Color grading ARRI footage
Вставка
- Опубліковано 29 сер 2024
- A demo of Kodak 500T, Kodak 250D, and Fuji 160T emulations on Arri Alexa footage, plus some discussion about halation & grain.
The new CinePrint35 500T, 250D, and 160T film emulations can be downloaded as PowerGrades or as LUTs. Available here:
www.tombolles....
Would you ever make a video/teach about how to create your own Emulation power grades?
keep going , i already got them your work is amazing i been follow your work since you upload the 16mm film emulation
Very good tutorial, very nice color grading in DaVinci resolve thanks bro 🎉🎉🎉🎉🎉🎉
How do I install the LUTs and get them into the Gallery window?
Did you fix the issue with the "legacy" tone mappings in the "To Linear" and "To Log" compound node of halation?
The issue I’ve seen people have with the halation node is because they were using the wrong color science & color space in their Project settings, resulting in data clipping. If you use the recommended project settings it works as intended 👍
@@TomBolles I own the CinePrint16 V2 and don't see any mention of that in the PDF. Can you point me to where I can find that?
Color Science: Davinci YRGB
Timeline Color Space: Rec.709 Gamma 2.4
Output Color Space: Rec709. Gamma 2.4
@@TomBolles I keep the timeline at DWG maybe that's what it was.
Ya lo adquirí! Está de maravilla! 🥹😍 Gracias!
I buy cineprint35. There is monitoring lut. I have FX3. what lut should I use? A7 series lut or just sony lut?
excited to use this in my work! do you have a promo code for early comers hahaha
Si ya habías comprado cineprint16, te llega a tu correo la información y un código del 50% de descuento! 😊
Do I need the paid version of DaVinci Resolve for CinePrint35 Film Emulation to work properly?
It works in the free version if you disable grain & don’t use denoising. You can use free alternatives for grain like overlays/mattes
dont buy it if you dont have the full version, it doesnt work properly
8mm film emulation?
this fr
-65mm
-Imax
-black and white
Does this work with HDR instead of Rec.709?
By that do you mean making HDR deliverables for a high nit HDR display?
Or are you talking about project settings color management?
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