Two points: 1) I saw Aisslinn Nosky perform with Victoria Baroque back in January. I wish I could had seen more of her, but the venue had other ideas. To say she was wonderful would be quite the understatement. 2) I'm genuinely curious as to how you choose your programs, especially given the obscurity of many of the composers you include. Would it be possible for me to get some insight as to how you do it?
Two points:
1) I saw Aisslinn Nosky perform with Victoria Baroque back in January. I wish I could had seen more of her, but the venue had other ideas. To say she was wonderful would be quite the understatement.
2) I'm genuinely curious as to how you choose your programs, especially given the obscurity of many of the composers you include. Would it be possible for me to get some insight as to how you do it?