were filmed over these last few months (including rhe 3rd from Zürich under Paavo Järvi, and the 8th from München under Gergiev), and some that date back a few years. All of them played to a full audience. His music really catches listeners by the breath and holds their attention, I hope we will see more of these concerts and gatherings in the near future.
I am 100 years younger than Gustav Mahler.
Yes, any alternative would be devastating.
Wonderful interview! I think she is absolutely right about the power of music! Thanks!!
Learn a lot from this wonderful interview. Thank you.
She is now 81 and her father was the conductor Anatole Fistoulari.
It's so weird hearing Mahlers granddaughter say the word UA-cam... Really weird... Still glad they try to make his music more accessible to the majority. You can technically be a Mahler fan and be homeless, you just need a smartphone and some free Wi-Fi and you have the most amazing music at your pleasure. Classical has the image of elitism all around it but today it's also a matter of attention and mood. Most people today listen to music only to raise their energy levels and leave the deep questions for Netflix or not at all. Listening to a Mahler symphony is not something many can do today without loosing interest.
I think the understanding of his music has really benefited from the medium of records though. In his lifetime he was loved as a conductor but his own symphonies mostly were underappreciated, certainly "musicians' music" if even that. And back then, the *only* way to hear any extended piece of music was to hear it played live, in the same room or hall. Records were primitive and radio transmissions of music didn't exist. Mahler's works really gained from the fact that people have been able to listen to them in depth, at home and at their own leisure, again and again. Back in the day, if you mentally got lost midway through the second movement of the Third, then that was it, in a sense...
I had the same reaction.
Encantadora Dama... Sus respuestas tenían la dulce frescura de la esperanza de la música...
This was a gem to discover!
Wow vielen Dank😊✨❤️
Thank you! I hope you enjoyed!
Well done!
Thank you! 🙏🏻
Love it , love it
.........❤❤❤❤
I really think much of Mahler's music was written for future generations, that would have gone through world wars, holocausts, grotesque cruelties on an epic scale. I'm not sure if he sensed this, but I think the evidence is in his music. He also addressed much that was joyful; or meditative; or other positive but difficult-to-identify emotions.
Muchas gracias!
Thank you for watching!
fascinating. I would love to meet Marina. That is Gustav's flesh and blood - and an intriguing person in her own right
why is she intriguing?
Esplendida entrevista.
Doesn't she sound like Anna, her mother?
i want to know what's Mahler's favorite ice cream flavor
The notion of altering Mahler's music to suit a larger, less musically well educated audience is just wrong, in my opinion. Imagine altering Shakespeare's language so it would be heard at a rock festival. Mahler's music is unalterable. What's needed is to educate our kids to listen to classical music. And that's fairly easily accomplished. I like the idea of a symposium on "Das Lied von der Erde."
Mahler is not an experience for the masses. It's very intimate dairy. You should experience it alone in a room listening with a good pair of studio monitors and laying on a bed lights dimed. If you have marijuana it's even better. Another way is to go to mountains or on an island and listen to it during the down or in the mountains looking at rivers and trees. If played live than it should be for a dozen of friends and just you.
She's wrong. Marches are fine. In most situations, war is not about right or wrong. It's more about necessity and circumstance.
classical and opera tickets are cheap compared to sports tickets. so stop this 'elitist' nonsense.
Most Curtis Institute recitals here in Philadelphia are absolutely free of charge!
@@PhilipDaniel That's nice, so are the recitals at Colburn School of Music here in Los Angeles. Disney Hall across the street often has rush tickets.