Grande Parade du Jazz '77( Nice's jazz festival). Was here. Both Clarence & Dizzy played with Muddy Waters, this year . Look at Clarence's authority. Normal for an ex deputy sheriff, no? The sound? French national TV. Director sure in hell (hi, Val). Btw, cameramen shot the right musicians, during solos. Exceptional.
the sound' s sure not great , but the Nice jazz festival has seen and shown to the world hundred of the finest musicians , so pay a little respect and keep your french bashing for family reunions .
@@raphaelrousso7124 Let's be precise: The Nice Jazz festival, at this time, was great as can be. I can believe I have seen Muddy Waters fifteen time, for just ONE example. Sound was always extremely professional,( with so many stages...)and organization at his best. I was talking about french TV. , nothing to do with the Wein Organization. No, no names... ;)
Clarence played this beautifully, the next gig he might have played straight up blues, a fiddle, mandolin, or harmonica. Great musician. And that breathing shuffle on the harp solo is not easy at all.
Too bad you can hardly hear Dizzy. This is a discredit to whoever produced the video. I played with Gatemouth in the sixties, and he was one hell of an entertainer and a blues man!
The Video was not produced. Dizzy just stepped in. So neither the Stage people not the Kamera men wäre prepared. It just shows the Love for the Blues dizzy had.
Albert Collins wrote "Frosty" and recorded it in 1965, I think. Gate's "Frosty" is kind of a "sequel song" he came up with after Collins' original. In his early days, Albert was inspired by Gate (they even use a capo in a similar way) so I guess it's OK.
I think Gatemouth was 'Frosty' towards Dizzy. He wasn't gonna be upstaged by a genius on his own stage. No mic for you!!!!! No solo for you!!!! Gate is great.
Wow, really! Was Gatemouth really that much of a disrespectful ass face piece of shit to do something like that, because that really sucks, I liked Gatemouth Brown, but now I don't if that's true. Still a great musician though.
Slow down man. You talk like you were there on the bandstand. Sound issues are not always (ever?) the fault of the musicians. If you look, you will see a microphone in close proximity to Dizzy. I played with Dizzy briefly in the late 60's and can say that he did NOT like to play into a mike. He came from a different era. Acoustic jazz . No amplification of the brass instruments. The conclusions you jump to are nothing but a reflection of what's in your soul.
BRAVO GATE MOUTH!!!!! BRAVO! GREAT PERFORMANCE BY A BRILLIANT MUSICIAN!!! LOVE IT!
And peace was kept when the sound man was doused in gasoline and set aflame to keep light for all who were still dancing.
A FITTING COMEUPPANCE FOR SUCH A DASTARDLY DEED I'D SAY!!!! SET THE LIONS ON THE KNAVE!!!
Peace Bro! B)
Imagine what that song would sound like if you could hear Dizzy
R.I.P. GATEMOUTH AND DIZZY, I WAS FORTUNATE TO SEE YOU BOTH, THANK YOU FOR THE MUSIC, COUSIN FIGEL
I met Clarence at an after hours party , cool dude ,I'm not a musician and he accepted me anyway . Cool dude
... incredible Clarence! Fantastic musician very good front man bravo learn him late in my life!
what a great treasure we lost in Gatemouth!
The Great Gatemouth, wonderful.
Nice to see that again after... 40 years... I was there... thx!
Could you hear Dizzy a lot better than we can hear him in this vfdeo?
I have the same question as yowzephyr
I Can´t believe Dizzy is playing unplugged! People die for less than that.
Probably was paid well.
They didn't have a boom mic... ;-)
gatemouth brown in his inimitable style !
SSINHA700 Sure!!😉😊
Wow...really cool. Thanks for this.
Grande Parade du Jazz '77( Nice's jazz festival). Was here. Both Clarence & Dizzy played with Muddy Waters, this year . Look at Clarence's authority. Normal for an ex deputy sheriff, no? The sound? French national TV. Director sure in hell (hi, Val). Btw, cameramen shot the right musicians, during solos. Exceptional.
the sound' s sure not great , but the Nice jazz festival has seen and shown to the world hundred of the finest musicians , so pay a little respect and keep your french bashing for family reunions .
@@raphaelrousso7124 well said, I do hate people complaining about free videos.
@@raphaelrousso7124 Let's be precise: The Nice Jazz festival, at this time, was great as can be. I can believe I have seen Muddy Waters fifteen time, for just ONE example. Sound was always extremely professional,( with so many stages...)and organization at his best. I was talking about french TV. , nothing to do with the Wein Organization. No, no names... ;)
Clarence played this beautifully, the next gig he might have played straight up blues, a fiddle, mandolin, or harmonica. Great musician. And that breathing shuffle on the harp solo is not easy at all.
Someone place a fu**ing microphone for Dizzy!!!!!!
Pure enjoyment!
Clearance Gatemouth Brown knows how to lay it down
no mic, no space ,no solo still no complaint. what a confident guy dizzy is.....and respected \(*_*)/
wowww!
There was a Dizzy concert on PBS, where Gate sat in. I'm still looking for it, I don't think this is it.
He was as good on harp as he was on guitar. Look at that violin!
Muy buen feeling
Too bad you can hardly hear Dizzy. This is a discredit to whoever produced the video. I played with Gatemouth in the sixties, and he was one hell of an entertainer and a blues man!
what was he like?
The Video was not produced. Dizzy just stepped in. So neither the Stage people not the Kamera men wäre prepared. It just shows the Love for the Blues dizzy had.
Wow, I'm better late than never! Nice. Who was the drummer here? He kept that fast shuffle together!
Suuuper
great
👉 Greatness
Clarence was fun to smoke pot with.
Is that Shuggie Otis on rhythm guitar?
Who is the young guitarist playing all the jazzy licks on the hollow body?
Rodney Jones! He goes live on Facebook all the time.
@@IDIGMUZAK Thanks for this.
I thought Frosty was ALbert COllins'
Frosty, the instrumental, was Albert's first hit and he wrote it. This version has Frosty as its base but the words are Gatemouth's contribution.
I also thought it was Albert’s .
Albert Collins wrote "Frosty" and recorded it in 1965, I think. Gate's "Frosty" is kind of a "sequel song" he came up with after Collins' original. In his early days, Albert was inspired by Gate (they even use a capo in a similar way) so I guess it's OK.
Too bad you can barely hear Dizzy, and he seems disconnected to the performance as well...
clarence brown shuffled as hell. Great rythm section too
No shit- You'd think that if you had one of the jazz greats of all time sitting in, you'd...like...offer a...microphone!
I think Gatemouth was 'Frosty' towards Dizzy. He wasn't gonna be upstaged by a genius on his own stage. No mic for you!!!!! No solo for you!!!!
Gate is great.
Wow, really! Was Gatemouth really that much of a disrespectful ass face piece of shit to do something like that, because that really sucks, I liked Gatemouth Brown, but now I don't if that's true. Still a great musician though.
He had a mic standing there in front of him. It looked to me like he was afraid to play because Gatemouth is a monster!
Slow down man. You talk like you were there on the bandstand. Sound issues are not always (ever?) the fault of the musicians. If you look, you will see a microphone in close proximity to Dizzy. I played with Dizzy briefly in the late 60's and can say that he did NOT like to play into a mike. He came from a different era. Acoustic jazz . No amplification of the brass instruments. The conclusions you jump to are nothing but a reflection of what's in your soul.
@@dave6687 glad to read that. And anyone can see Gatemouth was a guy that loved great musicians.
Joe Fowler, utter nonsense.
the guitarist is rad though
The Mixerman fall in Sleep ?? 2 Mikes and no sound
Cant hear the Diz!!!!
Dizzy wasn't mic'ed right, couldn't hear him play. Didn't need 2nd guitar
Gatemouth could have put his mic at the bell of Dizzy, but is apparently to self-absorbt...
Thank you. I saw that too.
Beautiful----but soundman RIP (leaving a true jazz great inaudible).