How I Paint Landscape Just By 4 Colors Oil Painting Landscape Step By Step 65 By Yasser Fayad
1:10:54
Technique of painting sunlight through tree canopy / Acrylic landscape painting / Art painting.
22:44
Yasser Fayad Oil Painting Landscape 24
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- Опубліковано 10 вер 2024
- Yasser Fayad Oil Painting Landscape 24
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Apparently, we only use the three primary colors (blue, yellow, and red) in addition to white, which is a neutral color, but we give them four colors metaphorically so that the novice trainees can understand the matter.
But in fact, you can create an infinite number of colors by mixing these three colors together and obtaining beautiful oil paintings
Primary colors are the basic colors that cannot be created by mixing other colors. In art, the primary colors are red, blue, and yellow. These colors are important in oil painting because they can be mixed to create all other colors on the color wheel.
Oil paints are a popular medium for artists because they offer a wide range of colors, are easy to blend, and have a long drying time, which allows for more flexibility in the painting process. When it comes to oil paints, there are many brands and types of paint available, each with their own unique characteristics.
White and black are important colors in oil painting, as they are used to adjust the value and tone of other colors. White oil paint is often used to create tints, which are lighter versions of a color. For example, mixing white with blue will create a lighter blue color. White can also be used to lighten other colors without significantly changing their hue.
Black oil paint, on the other hand, is often used to create shades, which are darker versions of a color. For example, mixing black with blue will create a darker blue color. Black can also be used to darken other colors without significantly changing their hue.
It's important to note that not all white and black oil paints are created equal. There are many different types of white and black pigments, each with their own unique properties. For example, titanium white is a popular white pigment that is very opaque and has a high tinting strength, while zinc white is a more transparent white pigment that is often used in glazes. Similarly, ivory black is a popular black pigment that is very opaque and has a high tinting strength, while lamp black is a more transparent black pigment that is often used in underpainting.
When selecting white and black oil colors, it's important to consider the pigment properties and choose colors that are compatible with the other colors you are using. It's also a good idea to experiment with different types of white and black pigments to find the ones that work best for your particular painting style and techniques.
It's worth noting that some artists prefer not to use black paint in their oil paintings and instead create shades by mixing complementary colors together. Complementary colors are colors that are opposite each other on the color wheel, such as red and green, blue and orange, or yellow and purple. Mixing these colors together can create a darker hue without the use of black paint.
In addition to white and black, oil paints also come in a range of other colors, including earth tones, greens, blues, reds, and yellows, among others. Many artists also mix their own colors to create custom shades and hues.
You are a God gifted artist,your work reflected of unparalleled beaut,it had been a pleasure to watch you how you did this very artful and professional artwork.thanks for sharing your skill with us.
Zdravo Jaser, vi ste umetnik koji tako savršeno prenosi na platno ono što vide vaše oči, to je prosto nestvarno.Ja vam se divim za savršenstva svakog detalja. Sve je prosto tu, živo, stvarno. Vi ste umetnik, detalja do savršenstva. Retka umetnost. Bravo. Pozdrav iz Srbije👏
Ох, как же уютно и красиво у вас на картине, просто елей на душу! ❤
Спасибо 🌹
O işin ustasıdır, nesneye ruh,u nefaset nakşeder.Sözller, kelimeler kifayetsiz yapılan kendini gösterir.Kolay gelsin hocam
Teşekkürler 🌹
que bello paisaje ... nada de asfalto ... para los tiempos de lluvia haría falta unos adoquines de "walk maker"; ellos no contaminan el ambiente árboreo ni los caminos de terracería ... pero esto es para la realidad; en cuanto a su arte, maestro, fantástico!!!
tienes razón Gracias 🌹
MashALLAH MashALLAH ❤🧿👌👌👍👍👍no words Respected sir yasser kamal u r Allah gifted man dear ❤ 🔥🔥🔥💐💐
Thank you so much 🌹
🤍🙏🌹
Desde Venezuela DIOS le de mucha salud ,y bendiga y proteja, esas manos maravillosas.
Gracias🌹
جدا مميزة ورائعة
تسلم ايدك ❤
الله يسلمك شكرا 🌹
Qué fantástico paisajes,bendiciones a esas manos creativas❤
Gracias 🌹
Hola maestro felicitaciones por su obra de arte gracias por compartir su talento
Gracias y de nada🌹
برادايس بريشة وباليت فنان جميل...... سلمت يداك استاذ ياسر
الله يسلمك متشكر جدا 🌹
Felicidades maestro naturaleza viva de inmenso color.
Gracias 🌹
Maşallah, fabrika üretiyor
Teşekkür ederim 🌹
Hola Yasser! Otro dulce y tierno paisaje tan encantador que amaría vivir allí ❤
Saludos desde Uruguay 🇺🇾🤗👋
Muchas gracias 🌹
Fabuleux ❤️👏👍😃🎉🏆!!!
Merci 🌹
❤
🌹
Yasser admiro tu destreza pictorica, eres excelente maestro.....🇲🇽🇲🇽.....
Muchas gracias 🌹
👍👍👍😁😁MARISA
👍👍👍❤️
So.good
Muchas gracias maestro ,lindos paisajes ,estoy aprendiendo no me rendire , saludos.
Gracias contento de escuchar eso 🌹
👍
🌹
uzivao sam gledajuci,,,,,
Hvala 🌹
QUE MARAVILHA!!!😍😍😍👏👏👏👏👏👏👏👏
Muito obrigado 🌹
Trop fort Yasser😊
Merci💐
nice Drawing
Thank you so much 🌹
فنان متميز ما شاء الله
شكرا 🌹
ชอบทุกภาพเลยคะ
ขอบคุณ🌹
Hermoso😊 hermoso💐 me encanta!! 👌👏👏
Muchas gracias 🌹
Hocan sizden deniz temalı resimlerde bekliyoruz.
İnşallah 🌹
❤❤❤
Maravilha 😍👏👏👏👏👏👍🇧🇷
Obrigado 🌹
👏👏👏👏👏
🌹
Stunning colors.
Thanks 🌹
Que tela linda parabéns
Muito obrigado 🌹
🎉
🌹
wow
Thanks🌹
💖Good evening, dear Yasser. - We have come from afar, our trail began ahead of us in the forests, but now and here we turned and look back, towards where in the distance a little daylight shimmers through the dense woods, revealing the trunks of countless trees and their transparent appearing blue-green foliage. Remembering that we also recognized some green conifers on our way, we set out to find them, but from the spot where we are resting, we think we can make out just one. It rises in the middle of the left third of our field of regard, if we're not mistaken, surrounded by deciduous trees and almost displaced from perception, it ekes out a solitary existence like its other evergreen friends scattered across the landscape. The foliage tree population is predominant here, and we can't exactly say we are sorry about that; because the biodiversity offers all kinds of pleasing stuff to the eye. Of course, in the middle of a forest, the trees may stand very close together, taking space away from each other, and as they grow, they have to arrange themselves and form branches and twigs in such a way that there is enough living space for everyone. So sometimes here, sometimes there a row of branches is missing, because otherwise the foliage crowns do not receive enough light from above. Thus, we see tall trees in the background, where the foliage crowns only begin at light heights, and smaller neighbors are content with the space below, but this does not mean that their foliage is less conspicuous; on the contrary. To the left of the path over which we have come, high, certainly already older deciduous trees rise, which, partly lying in the shadows, have first grown meters high, stretching their strong branches towards the sky. Younger ones duck against the lower third of their stems, also bordered by smaller bushes towards the path. As dark areas of shadow appear, it is not easy to tell them apart. Some are dark green in color, others bear light green and yellowish foliage, or the leaves appear a shade of purple. Shrubs studded with pink flowers grow up to our location, which is covered with fluffy grasses, and an attempt has been made to control the blooming splendor with a flower trellis. It is possible, however, that it is only an old piece of board fence, made of two light brown posts and a narrow crossbar of the same color, of which we became aware. The partially stoney forest path lies at our feet in the shade, appears to us here in a dark brown, continues as a red-brown ground on the left hand and then runs sunlit and in places yellow-beige appearing up to the edge of the forest, where it disappears from our view due to the brightness incidence there from above. Directly in front of us, the track forks and leads straight ahead for a short distance in a slight bend to the right. To our right, blooming shrubs and flowers grow. A low plant that blooms yellow takes the spot next to us, taller shrubs join it; they bear beautiful yellow, purple-pink, white and occasionally red flowers that could be roses. In the shadow area there is a dark green bush, whose dense leaves probably appear lighter by reflected light, and at the right outer edge there shows vaguely a reddish area, which we cannot determine; perhaps a wall shimmers there through the tangle of leaves or maybe the part of a low roof, belonging to a small garden house; but this is only speculation, and no matter how hard we try to find a peephole, it's a wasted effort. However, it makes us take a closer look at the beautiful deciduous tree adjacent to it, which delights our senses with its flaming canopy of leaves and whose foliage, still caught by the sun's rays on the left side, glows orange-red there, rather reddish brown in the middle and takes on a dark red hue on the right periphery in the area of shadow. (--> part 2)
Part 2: In its background, green-yellow foliage indicates that other trees live there. But let's first take a look at the building, whose external appearance is also not without its own and, on top of that, difficult to describe. Someone has built a house in the middle of this natural paradise, not unlike a brightly plastered bungalow. Since it is covered to the left by shrubs that occupy the area at the fork of the path, spread out towards the building, also achieving a good height for flowering bushes and, moreover, occupying a good part of the ground, we are unable to recognize the lower third of the house. We can assume that there is a veranda with a seating area, where you can relax from time to time, but to verify this, we would have to get closer. At the moment, however, we are still too exhausted from the long walk and prefer to take a closer look on the way home. At the left corner of the house, where we assume the veranda, the large pointed roof, which appears in a light reddish brown, overhangs a bit to the side and is supported there by a long white-painted beam. The tall brick chimney will be about centered on the front face. Below the roof, in front of the left and right corners of the house on the main side facing us, we see one white-painted muntin window each, fitted with ten small window panes. Possibly, as on the right side of the house, there are two more windows, but then they are covered by a green climbing plant with pink flowers, which creeps up to the roof. To the right of the vine is an entrance door, next to it apparently another window, which is also hidden behind a large climbing plant. Above the front door we find either a white-plastered bay window or a small tower with a six-pane mullioned window, whose blue protective shutters seem to be open. Back down in front of the house, we admire a four- or five-step white stairway that probably ends in a landing that leads over to the front door. Just above the stairs, there is a two-row mullioned window with six panes on the left and a single-row mullioned window with three panes on the right (we think they are not doors). The outer right corner of the house cannot be seen from here, as it disappears behind the deciduous tree with the gorgeous reddish canopy. Some beautiful trees with green-yellow appearing foliage protect the rear long side of the house, their upper branches as well as a part of the right path at the foot of the stairs still remain in the sunlight, while the much higher growing second row of trees behind them is already reached by the shadows, there in a darker green appearing, and only on a few leaf clusters light green spots are still recognizable. With a last comprehensive look, we once again capture this wonderful location, hope that we have explored everything and missed nothing, and then we make our way home. Not until we have already reached the edge of the forest does it occur to us that we have not looked to see if the house has a veranda or not. - Thank you very much, dear Yasser. What a painting, rich in detail and so beautiful ! Gorgeous colors as far as the eye can see and a sea of lovely shrubs, flowers and trees. Simply wonderful ! - Be blessed, have a good night.💖
Thank you so so much dear Cora, that was very enjoyable🌹🌹🌹
@@YasserFayad Thank you, and you're very welcome, dear Yasser👋
Maestro un favor, que tela utiliza se ve de grano grueso por esto da un efecto más natural, gracias bendiciones 🙏🙏.
De nada 🌹
C'est jolie mais trop long à regarder ! Désolée !
Merci, mais mon cher art a besoin de patience🌹
So.good
❤
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