Ronnie Scott's was one of his favourite places. I witnessed Buddy and orchestra at Bristol Colston Hall UK every year from 1967 to and including 1974 , the late sixties i believe was his greatest years for speed and stamina. Never forget it.
What I love about Buddy's playing is that when the soloist is doing his thing Buddy lays back and just keeps time with the backbeat. But when it comes time to shine, BANG💥, he lets the audience have it!!!! Just a genius player and the greatest drummer that has ever lived, ever!!!
@@bigswingface5847 ... Sure I do, son. ...and I heard Buddy on multiple occasions ATTEMPT to play an effective, grooving one. No dice... He was no better at playing a 2+4 pocket than Peart was at swinging. No one can play everything.
@@1960taylor ....that's the same way I feel about Peart. Stiff as Al Capone's Corpse and "rushes all of his pre-planned fills. His solos are a bunch of unimaginative dribble facilitated by the enormous amount of things around him to bang on. I do agree with you though about one thing... Buddy can be real boring. But every once in awhile I'll hear a solo and which reminds me of how great he really was. I can't say that about Neil Peart... He sounds exactly the same every night because it's so over rehearsed and over thought out... There's no spontaneous whatsoever in his playing.
What a terrific arrangement! Love how BR always 'drove' the band with his accents and fills betweeen the accents of the chart. And his left-hand roll near the end of his solo is flat-out amazing. Thanks for sharing this!
@@bigswingface5847 I am right there with you and Bob Green when it comes to my favorite BR era. Never will I forget first hearing the Swingin New Big Band album. Life changing. Then could not wait until the next Pacific Jazz release.
How could anyone dislike this? Not his longest solo. Not his most psychotic solo. But his playing here, through the tune, as well as solo, is so smooth any mind-blowingly great to listen to........
Buddy is the only drummer for me that can bring me almost to tears. Not because I'll never be able to play like him, but because I can truly appreciate his talent and his artistry. The way he plays with the band bringing so much to the music without taking away from it is just beautiful. Enough has been said about his soloing abilities, but I'll say it again, his solos are the benchmark for both technique and musicality.
I love your comments! The first sentence reminds me of what Johnny Carson said, quoted on the liner notes on the Swingin' New Big Band album: "In the spring of 1966 the band opened at The Chez in L.A. At least a dozen of the top studio drummers were present. As Buddy finished the unbelievably intricate arrangement of West Side Story I looked around during the standing ovation, and several of the musicians in the audience were crying. It was not mawkish, but genuine emotion for a drummer who is as close to perfection as possible."
buddy sometimes made me cry because of his flawless technique and vinnie just makes me laugh because of his ridiculous command of rhythmic invention. mere mortals cannot even begin to touch the talent of genius
Classic BR. The band is super tight, and Buddy's backing of the band and his solo demonstrate his masterful virtuosity. Whenever people claim that this or that drummer could match or surpass BR, they need to just watch this for 5 minutes. If we didn't have these videos, probably people wouldn't believe anyone could play drums like this. And keep in mind that Buddy memorized all the music in the band's book. In that sense he was a very old school musician, like the Romani traveling musicians in Europe. Every phrase, every section of each composition, no matter how complicated with time changes and mood shifts, he knew like he wrote it himself, and you can see that clearly in this video. He always played with his mind about 2 bars or more ahead of everyone else, which is what made him not just a great drummer but a great conductor. He played like a composer. "Greensleeves" is one of the best of all his charts, and it represents the new level of sophistication in big band jazz that BR's band explored for about 20 years. So great to see "Greensleeves" as a clear video. Thanks for posting this piece of jazz history - and hopefully of jazz future.
Many of todays modern drummers are very technical, almost machine like. They lack soul. They may be fast, but they are no where close to B's ability to swing a band with that loose, relentless drive he, and only he, had.
Man, in a world where there's so much trouble and problems in which all of these fine musicians were born, I take so much comfort from being able to sit, watch and be captivated by the excellent music they made for people then now and hopefully forever.
great clip of the master. He talked the talk but could back it up. Miss having guys like that around. Sad to see we lost Bucky Pizzarelli yesterday, another legend.
Cloudview, something I never thought of....what's really amazing about this show is that Buddy actually did two great drum solos when he completed the show with Channel One Suite with a much longer solo. I can't recall any drummer even the best drummers doing that, aside from a few bars here and there (trading 4s). Buddy truly was one of a kind!
It just gives the solo that much more meaning! When you see how he drove the ensemble up to the start of his solo, and how he counted them back in during a flurry of single strokes all while maintaining perfect time and then giving it a powerful ending. Thanks so much for posting this entire video!
+C1Njz6 You describe it perfectly. At the beginning of the piece the audience doesn't know they are getting on a fast train, and when it's over they are in a completely different place.
+shvetes Glad you are appreciating this. Of all the BR videos out there from the late 60s / early 70s I think this is up there as one of the very best.
Didn't know Rick was in Buddy's late 70s band. Man what pressure no wonder he was so good on Mahavishnu. I bet he was on the recieving end of some proper shouting from Buddy.
I got to see buddy in early 70 s just amazing. The strange thing for me as a drummer. I liked when he put lots of stops crosssticks hi hat touch just his in front of the beat feel. Of course he had the famous jackhammer left hand but I just like loved the snap of his sort of old school jazz swing even when he was playing more contemporary songs. Bird land, nor wood come to mind. I've watched every video I can find but I just saw the west side story black and white one with his first band. He definitely surrounded himself with great musicians if he could. I think as it got harder and harder financially to haul a big band all over he gave younger "cheaper" players a shot. He gave them absolute hell to try to play to his standards but it definitely made them better players. I have lots of drummers that amaze me but ask any drummer of any genre that are more than 40 years old who was greatest ever and there's just no question who it is. His personality was bigger than life as well. An Icon for sure.
Lets face it, this man was the master of all masters. There are phenomenal drummers out there today. Many have there own fingerprint and there own sound, and many do things that is considered impossible. But everyone of them learned and studied Buddy, no matter which drummer it is. Because the sheer technique, power,speed,intensity, musicality, perfection,and wrists of a master are all in this one incredible musician. As much as I love Buddy with his big bands, the smaller groups that he played with were some of the most incredible work that i've seen of him. Dizzy used to say, when you play with Buddy you better bring 110 % to the table, because he will not accept anything else.
Using the traditional grip this angle makes it easier to hit rimshots with both hands. Generally everything is easier. I agree with Kal El that with matched grip a flat position of the snare would be better.
I love replaying from the 4:19 mark on just to hear and see what he's doing as well as the sight of the admiration on both the men's and women's faces in the audience to his left.
Incredible performance. Kudos to the camera men and tech/sound people on this. One of the best ever live "catches" of Buddy and the band. Also notice Buddy smiling at about 1:22 during Rick Stepton's solo. Stepton was one of Buddy's favorite sidemen.
As usual, cloudview747 comes through again. Nice. Thanks. The expression on Buddy's face is priceless at times. He looks like he was just awakened from a nap at the beginning.
+erzug About Buddy's face: he was always super cool when things weren't bothering him. Buddy had a remarkable stage presence, a strong rapport with the audience. It was a strange mixture of informality and charisma. Typically he would not have anyone introduce him, no announcer, nothing. The band members would come on stage first, tune up, etc., and then when the audience was quiet, Buddy would walk on from the wings straight to his set without facing the audience, without taking a bow, no spotlight, nothing. Now that is cool. The audience would be drawn in, and for the rest of the concert everything was in the palm of his hand.
This excellent clip is from Jazz Scene at Ronnie Scott's and was part of the Jazz Expo 69 that featured : The Clarke-Boland Big Band 'Pentonville' Guitar Workshop featuring Barney Kessel, Kenny Burrell, Grant Green 'Blue Mist' The Miles Davis Quintet 'Free Choice' The Stephane Grappelly-Teddy Wilson Quartet 'Tangerine' Sarah Vaughan and her Trio 'Passing Strangers' The Charlie Shavers Quartet 'Nature Boy' The Oscar Peterson Trio 'Blues Etude' The Gary Burton Quartet 'Portsmouth Figurations' The Stars of Faith 'We shall be changed' Buddy Rich and his Orchestra 'Greensleeves' (Colour)
Rick Stepton on lead AND solo trombone. You can see how much Buddy loved the guy.. of course he moved him up to the lead chair but made him take most of the solos too. No pressure on Rick at all…… ;o)
This Buddy's solo is one of the best I've heard over the years, and I've been listened to it repeatedly, since it was the only thing from this concert. Now, you've uploaded the whole track and I don't believe it. Like I have the whole concert. I was stunned, and I still am, by the sound of the drums and band here, that golden glow of the picture...and overall, it's an immense pleasure to watch. Well, it's obvious that the whole performance was filmed, because, you can find here on UA-cam 'channel one' and 'mercy, mercy' from the same gig, although in a very bad condition. Do you have the whole thing maybe?
+Vladimir Ocokoljić No very sorry but I do not have the whole concert in this excellent condition - only this one song. I am not sure if the master tape was lost or destroyed?? Glad you enjoy this song though. I agree it ranks high as one of the very best videos of BR.
@@cloudview747 Buddy was far bigger than the Beatles for me. When he was on any TV show, it was a must see, couldn't miss it. I wish I could have been there at any of his concerts, he was an inspiration.
@@umajunkcollector For me The Beatles were huge, but in a very different way. The Beatles were an almost miraculous collective, greater than the sum of its individual parts as they say (just my opinion). Buddy on the other hand was an individual "part" who was jaw-dropping, off-the-charts incredible in and of himself. He definitely was a major inspiration for untold numbers of musicians, and you are right that it was incredible seeing him live.
You could always see drummers like Buddy and Gene Krupa behind their drums. So many of today's feature drummers are hidden behind a massive mountain of drums and cymbals. And they don't sound as good !! Give me the great jazz drummers, anytime.
Mind bending jazz from another dimension. I think this is now my favorite rendition of Greensleeves. Well, the traditional one IS very pretty, but, this is all virtuoso level musicianship, here, an interesting jazz interpretation, and it really rips. Just my opinion, of course. Rich is the icing on the cake.
How do you do an unbelievable single stroke roll, take one hand away to begin hitting the cymbals, yet the roll continues uninterrupted? How is that possible? And why was Buddy the only one who could really do that? It just defies any sort of logic. It just can't be. .....Yet it is.....
It's a simple trick, which you can see at 3:29 and 3:44 for a long stretch. You play triplets using the bass drum as the first note and the left hand for the second and third: BLLBLLBLL. With this pattern you can use the right hand to play cymbals on the bass beat. But to do this well the left hand notes must be very crisp; in other words, you need to practice the double-stroke roll to get all the notes sounding even.
Buddy Rich used multiple left hand strokes, not only triplets. He also used left handed drags which created the illusion of many strokes. It will be many, many years before all talk will have ended about this rare genius!
I know, I noticed that too. Or maybe he was thinking "Well, what do you think people? I thought it was great. Satisfied? Meet your exceptions? I should hope so."
+erzug Audience is transported, as usual. Buddy was the master of that transition, always so exciting to hear, truly a highlight of his performance style.
The right hand sticking is distinctly other worldly, whilst the left hand sticking is completely improbable. Buddy drummed like he had several more limbs than the rest of us, he made what was a pretty basic kit sound like a juggernaut riding on a tsunami and boy could he swing. There is no world championship of drumming but Buddy’s gift was supernatural, few get close to him at his peak, he was a prodigious talent.
unbelievable I actually own the negatives to this particular evening at Ronnie Scotts as it was photographed by my late uncle Freddy Warren and looking on the walls in the back ground are some of his other photographs
PURE CLASS TO THE MAX, Mr Buddy Rich, king of all drummers. The positioning and precision to perfection to his specifications. I like the tiny cymbal, front and center, I gotta get one. I feel so sloppy in his presence, shameful, yes he puts us all to shame.
I know what you mean about how he puts us all to shame. His total command of the instrument is daunting, to say the least. But we must always remember that Buddy said many times he wanted to inspire drummers, not discourage them.
I have noticed the "in thing " now on some drum channels is to de value Buddy and his music these guys talk about "true jazz" and "fusion" drummers Buddy is "old hat" well I say this to these jazz rock fusion boys, take them all to Ronnie Scots and FRONT the band feature themselves as much as Buddy did, (not hiding behind the curtain or bass player ) right up in the chair, video the gig and let us take a look.
Interesting. I didn't know about a trend to devalue Buddy as old hat. How ridiculous. Like you say, let's see these other drummers get up there and do like Buddy did. Not going to happen! I'm not saying other drummers are bad, but I don't know of any drummer who could propel a jazz band like we see Buddy doing on this video.
+cloudview747 It was in fact 1969 that I was introduced to Buddy, I have always loved the man, saw him live at the Cork Jazz festival in the late 80s. I've never seen this particular video before so huge thanks for sharing it.
what a beatiful sound , beautiful melody he's able to pull out from the instrument... It seems to me Buddy is the only drummer in the jazz history who played better and better as the years went by ... he plays better in the last decade of his life than in the fifties ot the seventies ... smooth sound, great class and stunning elegance ... he has everything a jazz drummer needs to have
I play drums - as a private player. I'm not too bad, but I admit to being awestruck with buddy's innovation. He had a unique understanding of jazz and an unbelievable talent.
+John Perks This same recognition that has happened to you happened to me many years ago when my father told me about Buddy. I have been hooked and awestruck ever since!!
+cloudview747 Yes, my friend. He had a mind which was unique - slick and sophisticated, which he could translate into action with his sticks. Few me could drive a band so slickly, or then become an amazing soloist like no other.
+cloudview747 Yes, my friend. He had a mind which was unique - slick and sophisticated, which he could translate into action with his sticks. Few me could drive a band so slickly, or then become an amazing soloist like no other.
+erzug The snare tilt away from you allows you to do rimshots with both hands. Buddy was always mixing up three basic strikes to the snare: drumhead, rimshot, and cross-stick with the head of the left stick pressed into the drumhead. I think you can see him do the cross-stick once or twice near the beginning of his solo here; he used it quite frequently in the 1960s but then stopped, and I have no idea why.
Right you are. I noticed that later in his career, there were fewer cross-sticking beats (not counting solos), which were quite prevalent in his 60's and early to mid-70's playing.
Arr. by Don Piestrup, who contributed a lot of the band's music for about the first five years. Then John LaBarbara (among others) came in. I always appreciated how BR was constantly updating the book, adding new arrangements. Noteworthy that of all the tracks on the "Buddy and Soul" album (circa 1969), this chart is the only one that survived and was still in the regular rotation to the very end. The others were around for awhile but were soon phased out in favor of newer ones.
RICHIE COLE: I GUESS WE WERE ALL MESMERIZED WITH HIS HIP LOOKS AT THE TIME, INSTEAD OF HIS QUALITY OF PLAYING. YEARS LATER; WITH BETTER UNDERSTANDING OF MUSIC I REALIZED HE WAS FEATURED OVER OTHER ALTO PLAYERS ON THE BAND TO ATTRACT THE YOUNGER CROWD. JOE ROMANO, JIMMY MOSHIER TO NAME A FEW.
MIKE ROMANO you were so lucky to have played in Buddy's band Mike. Did you ever play Ruth with the band? That is a hell of a chart!!! I've tried A zillion times to copy Buddy's drumming on Ruth and I still can't get it right
SAXES(l-r): Pat LaBarbera, Richie Cole, Quin Davis, Don Englert, Joe Calo(b) TPTs(l-r): George Zonce, Mike Price(L), Ken Faulk, John Deflon BONEs(l-r): Malcolm Griffiths, Rick Stepton, Don Switzer(b) P: Joe Azarello B: Rick Laird Buddy Rich Nov.1969 UK TOUR (Ronnie Scotts, Palladium, “Talk of Town”, etc)
If you want to get a better look at the sticking involved at 4:24, did you know you can click on the settings icon (gear wheel icon), then click on Playback Speed, then click on .75 or .50 ?
I was at this concert i was 11 years old and only got special permission to go into Ronnies through Kenny Clare having a word with Ronnie .
!!!!
Wow!
You lucky bloat 🤓🥁👍🏼
That’s awesome
Kenny Clare was my favourite British drummer..great player and underrated
Ronnie Scott's was one of his favourite places. I witnessed Buddy and orchestra at Bristol Colston Hall UK every year from 1967 to and including 1974 , the late sixties i believe was his greatest years for speed and stamina. Never forget it.
RIP buddy greatest drummer ever
👍
This is one of those performances that puts Buddy in a class by himself.
Definitely one of my favorite BR videos.
Facts
What I love about Buddy's playing is that when the soloist is doing his thing Buddy lays back and just keeps time with the backbeat. But when it comes time to shine, BANG💥, he lets the audience have it!!!! Just a genius player and the greatest drummer that has ever lived, ever!!!
I have NEVER EVER heard BR Lay Back...
Backbest or otherwise...
EVER.
You must have no idea in hell what a backbeat actually is.
@@bigswingface5847 ...
Sure I do, son.
...and I heard Buddy on multiple occasions ATTEMPT to play an effective, grooving one.
No dice...
He was no better at playing a 2+4 pocket than Peart was at swinging.
No one can play everything.
@@FramrodLiggins you're right....and personally I'd rather listen to Peart. Buddy gets boring as hell after awhile.
@@1960taylor ....that's the same way I feel about Peart.
Stiff as Al Capone's Corpse and "rushes all of his pre-planned fills.
His solos are a bunch of unimaginative dribble facilitated by the enormous amount of things around him to bang on.
I do agree with you though about one thing... Buddy can be real boring.
But every once in awhile I'll hear a solo and which reminds me of how great he really was.
I can't say that about Neil Peart... He sounds exactly the same every night because it's so over rehearsed and over thought out... There's no spontaneous whatsoever in his playing.
What a terrific arrangement! Love how BR always 'drove' the band with his accents and fills betweeen the accents of the chart. And his left-hand roll near the end of his solo is flat-out amazing. Thanks for sharing this!
My pleasure.
This is my favorite era of Buddy......smokin' hot band and he's at the absolute top of his game.....thanks for sharing!
My pleasure.
Mine, as well. 1966 till about 1971'ish was my favorite BR era. The records on Pacific Jazz are magnificent.
@@bigswingface5847 I am right there with you and Bob Green when it comes to my favorite BR era. Never will I forget first hearing the Swingin New Big Band album. Life changing. Then could not wait until the next Pacific Jazz release.
Buddy could out play any drummer with one hand tied behind his back.
He actually did that, played one handed for MONTHS when he broke his arm.
The greatest thing I have heard in that time signature. BR every phrase and accent memorised. wow.
Wow is right! This is a very special video.
How could anyone dislike this? Not his longest solo. Not his most psychotic solo. But his playing here, through the tune, as well as solo, is so smooth any mind-blowingly great to listen to........
I agree completely. This is a real gem in Buddy's video legacy.
Buddy is the only drummer for me that can bring me almost to tears. Not because I'll never be able to play like him, but because I can truly appreciate his talent and his artistry. The way he plays with the band bringing so much to the music without taking away from it is just beautiful. Enough has been said about his soloing abilities, but I'll say it again, his solos are the benchmark for both technique and musicality.
I love your comments! The first sentence reminds me of what Johnny Carson said, quoted on the liner notes on the Swingin' New Big Band album: "In the spring of 1966 the band opened at The Chez in L.A. At least a dozen of the top studio drummers were present. As Buddy finished the unbelievably intricate arrangement of West Side Story I looked around during the standing ovation, and several of the musicians in the audience were crying. It was not mawkish, but genuine emotion for a drummer who is as close to perfection as possible."
buddy sometimes made me cry because of his flawless technique and vinnie just makes me laugh because of his ridiculous command of rhythmic invention. mere mortals cannot even begin to touch the talent of genius
Classic BR. The band is super tight, and Buddy's backing of the band and his solo demonstrate his masterful virtuosity. Whenever people claim that this or that drummer could match or surpass BR, they need to just watch this for 5 minutes. If we didn't have these videos, probably people wouldn't believe anyone could play drums like this. And keep in mind that Buddy memorized all the music in the band's book. In that sense he was a very old school musician, like the Romani traveling musicians in Europe. Every phrase, every section of each composition, no matter how complicated with time changes and mood shifts, he knew like he wrote it himself, and you can see that clearly in this video. He always played with his mind about 2 bars or more ahead of everyone else, which is what made him not just a great drummer but a great conductor. He played like a composer. "Greensleeves" is one of the best of all his charts, and it represents the new level of sophistication in big band jazz that BR's band explored for about 20 years. So great to see "Greensleeves" as a clear video. Thanks for posting this piece of jazz history - and hopefully of jazz future.
Many of todays modern drummers are very technical, almost machine like. They lack soul. They may be fast, but they are no where close to B's ability to swing a band with that loose, relentless drive he, and only he, had.
Ditto!!!
Buddy was speed, technique, and musicality all in one.
@george nolte His adrenal rush was to the max, and pumped up our adrenal glands too. Buddy prooves that there is a GOD!
@@erzug PERFECTION, as good as it gets!
The way Buddy closes out his solo from the 4:18 mark still gives me goosebumps.
Me too!
great observation. Love drummers but know bugger-all about the technical side of it. This guy was IMMENSE !! ✌️🇬🇧👍...
Man,
in a world where there's so much trouble and problems in which all of these fine musicians were born, I take so much comfort from being able to sit, watch and be captivated by the excellent music they made for people then now and hopefully forever.
😊
Tragic that this whole concert is not available in this quality!
I know! Reportedly the master of the whole concert was destroyed.
great clip of the master. He talked the talk but could back it up. Miss having guys like that around. Sad to see we lost Bucky Pizzarelli yesterday, another legend.
Cloudview, something I never thought of....what's really amazing about this show is that Buddy actually did two great drum solos when he completed the show with Channel One Suite with a much longer solo. I can't recall any drummer even the best drummers doing that, aside from a few bars here and there (trading 4s). Buddy truly was one of a kind!
No doubt. The man was absolutely a Force of Nature!!
It just gives the solo that much more meaning! When you see how he drove the ensemble up to the start of his solo, and how he counted them back in during a flurry of single strokes all while maintaining perfect time and then giving it a powerful ending. Thanks so much for posting this entire video!
+C1Njz6 Glad to be able to do it!
+C1Njz6 You describe it perfectly. At the beginning of the piece the audience doesn't know they are getting on a fast train, and when it's over they are in a completely different place.
Trek Ryder hahaha space mountain right at disney world .. you try to adjust to the mivement and the thing is theowing you the other way 🤣👍🏽
Thank you so much for this clip!! I've been wanting to see the complete tune from this concert for YEARS!!Thank you again!!!
+shvetes Glad you are appreciating this. Of all the BR videos out there from the late 60s / early 70s I think this is up there as one of the very best.
+shvetes
Me Too Shv!!
Don Piestrup. A god-damn master! Respect the arranger!!!!
No doubt!
Indeed!
Sick, just sick in the best possible way. Thanks!
YOU TOOK THE EXACT WORDS OUT OF MY MOUTH I JUST SAID TO MY GIRLFRIEND.
My Number One Big Band Drummer of All Time
Me too!
RIP Rick Laird. You were a spectacular bassist and showed great skill. 😭
Didn't know Rick was in Buddy's late 70s band. Man what pressure no wonder he was so good on Mahavishnu. I bet he was on the recieving end of some proper shouting from Buddy.
60's
This is amazing
Yep.
I got to see buddy in early 70 s just amazing. The strange thing for me as a drummer. I liked when he put lots of stops crosssticks hi hat touch just his in front of the beat feel. Of course he had the famous jackhammer left hand but I just like loved the snap of his sort of old school jazz swing even when he was playing more contemporary songs. Bird land, nor wood come to mind. I've watched every video I can find but I just saw the west side story black and white one with his first band. He definitely surrounded himself with great musicians if he could. I think as it got harder and harder financially to haul a big band all over he gave younger "cheaper" players a shot. He gave them absolute hell to try to play to his standards but it definitely made them better players.
I have lots of drummers that amaze me but ask any drummer of any genre that are more than 40 years old who was greatest ever and there's just no question who it is. His personality was bigger than life as well. An Icon for sure.
You know where I stand. For me Buddy always has, and probably always will be, the greatest ever. Happy 100th birthday to Buddy this coming September!
''When it came to speed, technique,power,that, was Buddy Rich."
No argument here!
Lets face it, this man was the master of all masters. There are phenomenal drummers out there today. Many have there own fingerprint and there own sound, and many do things that is considered impossible. But everyone of them learned and studied Buddy, no matter which drummer it is. Because the sheer technique, power,speed,intensity, musicality, perfection,and wrists of a master are all in this one incredible musician. As much as I love Buddy with his big bands, the smaller groups that he played with were some of the most incredible work that i've seen of him. Dizzy used to say, when you play with Buddy you better bring 110 % to the table, because he will not accept anything else.
I love your Comment! Thank you.
@@cloudview747 And thank you.
That snare drum roll at the end of the song.smooth powerfull creative precise and for oh so long
I know! Definitely one of my favorite Buddy Rich moments. Classic stuff.
Another great Don Piestrup chart!
Placement of the snare drum- high and leaning away. Crazy.
It's how mine is.
Using the traditional grip this angle makes it easier to hit rimshots with both hands. Generally everything is easier. I agree with Kal El that with matched grip a flat position of the snare would be better.
I love replaying from the 4:19 mark on just to hear and see what he's doing as well as the sight of the admiration on both the men's and women's faces in the audience to his left.
:-)
Even King Henry himself stirred and smiled when he heard this rendition, RIP Buddy till the next solo for us all in Gloryland...
:-)
Buddy makes it look so easy!
Sign of a true master.
The video quality is unbelievable!
:-)
Great playing!
I love this performance at Ronnie’s Club. Buddy is really excellent and magical here!!👏👏
😊
Un-freaking-belevable. Total and complete mastery musical and technique. There will NEVER be another like him.
Incredible performance. Kudos to the camera men and tech/sound people on this. One of the best ever live "catches" of Buddy and the band. Also notice Buddy smiling at about 1:22 during Rick Stepton's solo. Stepton was one of Buddy's favorite sidemen.
As usual, cloudview747 comes through again. Nice. Thanks. The expression on Buddy's face is priceless at times. He looks like he was just awakened from a nap at the beginning.
+erzug And there will be more in the near future!
+erzug About Buddy's face: he was always super cool when things weren't bothering him. Buddy had a remarkable stage presence, a strong rapport with the audience. It was a strange mixture of informality and charisma. Typically he would not have anyone introduce him, no announcer, nothing. The band members would come on stage first, tune up, etc., and then when the audience was quiet, Buddy would walk on from the wings straight to his set without facing the audience, without taking a bow, no spotlight, nothing. Now that is cool. The audience would be drawn in, and for the rest of the concert everything was in the palm of his hand.
Never gets old !!
😊
This excellent clip is from Jazz Scene at Ronnie Scott's and was part of the Jazz Expo 69
that featured :
The Clarke-Boland Big Band
'Pentonville'
Guitar Workshop
featuring Barney Kessel, Kenny Burrell, Grant Green
'Blue Mist'
The Miles Davis Quintet
'Free Choice'
The Stephane Grappelly-Teddy Wilson Quartet
'Tangerine'
Sarah Vaughan and her Trio
'Passing Strangers'
The Charlie Shavers Quartet
'Nature Boy'
The Oscar Peterson Trio
'Blues Etude'
The Gary Burton Quartet
'Portsmouth Figurations'
The Stars of Faith
'We shall be changed'
Buddy Rich and his Orchestra
'Greensleeves'
(Colour)
👍
Great call. I have a great memory from '69 associated with New Blues. Good times, indeed!
Always get vicarious carpal tunnel and calluses watching Buddy 😉
😱 🤔 😊
One person doesn't have an idea what music/drums are evidently. If you know true genius, this would have 10,521 thumbs up!!!!!
No argument from me!
Amazing solo.....unbelievably neat.
Rick Stepton on lead AND solo trombone. You can see how much Buddy loved the guy.. of course he moved him up to the lead chair but made him take most of the solos too. No pressure on Rick at all…… ;o)
it still looks good after all these years..
I just love the 4x14"
w/stick chopper hoops!
But then again Buddy can
make a fedex box sound great!
wasn't that a beautiful slinger land kit all together! and the 4 inch with the parallel lugs...gorgeous
Holy cow… sorry holly effin cow! What a great driving arrangement! Buddy says it all and the end with that big Breathe and release.
I too love this arrangement. And Buddy's playing... WOW!
Nothing compares to Buddy's technique .Nothing. Period.
Tony Williams - even more impressive technique to me, but Buddy is a close 2nd.
When Buddy appeared on National Television, the noise of other drummers breaking their sticks must have been frightening!
😂
This Buddy's solo is one of the best I've heard over the years, and I've been listened to it repeatedly, since it was the only thing from this concert. Now, you've uploaded the whole track and I don't believe it. Like I have the whole concert.
I was stunned, and I still am, by the sound of the drums and band here, that golden glow of the picture...and overall, it's an immense pleasure to watch.
Well, it's obvious that the whole performance was filmed, because, you can find here on UA-cam 'channel one' and 'mercy, mercy' from the same gig, although in a very bad condition. Do you have the whole thing maybe?
+Vladimir Ocokoljić No very sorry but I do not have the whole concert in this excellent condition - only this one song. I am not sure if the master tape was lost or destroyed?? Glad you enjoy this song though. I agree it ranks high as one of the very best videos of BR.
@@cloudview747 Buddy was far bigger than the Beatles for me. When he was on any TV show, it was a must see, couldn't miss it. I wish I could have been there at any of his concerts, he was an inspiration.
@@umajunkcollector For me The Beatles were huge, but in a very different way. The Beatles were an almost miraculous collective, greater than the sum of its individual parts as they say (just my opinion). Buddy on the other hand was an individual "part" who was jaw-dropping, off-the-charts incredible in and of himself. He definitely was a major inspiration for untold numbers of musicians, and you are right that it was incredible seeing him live.
You could always see drummers like Buddy and Gene Krupa behind their drums.
So many of today's feature drummers are hidden behind a massive mountain of drums and cymbals.
And they don't sound as good !!
Give me the great jazz drummers, anytime.
Then what about the second generation of drummers like Erskine, Cobham, Smith, etc. who do play larger kits?
That's cause they sit too high and end up up with bad posture and back problems! Lol. Gene sat lower later and had great posture at the drums.
BassmanII
Never been a fan,..but really like Carl Palmer...top class.
Dick Culley explains why you should sit above parallel-it gives your legs more power and less problems with gravity.
Great bone solo by Rick Stepton.
Love this Jazz Music
😊
Mind bending jazz from another dimension. I think this is now my favorite rendition of Greensleeves. Well, the traditional one IS very pretty, but, this is all virtuoso level musicianship, here, an interesting jazz interpretation, and it really rips. Just my opinion, of course. Rich is the icing on the cake.
I couldn't agree more!
How do you do an unbelievable single stroke roll, take one hand away to begin hitting the cymbals, yet the roll continues uninterrupted? How is that possible? And why was Buddy the only one who could really do that? It just defies any sort of logic. It just can't be. .....Yet it is.....
He was The Drum Wonder.
When I first heard him on the "Swingin' New Big Band" album perform the solo in West Side Story, I would have sworn he had four arms.
It's a simple trick, which you can see at 3:29 and 3:44 for a long stretch. You play triplets using the bass drum as the first note and the left hand for the second and third: BLLBLLBLL. With this pattern you can use the right hand to play cymbals on the bass beat. But to do this well the left hand notes must be very crisp; in other words, you need to practice the double-stroke roll to get all the notes sounding even.
Buddy Rich used multiple left hand strokes, not only triplets. He also used left handed drags which created the illusion of many strokes. It will be many, many years before all talk will have ended about this rare genius!
I've been asking the very same question for years. How? And how come only he can do it?
My Favorite Drum Solo Hands Down!
Always been a favorite of mine too!
floored. awesome. :-)
I hear you. He is a "pretty good" drummer! :-)
I think that was a young Richie Cole on the alto saxophone solo
Love his face at the end..As if to say "Well that was fun!".
I know, I noticed that too. Or maybe he was thinking "Well, what do you think people? I thought it was great. Satisfied? Meet your exceptions? I should hope so."
"Why aren't any of you standing while applauding?"
I LOVED THIS 4X14 SNARE HE GETS SO MANY DIFFERENT TONES OUT OF THAT THING JEESUS
I was an 80's kid, but I love that 'Big Band' power and swing!
👍 😊
The best drummer the band is great too!
As was the norm, a seamless transition from solo back to full band mode.
+erzug Audience is transported, as usual. Buddy was the master of that transition, always so exciting to hear, truly a highlight of his performance style.
The right hand sticking is distinctly other worldly, whilst the left hand sticking is completely improbable. Buddy drummed like he had several more limbs than the rest of us, he made what was a pretty basic kit sound like a juggernaut riding on a tsunami and boy could he swing. There is no world championship of drumming but Buddy’s gift was supernatural, few get close to him at his peak, he was a prodigious talent.
What Ross Williamson said!!
His technique is unequaled, as is his speed. But this guy flies through 4 over 3 and 3 over 4 effortlessly, and does it in so many of his charts.
unbelievable I actually own the negatives to this particular evening at Ronnie Scotts as it was photographed by my late uncle Freddy Warren and looking on the walls in the back ground are some of his other photographs
I love it!! Wonderful.
my late Uncle Freddy Warren photographed Buddy on this evening and if you look at the walls you will see many of my uncles photos
Thank you for sharing about this! Very happy to make this available so you can enjoy not only Buddy but also the photos!
Buddy going nuts in 6/8..
I love this video too. Classic stuff and in high quality.
PURE CLASS TO THE MAX, Mr Buddy Rich, king of all drummers.
The positioning and precision to perfection to his specifications.
I like the tiny cymbal, front and center, I gotta get one.
I feel so sloppy in his presence, shameful, yes he puts us all to shame.
I know what you mean about how he puts us all to shame. His total command of the instrument is daunting, to say the least. But we must always remember that Buddy said many times he wanted to inspire drummers, not discourage them.
Stepton sounds great!
I have noticed the "in thing " now on some drum channels is to de value Buddy and his music these guys talk about "true jazz" and "fusion" drummers Buddy is "old hat" well I say this to these jazz rock fusion boys, take them all to Ronnie Scots and FRONT the band feature themselves as much as Buddy did, (not hiding behind the curtain or bass player ) right up in the chair, video the gig and let us take a look.
Interesting. I didn't know about a trend to devalue Buddy as old hat. How ridiculous. Like you say, let's see these other drummers get up there and do like Buddy did. Not going to happen! I'm not saying other drummers are bad, but I don't know of any drummer who could propel a jazz band like we see Buddy doing on this video.
Good lord - astounding.
+johngill Have you known of BR for a long time and just appreciate this particular performance, or is BR new for you in general?
+cloudview747 It was in fact 1969 that I was introduced to Buddy, I have always loved the man, saw him live at the Cork Jazz festival in the late 80s. I've never seen this particular video before so huge thanks for sharing it.
+johngill You are very welcome. And be sure to check out all the BR videos in my Playlist called Buddy Rich Videos Courtesy of Cloudview.
The way Buddy looked at the Band,especially the trombone soloist, I think he thought they were " cookin' ".
I think you're right.
Rick Stepton, one of B's all time favorite trombonists.
Great !
what a beatiful sound ,
beautiful melody he's able to pull out from the instrument... It seems
to me Buddy is the only drummer in the jazz history who played better
and better as the years went by ... he plays better in the last
decade of his life than in the fifties ot the seventies ... smooth
sound, great class and stunning elegance ... he has everything a jazz
drummer needs to have
I play drums - as a private player. I'm not too bad, but I admit to being awestruck with buddy's innovation. He had a unique understanding of jazz and an unbelievable talent.
+John Perks This same recognition that has happened to you happened to me many years ago when my father told me about Buddy. I have been hooked and awestruck ever since!!
+cloudview747 Yes, my friend. He had a mind which was unique - slick and sophisticated, which he could translate into action with his sticks. Few me could drive a band so slickly, or then become an amazing soloist like no other.
+cloudview747 Yes, my friend. He had a mind which was unique - slick and sophisticated, which he could translate into action with his sticks. Few me could drive a band so slickly, or then become an amazing soloist like no other.
John Perks it moves me so much i could cry. Whoever said there is no God!
The best ever!!!!
🙂
About the severest forward tilt of his snare during all the videos and live concerts I've seen. Similar tilt in his "Rich at the Top" video from '71.
+erzug My mistake, 1973.
+erzug The snare tilt away from you allows you to do rimshots with both hands. Buddy was always mixing up three basic strikes to the snare: drumhead, rimshot, and cross-stick with the head of the left stick pressed into the drumhead. I think you can see him do the cross-stick once or twice near the beginning of his solo here; he used it quite frequently in the 1960s but then stopped, and I have no idea why.
Right you are. I noticed that later in his career, there were fewer cross-sticking beats (not counting solos), which were quite prevalent in his 60's and early to mid-70's playing.
Trek Ryder the first time I saw Buddy do that is on that one night stand video
Holyshit that guy is a God
Arr. by Don Piestrup, who contributed a lot of the band's music for about the first five years. Then John LaBarbara (among others) came in. I always appreciated how BR was constantly updating the book, adding new arrangements. Noteworthy that of all the tracks on the "Buddy and Soul" album (circa 1969), this chart is the only one that survived and was still in the regular rotation to the very end. The others were around for awhile but were soon phased out in favor of newer ones.
Thanks Neal.
Just. Wow.
😊
@@cloudview747 4:22 bro i literally hear machine guns his speed is immaculate!
There was only one true drum genius and you’re watching him!
Agreed!
Why does Buddy tilt his snare away from him? Is it to execute better rim shots?
To accommodate for the angle of the stick coming down when playing traditional grip with the left hand instead of matched grip.
Henry the viii would never have thought that his song could sound like this
Is that Jimmy Mosher that took the bass Trombone solo?
Mosher was an alto player. The tenor 'bone solo here is Rick Stepton.
@@bigswingface5847 Thanks for the answer to my question.
@@bigbreadeaterellis You are welcome!
Still the Best!
:-)
RIP Richie Cole
RICHIE COLE: I GUESS WE WERE ALL MESMERIZED WITH HIS HIP LOOKS AT THE TIME, INSTEAD OF HIS QUALITY OF PLAYING. YEARS LATER; WITH BETTER UNDERSTANDING OF MUSIC I REALIZED HE WAS FEATURED OVER OTHER ALTO PLAYERS ON THE BAND TO ATTRACT THE YOUNGER CROWD. JOE ROMANO, JIMMY MOSHIER TO NAME A FEW.
MIKE ROMANO you were so lucky to have played in Buddy's band Mike. Did you ever play Ruth with the band? That is a hell of a chart!!! I've tried A zillion times to copy Buddy's drumming on Ruth and I still can't get it right
Anyone know what snare Buddy was using here. ?
Slingerland BR model, 4 x 14.
The guy's amazing! He plays in a 'suit' and doesn't break a sweat! OK maybe a little on the brow.
The guy really was amazing.
El mejor de todos los tiempos
SAXES(l-r): Pat LaBarbera, Richie Cole, Quin Davis, Don Englert, Joe Calo(b)
TPTs(l-r): George Zonce, Mike Price(L), Ken Faulk, John Deflon
BONEs(l-r): Malcolm Griffiths, Rick Stepton, Don Switzer(b)
P: Joe Azarello B: Rick Laird
Buddy Rich Nov.1969 UK TOUR (Ronnie Scotts, Palladium, “Talk of Town”, etc)
Great snare sound.
What was it...Slingerland or Fibes.
I'm guessing Fibes.
The Slingerland BR Model, 4 x 14.
Was this at the original premises in Gerrard Street or at Firth Street?
Bluddy hell!!!!!!
4:24 is he doing that roll with only one hand??
If you want to get a better look at the sticking involved at 4:24, did you know you can click on the settings icon (gear wheel icon), then click on Playback Speed, then click on .75 or .50 ?
Wow!!!
That's why he was called "The Drum Wonder" from the time he was just a kid.
😱😱😱 insane level
Mastery level!