I am working on orchestrating the Pathetique Sonata. So far, I have only thought about the introductory grave section. Here is the link to an image showing my ideas on how to take the piano piece and orchestrate it for a symphony orchestra: i.redd.it/mu34vkr80cq21.png What do you think of my orchestration ideas?
These lectures are masterful. I am truly in awe. But my question today is... pedestrian... I just wonder why Alan pronounces the word "transition" as if it was written "trancision". Is this the Canadian way or something?
Thank you sir!
Thank You Alan Belkin!
Thank you Prof. Belkin.
I am working on orchestrating the Pathetique Sonata. So far, I have only thought about the introductory grave section. Here is the link to an image showing my ideas on how to take the piano piece and orchestrate it for a symphony orchestra: i.redd.it/mu34vkr80cq21.png
What do you think of my orchestration ideas?
Thank you
These lectures are masterful. I am truly in awe. But my question today is... pedestrian... I just wonder why Alan pronounces the word "transition" as if it was written "trancision". Is this the Canadian way or something?
Beethoven is great example of dynamic contrast without being too bright.