1:05 different syllables 2:22 ta to da 3:13 tu to du 3:55 ka to ga every articulation strengthens different parts of the tongue muscles 4:56 sample sounds
hey Paul!! I just bought a trombone, and I really enjoy your videos. You're a real one, your content is not just more intelectual volume, it's meaningful! Mainly what you say about the importance of sound and of being relaxed while playing. Thanks!
This is helpful, I love the thought of everybody having a particular personalized articulation to create conversations it's wonderful to watch and listen to, and also play!
Love this and all your videos. Thank you for all the knowledge you share with us to make us all better players. I would be where I am today if it wasn’t for you and the inspiration you give me thank you!
These ta ka exercises are good for beatboxers bcuz we use these types of sounds to beatbox which I do both beatbox and play trombone- Beatbox sound TK- Tromebone Ta Ka
Nice video, Paul, but I have a question. Phonetically speaking, the only difference between "Tah" and "Dah" is that D is voiced, while T is not. That is, we engage the vocal cords when saying D, but leave the vocal cords open when saying T. The tongue movement is identical for both. If you don't believe me, ask a speech therapist, or try it yourself, feeling your throat with your hand. So, are you saying that the vocal cords get engaged in tonguing? I don't think so, otherwise we'd hear it, and it would impede our air flow on the D. I have trouble believing impeding the air flow with the vocal cords is what we want. Something is going on, but I sure don't understand it, yet alone explain it.
Could you explain a little more about the difference between Tah and Tee? I got to the video after working on this exercise in your book and when I try to play them they feel exactly the same. Is it how low the chin goes?
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Paul is secretly an undercover FBI agent that uses his trombone to create powerful beams that shoot down the woodwinds...
1:05 different syllables
2:22 ta to da
3:13 tu to du
3:55 ka to ga
every articulation strengthens different parts of the tongue muscles
4:56 sample sounds
Hi Paul, I really appreciate what you’re doing for the trombone community as a whole. Keep up the great work!
hey Paul!! I just bought a trombone, and I really enjoy your videos. You're a real one, your content is not just more intelectual volume, it's meaningful! Mainly what you say about the importance of sound and of being relaxed while playing. Thanks!
Great channel from a knowledgeable player !
This is helpful, I love the thought of everybody having a particular personalized articulation to create conversations it's wonderful to watch and listen to, and also play!
This really helped a lot! My articulation is crisper and better than ever!
We need to see much more of that caption that tells what articulation is being played! Fantastic!
Thanks for the video! As a tuba player turned trombone player, this is something I'm still trying to work on
Muy bueno, buenos tips, muy útil!! Saludos desde Chile!
Quite useful knowledge. Thanks Paul.
Great video as always Paul!
Love this and all your videos. Thank you for all the knowledge you share with us to make us all better players. I would be where I am today if it wasn’t for you and the inspiration you give me thank you!
These ta ka exercises are good for beatboxers bcuz we use these types of sounds to beatbox which I do both beatbox and play trombone- Beatbox sound TK- Tromebone Ta Ka
Very helpful video!!
Good lesson I’ll experiment with these different syllables
Great video!!
1:21 why does this remind me of trump so much
Appreciate your videos very much. 👍
Mfw I've been articulating with my lips for years
Hi from Ukrainian trombonist）love your videos.
Very helpful video thank you!
Very helpful
Gonna try this soon as I get home :))
Very useful!!
i've been waiting for a video on tonguing! Great video and nice puns lol 😅
Toca com o cristoper bill
Nice video, Paul, but I have a question. Phonetically speaking, the only difference between "Tah" and "Dah" is that D is voiced, while T is not. That is, we engage the vocal cords when saying D, but leave the vocal cords open when saying T. The tongue movement is identical for both. If you don't believe me, ask a speech therapist, or try it yourself, feeling your throat with your hand.
So, are you saying that the vocal cords get engaged in tonguing? I don't think so, otherwise we'd hear it, and it would impede our air flow on the D. I have trouble believing impeding the air flow with the vocal cords is what we want. Something is going on, but I sure don't understand it, yet alone explain it.
Greaatt!!
Great Video... Like it :)
hello Paul I Iike your video. How you articulate out beat ? Like doo-da?
Nice
Where in the METHOD BOOK are the exercises on double/triple tongue etc.?
I learned ta
Could you explain a little more about the difference between Tah and Tee? I got to the video after working on this exercise in your book and when I try to play them they feel exactly the same.
Is it how low the chin goes?
Udi Raz they sound similar and are more or less interchangeable. Tah will have a more open sound. Regards
ok, thanks for the answer
Now I know why my sound has always sound muddy ~ I’m from the Deep South 🙄🤔
Informative video as usual, but maybe lay off all the filters? Thanks
I need an alternate way to get the book because my card is always rejected. (It is an ok card too.)
Got the book now!!! :)
We are doing a marching show for Christmas and the trombones have repeated sixteenth notes at 160 bpm so rip
why dose the camera seem dirty ?
rip the last 2 keys on that piano
I act like I'm saying talk
Very useful thanks Paul 🙏🙏