Just came over from your lesson on how to solo. Sooooo helpful. It puts all these different pieces together. And now th backing tracks are awesome to follow up with. Thanks!
Thanks for this! I'm enjoying your videos. Just played along to this and being new to soloing it feels amazing jamming away to this. I'LL BE BACK!! 🤘 😝 🤘
what is the idea of jamming? should I just try to improvise on C scale, or I have to play something diffrente when the F chord is playing? thanks for the nice track
don't worry too much about timing because it'll make sense the more you jam/practice/play. Main thing is to be able to play in key and try to play WHAT YOU WANT TO HEAR (inner head melody) as the song goes on...thats the challenge.
Cool observation, and a neat way to keep two scales parallel (C major, C Dorian). C Dorian has C, D, Eb, F, G, A, Bb, C. The F major triad is in the C Dorian. However, the Eb is that b7 interval that would give a dominant tonality (F7), and as noted, that would give a bluesy sound since blues likes to use 7 chords over the I, IV and V progression. With the G, you have the 9th, which is also nice and bluesy (F9, or even Fadd9). The D lends the sweetness of the 6th (F6, or even F13 which again is bluesy/jazzy). Finally, the Bb would be that 4th over top of F that gives a cool suspended sound when used as a passing tone (so as not to clash too hard with the 3rd, which is the A). All in all, some great extensions built into the I Dorian over the IV chord.
If you’re just learning to jam, Scott Paul Johnson is the best online teacher there is.
I just came from watching your pentatonic scale video and now i am 100x better than i was a week ago, Thanks!
Just came over from your lesson on how to solo. Sooooo helpful. It puts all these different pieces together. And now th backing tracks are awesome to follow up with. Thanks!
After learning the pentatonic scale and playing in key it finally feels like I can get the hang of this
Heck Yeah
Try arpeggio with clean or mild-crunch. It sounds amazing on this track.
Thanks for this! I'm enjoying your videos. Just played along to this and being new to soloing it feels amazing jamming away to this. I'LL BE BACK!! 🤘 😝 🤘
Great for beginners like me thank you for taking the time for the little people
Nice. Got a 60s/70s RnB feel.
Great tracks for practice 🤘 thanks a lot 🙂
Make more like this one, Scott! Love the PNW vibes here
This is beautiful. Thank you
Newbie at jamming but this feels real good 🥰
😊 It's great isn't it!! You must have got pretty good since your comment!
cummon that's the best backing track ever! So simple and still so beautiful
Minor/Major pentatonic scales learn these and their simple structures and your well on the way
Scott’s da man 👨!!!!
Such a lovely tune. Thanks for making my day.
Nice. Feels like my street which is also cool
Great track!!
i love this one
just got into jammin, shit's fun to do
what is the idea of jamming? should I just try to improvise on C scale, or I have to play something diffrente when the F chord is playing?
thanks for the nice track
thanks
How to play on tempo I don’t understand
don't worry too much about timing because it'll make sense the more you jam/practice/play. Main thing is to be able to play in key and try to play WHAT YOU WANT TO HEAR (inner head melody) as the song goes on...thats the challenge.
Imagine there's no heaven
It's easy if you try
No hell below us
Above us, only sky
Yep. Same chord progression!
Reminds me of Imagine :P
Surprisingly 'C' Dorian works well over the Fmaj
Yeah! Thats a trick that sort of borrows from the blues. You can often play a minor (especially pentatonic) scale over the IV chord in a major key
Cool observation, and a neat way to keep two scales parallel (C major, C Dorian). C Dorian has C, D, Eb, F, G, A, Bb, C. The F major triad is in the C Dorian. However, the Eb is that b7 interval that would give a dominant tonality (F7), and as noted, that would give a bluesy sound since blues likes to use 7 chords over the I, IV and V progression. With the G, you have the 9th, which is also nice and bluesy (F9, or even Fadd9). The D lends the sweetness of the 6th (F6, or even F13 which again is bluesy/jazzy). Finally, the Bb would be that 4th over top of F that gives a cool suspended sound when used as a passing tone (so as not to clash too hard with the 3rd, which is the A). All in all, some great extensions built into the I Dorian over the IV chord.
Which is the best guitar to jam this?
Somethin’ warm
:)
Wow