Wunderschöne und detaillierte Interpretation dieser kompakten doch perfekt komponierten Sonate im veränderlichen Tempo mit klarem doch warmherzigem Klang des technisch fehlerlosen Fortepianos und mit perfekt kontrollierter Dynamik. Der zweite Satz klingt echt schön und auch tiefempfunden. Wahrlich intelligente und geniale Musikerin!
No one will ever be like Beethoven. You hear him, and immediately, you know who it is. He was a conduit from creation itself because the music transcends time and space. It fits into the "classical" period but ALWAYS sounds fresh, modern, and vibrant. Brilliant as he was, you can't always say that about Mozart!
@@theorymaster6310 I know it's a little controversial don't get me wrong. But yet there is something truly unique about the austere, directness, and depth of Beethoven that is just him and him alone.
@@RaidenShotgunEi Absolutely (though I've mistaken some of John Field's nocturnes for Chopin, lol)! I feel like Baroque composers can be pretty distinctive too -- especially Vivaldi. You can always tell which pieces are written by him.
hello? My name is Jeongmin Lee and I live in Korea. I love music! Unlike the usual 440HZ frequency, this song has a 432HZ frequency! The piano also has resonance, but the low register feels like a harpsichord, and the high register seems to have a slightly shaky pitch! The piano may not be a Yamaha, Steinway, or Kawai at all, but what kind of piano is it? The piano used in this UA-cam sound source seems to have a bit of a shaky pitch in the high register, but it still has a different sound and resonance, so I enjoy listening to it! I want to try playing on this piano in the future! Please give me your due diligence!
![Beethoven - Piano Sonata No. 26 "Les Adieux" in E-flat major, op. 81a (Audio+Sheet) [Arrau]](http://i.ytimg.com/vi/PaBl6lhaFWY/mqdefault.jpg)
10:57 3rd movement
Wunderschöne und detaillierte Interpretation dieser kompakten doch perfekt komponierten Sonate im veränderlichen Tempo mit klarem doch warmherzigem Klang des technisch fehlerlosen Fortepianos und mit perfekt kontrollierter Dynamik. Der zweite Satz klingt echt schön und auch tiefempfunden. Wahrlich intelligente und geniale Musikerin!
No one will ever be like Beethoven. You hear him, and immediately, you know who it is. He was a conduit from creation itself because the music transcends time and space. It fits into the "classical" period but ALWAYS sounds fresh, modern, and vibrant. Brilliant as he was, you can't always say that about Mozart!
i could say the same about mozart. You can always tell when it’s mozart. Also, did beethoven develop an entire genre of music?
@@theorymaster6310 I know it's a little controversial don't get me wrong. But yet there is something truly unique about the austere, directness, and depth of Beethoven that is just him and him alone.
Beethoven AND Chopin you mean! You can also tell who Chopin is as well
Yup. Mozart's too vanilla. Beethoven is the sh:t
@@RaidenShotgunEi Absolutely (though I've mistaken some of John Field's nocturnes for Chopin, lol)! I feel like Baroque composers can be pretty distinctive too -- especially Vivaldi. You can always tell which pieces are written by him.
Interesting old score printing from Breitkopf & Hartel. You can even see the watermark on the front page.
hello? My name is Jeongmin Lee and I live in Korea. I love music! Unlike the usual 440HZ frequency, this song has a 432HZ frequency! The piano also has resonance, but the low register feels like a harpsichord, and the high register seems to have a slightly shaky pitch! The piano may not be a Yamaha, Steinway, or Kawai at all, but what kind of piano is it? The piano used in this UA-cam sound source seems to have a bit of a shaky pitch in the high register, but it still has a different sound and resonance, so I enjoy listening to it! I want to try playing on this piano in the future! Please give me your due diligence!
It's clearly a period piano or reproduction, at the time the sonata was written I believe he was playing on an Erard piano.
@@Sshooter444 Thank you.
This edition omits the "cresc" in the final whole note of the 1st movement, I guess the editor didn't have a sense of humor.