Thanks for watching today! If you want to try scoring the scene, I'm sharing a version with no music on my Patreon: patreon.com/andrewhuang If you need more Spacetime in your life... Full series in one video: ua-cam.com/video/m-aSLB_cshE/v-deo.html Behind the scenes: ua-cam.com/video/m1IFGLwOTRk/v-deo.html Album: fanlink.to/AndrewHuangSpacetime
As a composer who's been watching your channel for years it was such an honor to be part of this, among such good company on top of that! Thank you for having me Andrew, and amazing job everyone!
I grew up watching Alex Moukala in high school because of his trailer music style definitely looked up to you. It's so awesome to see you make it in here!
Homay's score is like the most professional score that can reliably win a film score competition. There is not a single mistake in the knowledge and experience of film score. It maximizes the service of scene and story. Both the atmosphere needed for the scene, but also has a rather pleasant musicality.
I love how Homay took the emotion of the scenes fully seriously and, despite having a doge in a crystal, it fully works and doesn't clash with the tone of the scene at all. It makes it only better!
@@benilyadovein2434 his was the only proper score imo, it didn't try to sound too grand neither stole the focus off the characters and dialogue. easily the best fitting for an actual movie
Damn this was amazing. The analysis from Homay, the reuse of Space and Time by Alex almost made me cry, the horror feeling that Tennyson gave it, and Andrew microfreaking out. I love this, and great idea Andrew for a 4 composers episode!
All were excellent, but Tennyson's simplistic choices during the dialogue part fits the scene better so you can hear the conversation. Really, it's a part that doesn't need much music.
IMHO Oscar definately goes to Homay Schmitz 😊 Super impressive score. Felt so empathetic to the whole structure and arc of all the clips. Like the most “wise” and “mature” approach if that makes any sense.
11:33 Alex's version seriously captured the God-like powers of the alien. Chills for sure! That vocal bed and reintroduction of Andrew's theme was so Hollywood. What a cool video!
every single one sounds beautiful.. but Tennyson's sounds professional,, like actual scoring for a movie instead of a music video, he knows how to fit the music with the mood and accentuate it. He knows when to not add any music at all and he's not afraid to use simple composition to help the mood instead of making a beautiful ambience or melody. Love it very much
I love Homay's. Especially the space section. It really feels cinematic. Consistently good and no one section stands out, which is possibly a down side. Alex's crash is impactful. It has a lot of tension. This version feels a lot more like a music video and less like cinema. The emotion is excellent while he's talking to the alien. Tennyson also took a more cinematic approach. Its really beautiful and creepy. He has an excellent use of silence/pauses/volume which the first two didn't use anywhere near as much or as well. He has the best ground scene with the alien. Adds so much to the visuals. Andrew also has the music video feel in the first half. But also has cinematic touches. Feels more like TV rather than a movie. Another great use of volume and silence in this one. They're all so cool and different!
Alex Moukala's idea to use the Space Time vocal theme worked so well, almost seemed like that was the way it was always meant to be! Props to everyone, all of them gave me chills!
"Sometimes, you don't need music for dialogue" Let it breathe. Got teary eyed from the Awesome Piano part. Really captures the beauty of Space. Dope from Tennyson! All others good too...
I love that each approach was very different but ultimately knitted so well with the scenes. It demonstrates the importance of music/sound to film. I am disappointed often by Hollywood scoring films with existing songs, rather than scoring something for the scene itself.
Luke did what I thought was required. Textural and minimal, creating space but not distracting you or pushing you with explicit melodies, etc. Brilliant interaction with the visual narration.
The perfect score is a combination of the 4, The emotions of Tennyson, the aggression of Alex, the tension of Homay, and the futuristic feeling that Andrew gave to the film, GREAT WORK
Andrew, kudos for editing this differently from other _Composers Series_ videos - keeping the composers’ comments to a minimum to not distract from the visuals and audio makes total sense, along with having those reaction play in that small bubble… Very smart!
Homay's version is absolutely incredible, the genius idea to have the score playthrough the blackout scene, omg, master stroke!! its a complete cinematic score.
Homney’s felt like a beautiful and mysterious that felt modern in its soundscapes, Alex has this cinematic track that mixed the styles of new music producers and old composers and felt more thoughtful in how he thought of melodic structures, Tenyson felt like a new age producer in his approach and felt minimiliast in how he used lots of samples
AMAZING! MAGNIFICENT! UNBELIEVABLE! Every musical aspect was just epic! I loved especially Alex's Moukala and Andrew's rendition! The piano melody from Tennyson was also mesmerizing!
Tennyson's is clearly the best one. In a scene like that there most likely wouldn't be a bunch of music but subtle reverbs mixed with ominous silence. The glitch effects are really good too.
Loooved Alex's first, I felt such a real connection to the personality through wavelengths, even from the beginning, but the optimistic tone in such a specific place really made me understand why I had sensed anything. And then Tennyson's.... whooo wee! It absolutely hit me like a truck that rather than a cinematic explanation of how I'm probably feeling, I could be shown, still beautiful and vague but clear. Exactly. How a character feels. An unconcious one!
Tennyson will probably never know, but a big part of the reason I didn't commit suicide in freshman year of college is because of his song Beautiful World. It gave me an anchor to hold on to at the end of my rope. I'm thankful for that.
These are all so good!! It's remarkable how much the scene changes with the different compositions. And I got literal chills when Moukala brought the bass in. That was just **chef's kiss**
Homay's felt the most natural, like what the actual sounds in the movie would/"should" be like. Alex's sounded more like a teaser clip for the upcoming movie, so the score is more dramatic and designed for that to be the whole product with it cutting off there at the end, rather than the next scene then taking place during the actual movie. Within that context, it was very nice, otherwise a little too much for the actual movie score. Tennyson's was a little peculiar. Oh Andrew. That sounded like a clip from a music video lol. "produce a mini music track to go with this visual" or something (rather than it being a film). Sounded like a very different overall project going on there (at least the first half).
Amazing work and such a goldmine for composers to learn from. Homay's score practically brought me to tears, expressing the most relatable of human emotion and experience, how nuanced it all is. Like bringing out the beauty of a tragic accident for example.
When the replay analytic line appears on this video the drop Alex made with the layered voiced theme is going to be a giant spike. It's seriously incredible. It gave me goosebumps.
It amazes me how each perception and skill turns one story into variety of beautiful variations. Its hard for me to like one over the other. Thank you for the inspiration.
There is a point at which a video stops being content and becomes art. It's been like that for years since I found your channel. I can see every second of effort, passion and detail that you put into your format. Congratulations!
In my electronic music class in high school, the teacher had us all score the Jurassic Park trailer. It was awful lmao. Great video, fun to see the pros doing the same thing!
I love this series. Sound is so under appreciated and this really sheds light on how much sound design can impact a scene. More of this series! Also really appreciate the different producers and composers you mix together, from classic to dubstep it is fun to see how each thinks about the emotions, design, and beats of a scene.
I was really glad to see Alex Moukala as I've been following him for more than 3 years now and his scoring skills are really great and he just gives more than what is expected his score reminds me artists like hans zimmer and john williams just epic!!!!!
First one was etheral-y beautiful. Second one gave me goosebumps, using a lotta brass sounds always sounds so large and epic and was so fitting for endless space. Third one was cold and crisp, and gave space to the scene. Fourth one's retro vibe was cool, and the sound design for the second part of the scene I felt fit the best.
During Andrew's score of him looking at the oxygen meter, I would have loved an additional loop of fast triplets falling down in pitch, on top of the droning note, to sort of represent him internally spiraling with anxiety.
Different producers actually had the best feeling for different parts of the video. IMO: 1. Build-up to collision needs to be epic 2. Aftermath of the explosion: serene 3. Rescue: more of an epic moment but can get away with being happy, serene. 4. Wake-up conversation: no music 5. Checking crystals: endangering 6. Realization he is going to die and splitting up: sad
OMG Andrew you have to write the rest of that track, that was epic and you essentially just cut it off right before the drop. That was just like proper late 90s classic trance. I will give you all of the money!!!
Yo, this was such a crazy episode! Unique concept and the execution was propably the best thing I saw on youtube this entire year! I'd love some more similar things with scores for particular scenes in whatever
I love the fact that I could watch the same scene 4 times and enjoy it in 4 different ways. You ever hear a song and get upset that you can't listen to it for the first time ever again? Well, I was sorta able to do that today 😊 amazing ❤️
I love every episode of these, specifically the ones with virtual riot, but oh man I had THE most fun watching this one! Smile on my face the entire time 🙏
VERY interesting, and you're all in great form - top work. I'd love to watch each of them back to back with no commentary: each soundtrack puts attention on different visual and emotional points in the scenes. A very interesting comparison - thank you.
Thanks for watching today!
If you want to try scoring the scene, I'm sharing a version with no music on my Patreon: patreon.com/andrewhuang
If you need more Spacetime in your life...
Full series in one video: ua-cam.com/video/m-aSLB_cshE/v-deo.html
Behind the scenes: ua-cam.com/video/m1IFGLwOTRk/v-deo.html
Album: fanlink.to/AndrewHuangSpacetime
hola?
great video, soundtrack music requires a certain vibe
Request: do a fast rap but with your voice pitched down three semi-tones
YO THIS IS AWESOME AND YOU GOT TENNYSON ON HERE AHAHAHA
@@sat1241 the Homay`s one was perfectly done, Im surprised she doesnt do that for all major movies
Were those chills multiplying?
As a composer who's been watching your channel for years it was such an honor to be part of this, among such good company on top of that!
Thank you for having me Andrew, and amazing job everyone!
Looove your writing, and your range, and your positivity - let’s work together again some time :)
I get goosebumps when the bass and all those layers come in when horace grabs andrew, so fire
I grew up watching Alex Moukala in high school because of his trailer music style definitely looked up to you. It's so awesome to see you make it in here!
your rendition was so moving!
I like yours the best. Listened to it three times
Homay Schmitz's score was so beautiful and fit so perfectly! I just felt so right, like it couldn't be any other way. Absolutely loved it.
Yup!
Andrew`s version made it sound like a concert promo video where Homay made it sound like an actual 2hr long movie
Homay's score is like the most professional score that can reliably win a film score competition. There is not a single mistake in the knowledge and experience of film score. It maximizes the service of scene and story. Both the atmosphere needed for the scene, but also has a rather pleasant musicality.
her scoring is the closest to film texture.
Alex and Homay best
I love how Homay took the emotion of the scenes fully seriously and, despite having a doge in a crystal, it fully works and doesn't clash with the tone of the scene at all. It makes it only better!
dang, her music makes me forget that a Doge in a Crystal is not Normal,
Both Crystal Doge and Andrew become such a Sentimental Emotional being
So glad to see Alex Moukala involved in this!
The most underrated music producer on YT IMO
yes im happy for him
Alex FTW!
He did a great job. I think his interpretation was my favorite but the others come really close.
Yesssssss
i see tennyson i hit the like button - this is such a cool idea!!!
His score was weak tho
@@benilyadovein2434 as if!!! Easily the best one by far.
@@benilyadovein2434 his was the only proper score imo, it didn't try to sound too grand neither stole the focus off the characters and dialogue. easily the best fitting for an actual movie
TENNYSON IS THE GOAAAATTTT
Tennyson is so important to me as a producer. Such a humble and amazing human being that really knows how to make beautiful music. Thank you for this
That piano 😮
He's kind of a weirdo. People who fry speak all the time creep me out. Also, I checked out his music on Bandcamp and it was nauseating
@@sr-kt9ml he's a genius, it's okay if you can't understand it
@@sr-kt9mlwhat’s fry speak
Damn this was amazing. The analysis from Homay, the reuse of Space and Time by Alex almost made me cry, the horror feeling that Tennyson gave it, and Andrew microfreaking out. I love this, and great idea Andrew for a 4 composers episode!
All were excellent, but Tennyson's simplistic choices during the dialogue part fits the scene better so you can hear the conversation. Really, it's a part that doesn't need much music.
IMHO Oscar definately goes to Homay Schmitz 😊 Super impressive score. Felt so empathetic to the whole structure and arc of all the clips. Like the most “wise” and “mature” approach if that makes any sense.
11:33 Alex's version seriously captured the God-like powers of the alien. Chills for sure! That vocal bed and reintroduction of Andrew's theme was so Hollywood. What a cool video!
I got chills too, so cool. Did an amazing job saving the low end for that part.
that synth at 11:49 seals the deal! full body chills
yes!!
Yes yes yessss
Bro, I’m so happy to see Tennyson. It’s like the crossover we both deserved AND needed.
every single one sounds beautiful.. but Tennyson's sounds professional,, like actual scoring for a movie instead of a music video, he knows how to fit the music with the mood and accentuate it. He knows when to not add any music at all and he's not afraid to use simple composition to help the mood instead of making a beautiful ambience or melody. Love it very much
Tennyson's Rot is one of my favorite albums ever. So excited to see him here.
Iron is the best pop song I’ve ever heard
@@somedood6621is your house on a slippery slope
@@somedood6621 personally i like get gone. the chorus makes me feel like im melting with that minor chord progression.
I love Homay's. Especially the space section. It really feels cinematic. Consistently good and no one section stands out, which is possibly a down side.
Alex's crash is impactful. It has a lot of tension. This version feels a lot more like a music video and less like cinema. The emotion is excellent while he's talking to the alien.
Tennyson also took a more cinematic approach. Its really beautiful and creepy. He has an excellent use of silence/pauses/volume which the first two didn't use anywhere near as much or as well. He has the best ground scene with the alien. Adds so much to the visuals.
Andrew also has the music video feel in the first half. But also has cinematic touches. Feels more like TV rather than a movie. Another great use of volume and silence in this one.
They're all so cool and different!
Alex Moukala's idea to use the Space Time vocal theme worked so well, almost seemed like that was the way it was always meant to be! Props to everyone, all of them gave me chills!
Homay didn't have to go this hard for a 2 min scene, but she decided anyway.
Homay was really spot on here! amazing how the soundtrack can change the entire feeling of a scene!
Agreed!
Alex’s score legitimately gave me chills
Homay effin' Schmitz just gave me goosebumps for 8 minutes straight. That was so beautiful!
Tennyson!!! He's had incredible sound design for years, stoked to see him get some more recognition.
Homay AND Alex in one video!? Let's go! All of their pieces were so good!
2 of my favourite Music youtubers, Alex moukala and Andrew huang in the same video, my life is complete
"Sometimes, you don't need music for dialogue" Let it breathe. Got teary eyed from the Awesome Piano part. Really captures the beauty of Space. Dope from Tennyson!
All others good too...
I love that each approach was very different but ultimately knitted so well with the scenes. It demonstrates the importance of music/sound to film. I am disappointed often by Hollywood scoring films with existing songs, rather than scoring something for the scene itself.
Homay's (
Luke did what I thought was required. Textural and minimal, creating space but not distracting you or pushing you with explicit melodies, etc. Brilliant interaction with the visual narration.
I love Tennyson's work here. I feel like watching a real movie scene more on there.
YO LETS GO TENNYSON!!!!!!!!!!!!!
Homay schmitz’s score was the best. Does not overpower the film but helps push the film further. This a perfect example of “less is more”
The perfect score is a combination of the 4, The emotions of Tennyson, the aggression of Alex, the tension of Homay, and the futuristic feeling that Andrew gave to the film, GREAT WORK
Homay and Tennyson did great. Definitely matched the scenes alot more than the others.
Alex's theme is absolutely ethereal. 11:35 - 12:00 is breathtaking.
Andrew, kudos for editing this differently from other _Composers Series_ videos - keeping the composers’ comments to a minimum to not distract from the visuals and audio makes total sense, along with having those reaction play in that small bubble… Very smart!
wow, all of them made a wonderful job, but I have to say that Homay's one was just stunning, the part when Andrew is floating literally gave me chills
Homay's version is absolutely incredible, the genius idea to have the score playthrough the blackout scene, omg, master stroke!! its a complete cinematic score.
So glad you finally got Tennyson the channel, one of my favorite artists of all time :)
Homney’s felt like a beautiful and mysterious that felt modern in its soundscapes, Alex has this cinematic track that mixed the styles of new music producers and old composers and felt more thoughtful in how he thought of melodic structures, Tenyson felt like a new age producer in his approach and felt minimiliast in how he used lots of samples
Homay blew it out of the water. Everything they did hit perfectly.
Gosh Alex continues to be UNMATCHED, i cant get over the way the vocals swell and the creativity of using the main melody as a motif just, UGH!!💗💞💖💕
Homay’s clearly the best score here. Thoughtful and crafted so well. ❤
AMAZING! MAGNIFICENT! UNBELIEVABLE! Every musical aspect was just epic! I loved especially Alex's Moukala and Andrew's rendition! The piano melody from Tennyson was also mesmerizing!
Alex Moukala knocked it out the park, holy... he's built different. Everyone did a great job, awesome video Andrew!
Tennyson's is clearly the best one. In a scene like that there most likely wouldn't be a bunch of music but subtle reverbs mixed with ominous silence. The glitch effects are really good too.
This video is best experienced with some headphones. Wow the sounds were phenomenal from everyone. Alex's stood out to me as sounding the most grand.
Tennyson's score was absolutely incredible.
Loooved Alex's first, I felt such a real connection to the personality through wavelengths, even from the beginning, but the optimistic tone in such a specific place really made me understand why I had sensed anything.
And then Tennyson's....
whooo wee! It absolutely hit me like a truck that rather than a cinematic explanation of how I'm probably feeling, I could be shown, still beautiful and vague but clear. Exactly. How a character feels. An unconcious one!
This scene with Aeon II makes me tingle everytime
"Never heard that sound before in my life" is just not a sentence I thought Andrew Huang could make
Tennyson will probably never know, but a big part of the reason I didn't commit suicide in freshman year of college is because of his song Beautiful World. It gave me an anchor to hold on to at the end of my rope.
I'm thankful for that.
This, perhaps was the best one yet of the series. It was great!
It has never been more impossible to pick a favorite...
These are all so good!! It's remarkable how much the scene changes with the different compositions. And I got literal chills when Moukala brought the bass in. That was just **chef's kiss**
Homay's felt the most natural, like what the actual sounds in the movie would/"should" be like.
Alex's sounded more like a teaser clip for the upcoming movie, so the score is more dramatic and designed for that to be the whole product with it cutting off there at the end, rather than the next scene then taking place during the actual movie. Within that context, it was very nice, otherwise a little too much for the actual movie score.
Tennyson's was a little peculiar.
Oh Andrew. That sounded like a clip from a music video lol. "produce a mini music track to go with this visual" or something (rather than it being a film). Sounded like a very different overall project going on there (at least the first half).
Amazing work and such a goldmine for composers to learn from. Homay's score practically brought me to tears, expressing the most relatable of human emotion and experience, how nuanced it all is. Like bringing out the beauty of a tragic accident for example.
When the replay analytic line appears on this video the drop Alex made with the layered voiced theme is going to be a giant spike. It's seriously incredible. It gave me goosebumps.
Homay is pure magic, great job!
Here for Homay, so glad you got her on here!
It amazes me how each perception and skill turns one story into variety of beautiful variations. Its hard for me to like one over the other. Thank you for the inspiration.
Man actually got Homay to be part of this😳👏💯
Homay's pitch bends did something deep inside me
The contrast between your scores is amazing to hear, yet all of them sound phenomenal and go so well with the visuals.
Awesome.
The most replayed part says it all! Chills to all of us from Alex Moukala! just WOW!
Homay is amazing. Ive discovered her trough this vid and im glad i did
These were all amazing! Especially Alex's score. This series never fails to inspire me to keep making music ❤
Homay Schmitz KILLED IT
There is a point at which a video stops being content and becomes art. It's been like that for years since I found your channel. I can see every second of effort, passion and detail that you put into your format. Congratulations!
This means a lot, thank you!
@@andrewhuang ✋✨
In my electronic music class in high school, the teacher had us all score the Jurassic Park trailer. It was awful lmao. Great video, fun to see the pros doing the same thing!
Tennyson is one of THE best electronic producers on the globe right now. Really excited to see this.
11:54 is literally a goosebump moment 🔥🔥🔥
I love this series. Sound is so under appreciated and this really sheds light on how much sound design can impact a scene. More of this series! Also really appreciate the different producers and composers you mix together, from classic to dubstep it is fun to see how each thinks about the emotions, design, and beats of a scene.
I was really glad to see Alex Moukala as I've been following him for more than 3 years now and his scoring skills are really great and he just gives more than what is expected his score reminds me artists like hans zimmer and john williams just epic!!!!!
Really really love this series of the scoring, this vid and the other scoring video from 2 years ago, so so cool
First one was etheral-y beautiful. Second one gave me goosebumps, using a lotta brass sounds always sounds so large and epic and was so fitting for endless space. Third one was cold and crisp, and gave space to the scene. Fourth one's retro vibe was cool, and the sound design for the second part of the scene I felt fit the best.
During Andrew's score of him looking at the oxygen meter, I would have loved an additional loop of fast triplets falling down in pitch, on top of the droning note, to sort of represent him internally spiraling with anxiety.
i was NOT expecting to see Tennyson here
Different producers actually had the best feeling for different parts of the video. IMO:
1. Build-up to collision needs to be epic
2. Aftermath of the explosion: serene
3. Rescue: more of an epic moment but can get away with being happy, serene.
4. Wake-up conversation: no music
5. Checking crystals: endangering
6. Realization he is going to die and splitting up: sad
OMG Andrew you have to write the rest of that track, that was epic and you essentially just cut it off right before the drop. That was just like proper late 90s classic trance. I will give you all of the money!!!
It’s “Aeon II” from my album Spacetime
Oh hell yeah! Would love to see more scoring challenges like this!
Yo, this was such a crazy episode! Unique concept and the execution was propably the best thing I saw on youtube this entire year!
I'd love some more similar things with scores for particular scenes in whatever
Love how atmospheric and minimalistic Tennyson's score is... but everyone did an outstanding job :)
when I saw Homay and Alex's names I KNEW this was a must watch!! And they did not disappoint!! All were incredible! Well done all.
ALWAYS A BANGER ANDREW
I love the fact that I could watch the same scene 4 times and enjoy it in 4 different ways.
You ever hear a song and get upset that you can't listen to it for the first time ever again? Well, I was sorta able to do that today 😊 amazing ❤️
25:03 I loved everything in this video. Everyone brought such a unique view, and your reaction here was a nice gem
Tennyson and Andrew Huang in a video is the collab I never knew I needed
The amount of talent in these videos is so baffling
Cool to see Alex and Homay here!
ALL THESE COMPOSERS ARE SUPER SICK. Alex Moukala got me so intrigued
I love every episode of these, specifically the ones with virtual riot, but oh man I had THE most fun watching this one! Smile on my face the entire time 🙏
Thank you for this amazing video guys! ❤
Wonderful segment. What pros!. Also loving Alex's necklace with the audio jack. Must have 😊
What a great concept for already a great "4 producers" series. All soundtracks are very detailed and could be used for the scene. Really enjoyed it.
super cool to see everyone's approach!! tennyson's piano was so good :0
Homay with the EMOTION
You guys are nuts. The whole thing is fascinating - EVERY episode is fascinating. Love you ❣
VERY interesting, and you're all in great form - top work. I'd love to watch each of them back to back with no commentary: each soundtrack puts attention on different visual and emotional points in the scenes. A very interesting comparison - thank you.
What won it for Tennyson was the use of silence when he first awoke on the planet.
Alex gave me absolute chillsss the entire sequence was GAWD