"crippling" Oh, that sounds bad. I'm now confused because it sounded so good otherwise. But maybe you meant "crippling" in an overwhelmingly good sort of way.
I definitely didn't catch them all, but here's what I got: 0:00 für elise 0:13 Still D.R.E. 0:24 rickroll 0:33 Mozart's Eine Kleine Nachtmusik 0:42 Flight of the Bumblebee 0:46 Vivaldi's Spring 0:50 Green Hill Zone (Sonic) 0:53 Chopin's Winter Wind 1:10 Super Mario Bros 1:18 Rush E 1:33 Pieczonka's Tarantella in A minor 1:43 Giorno's Theme 1:50 Pachebel's Canon in D 1:57 Vivaldi's Summer 2:12 Bach's Chaconne 2:27 Chopin's Elude Op. 25 No. 12 Edit: Thanks commenters for filling in the gaps!
This sounds like that one page of your sketchbook that has drawings from literally every fandom you're in but you can't be bothered turning the page and you just keep adding on until there's no space left and then you kind of draw on top of some of the drawings you already did
It would definitely make me go to more professional concerts. I live a few miles from Weill Hall at the Green Music Center and I'd definitely be there more often than for the regular symphony season if I thought this kind of thing might happen. Less of a stuffy vibe would help attract the under-eighty audience.
I tried literally conducting this. Figuring out tempo changes, cues, and cutoffs. Notes for anyone interested, feel free to tell me if you have a different interpretation: mm 1~2 in a slow 6 pattern repeating twice (6+6) mm 2 cue bass on 6th, 9th and 10th beats (the 6th, 3rd, 4th beats of the slow 6 pattern respectively) mm 3 conduct 3+3+3 mm 4 tempo change, quarters are faster. notation is impossible to read on the fly so just remember what 108 feels like. 7th beat should land with the start of the 2nd "never gonna" figure mm 5 conduct 4+3 in same tempo mm 6 much faster tempo! but still 4+3 mm 7~8 don't let the offset melody distract you, just continue conducting 4/4 and then 5/4 (3+2 pattern) in the next measure mm 9 don't let the fast notes fool you - this tempo is actually slower, continue conducting in 5/4 (3+2 pattern) mm 10 let the chords in the left hand starting on beat 2 guide your 5/4 if you get lost mm 11 i would conduct only the first 2 beats of the measure, wait until the "cadenza" glissando is done and leads into the repeating G#, and signal an upbeat on the first eighth note G# (so remember to anticipate) mm 12~13 thankfully no change in tempo, continue conducting regularly 3/4 and 4/4 mm 14 much faster - listen to grouping of 16th notes (4 as a unit) mm 15 the quarter note here (notated as half note = 111) is almost twice as fast as in mm 9 (quarter note = 113), so you can actually just snap back into the old tempo from mm 9~13, which would be conducting at the same pace as in those measures but in half notes. It's so fast that it wouldn't make practical sense to beat out all 4 quarters. mm 16~22 arguably the easiest part. the tempo is again pretty much the same as mm 9~13 because if we multiply the marking (half note = 57) by 2 we get quarter note = 114, which is basically the same as our old marking of 113. so, simply conduct 4/4 for a few measures. some wrong notes in the piano but that isn't the worst part is it? mm 18~19 remember to indicate the crescendos and decrescendos mm 23 a simple 3/4 measure mm 24 this is a visual trick. merge this 1/8 measure into mm 25 which is in 7/8. now you have an 8/8 which you can divide into 4+4, which is how our ears intuitively hear the Mario theme. so starting right on mm 24, start conducting in half notes to 86 bpm. it'll make so much sense. it's the only part of the music that i demand a rewriting of. i doubt i'll ever get it. mm 24, 25~29 conduct the Mario theme at half note to 86, as mentionwd above. mm 30~37 i had to follow the blue bar for this one. ideally as a conductor you'd want moving banners on a screen to tell you where the hypermeter or next downbeat is, but we can't ask for much. just know that it gets faster. mm 35 careful of the 3/4 mm 36~37 due to the blasphemous nature of this short passage, i find it meaningless to even attempt to conduct any sort of beat. i would treat these two measures at a single, morphed unit. Since you'd end on an upbeat from the 3/4 in mm 35, you can consider further merging mm 35 and treating it as the first 3 beats of a 4/4 measure, which would allow the unit mm 36~37 to land on an upbeat gesture. or you can treat it as another "cadenza" and leave it unconducted, or give it an ambiguous downbeat (?), this one's really up to you. mm 38 slow down a lot. conduct in a slow 4+4 pattern. mm 39 tad faster, still 4+4 mm 40 again our ears betray us regarding what's actually written. it sounds like the music takes a quicker pace but quarter note to 82 is actually slower. listen for the start and end of the first sextuplet (A B C D C B) to figure out how long your quarter note beat will be. once again, conduct a 4+3 pattern. mm 41 unlike the merging of measures in mm 24~25, i hesitate to merge mm 40~41 because i feel mm 41 strongly resembles a prefix to Giorno's theme, rather than being linked to the previous bar. thus, after finishing mm 40, give a quick, energetic downbeat followed by the successive downbeat of Giorno's theme in mm 42. mm 42~45 this tempo change makes it quicker but not as drastically as previous instances. make sure your conducting gestures are appropriate broad, with a balance between rigidity and lyricality. mm 46 DO NOT CONDUCT IN 10. Instead, conduct in half notes; reduce the tempo marking, which, dividing by 2 yields arouns 150, making the half note pulse slightly faster than the quarter note pulse of Giorno's theme. so just quicken your pace by a bit. and conduct mm 46 in 5 (2+3 this time, because of how the motifs are repeated). damn, all of this is stupid. can't stop now though. mm 47~52 regular, good ol' 4/4 mm 53~60 remember when we halved the tempo from mm 46 to get half note to arouns 150? well guess what? mm 53 says quarter note to 150. you don't have to change a thing, you're welcome. just remember that the ascending line starts AFTER THE DOWNBEAT. don't freak out if you feel like the music is "late"; it's supposed to be. mm 61~63 beat out two full measure of 3/4 and then indicate a cutoff at the downbeat of mm 63, followed by an upbeat (on the 3rd beat) to the next measure. no change in tempo. ALSO THERE ARE NO MEASURE NUMBERS BEYOND THIS POINT FUUUUUUUUUUUUUUUUUUUUUUUUUCK mm 64~71 the chaccone starts out slower but follows an unmarked accelerando... curious. i guess you'll conduct this by innate feel. mm 72 funnily this measure is slower (quarter note = 66). that's all i have to say. mm 73~end is slightly faster (around half note = 76) than mm 72, and is a very easy 2/2 (conduct in half notes) until the end. the last chord is mf (and the bass is mp to even out which makes sense since lower registers tend to be louder on the piano), NOT ff, so don't raise your hands too high but have some poise to indicate it is indeed the final note of this abomination. this took me an hour. was it worth it? NO.
Oh my fucking god when giorno's theme came on I couldn't anymore my heart is in pain because of how gloriously good this is the transitions from every piece and song was *chef's kiss*
Here's almost all the song names, and their timestamps! :D 0:00 - Fur Elise, Beethoven 0:13 - Still DRE, Dr. DRE 0:22 - Stereo Madness from Geometry Dash, Forever Bound 0:23 - Construction Site 0:24 - Never Gonna Give You Up, Rick Astley 0:33 - Eine Kleine Nachtmusik, Mozart 0:40 - Flight of the Bumblebee, Korsakov 0:45 - Spring, Vivaldi 0:50 - Some Powerup From The Mario Series I Think 1:09 - Main Theme from Super Mario Bros., Koji Kondo 1:17 - Rush E, Sheet Music Boss 1:43 - Giorno's Theme from Jojo's Bizarre Adventure, Yugo Kanno 1:50 - Canon in D, Pachabel
Knowing my theory prof, he probably would’ve passed me through Theory IV if I turned in something like this. He probably would’ve been like, “can you analyze it? Yes? A.”
It’s like when I’m messing around on my drums, realize I’ve bitten off more than I can chew trying to play along to something, and go “fuck it” and change songs halfway through
trying to read the sheet music as someone who doesn’t even play instruments sends me to unexplainable places where the universe is flipped on its side diagonally and the sun is a triangle
i think this is my favorite one, the transition into fucking winter wind kills me every time. i chuckled so hard the first time, it caught me so off guard
References in the video: 0:00 Für Elise. 0:13 The Next Episode. 0:24 You know. 0:33 Mozart's Eine Kleine Nachtmusik. 0:42 Flight of the Bumblebee. 0:46 Vivaldi's Spring. 0:50 Green Hill Zone from Sonic the Hedgehog. 1:10 The Super Mario theme. 1:18 Rush E. 1:33 Pieczonka's Tarantella in A minor. 1:43 You know this one too. 1:50 Pachabel's Canon in D. 1:57 Vivaldi's Summer. 2:12 Bach's Chaconne. 2:27 Chopin's Elude Op. 25, No 12.
Im no musician, but for some reason this is the kind of piece you play to piss off a music teacher you hate, and she cant fail you because even though this is against her vision of music you magnificently pieced this music together like a sculpture made of trash, yes trash but beautiful trash Thats the thing that popped in my head while i was listening ahahaha I enjoyed this very very much
So, I'm watching the music flow by, and at the last stanza I can feel my face twist into a grimace and my body arch back in my chair as I watch the blue marker hurtle towards that last chord. Yikes! 😱
Never would have thought a rickroll on piano would sound so good. I am now getting a keyboard to learn piano. Nobody will stop me from achieving this ultimate power of rickrolliness
this chaos did not allow me enough processing time to put a name to a few songs that were included, despite clearly recognizing them. well done my friend.
When you write Für Elise, but Elise says no and doesn't want it.
Elise actually did say no
Für Elise but Beethoven is okay with her decision
Für Elise but it was actually a different Elise.
And looks like elise is also a furry becouse "für" Elise
@@Bunnys-380 lmao but "für" means "for"
Not only is the auditory comedy amazing, but as someone who can read sheet music, the visual effect this has on me is instantaneously crippling.
"crippling"
Oh, that sounds bad. I'm now confused because it sounded so good otherwise. But maybe you meant "crippling" in an overwhelmingly good sort of way.
the visual effect makes me want to die, imagine actually playing this
There is an excerpt from "rush E"
@@odeathcore900 you would need to grow like 15 arms
Mf pulled out common time at the end rofl
Not to mention the other million things but I’m especially amused by that for some reason lol
I definitely didn't catch them all, but here's what I got:
0:00 für elise
0:13 Still D.R.E.
0:24 rickroll
0:33 Mozart's Eine Kleine Nachtmusik
0:42 Flight of the Bumblebee
0:46 Vivaldi's Spring
0:50 Green Hill Zone (Sonic)
0:53 Chopin's Winter Wind
1:10 Super Mario Bros
1:18 Rush E
1:33 Pieczonka's Tarantella in A minor
1:43 Giorno's Theme
1:50 Pachebel's Canon in D
1:57 Vivaldi's Summer
2:12 Bach's Chaconne
2:27 Chopin's Elude Op. 25 No. 12
Edit: Thanks commenters for filling in the gaps!
Pachelbel's Canon starts at 1:50 and goes to 1:57
1:33 - Pieczonka - Tarantella in A minor
1:57 Vivaldi summer iii
0:50 Sonic the hedgehog
@@melodylopiano wait, really? Which Sonic song?
This sounds like that one page of your sketchbook that has drawings from literally every fandom you're in but you can't be bothered turning the page and you just keep adding on until there's no space left and then you kind of draw on top of some of the drawings you already did
Yeah, esp the corner of JJBA lmao
I would like Lord Vinhetiro to play this.....😏
average r/place
I have to say that I'm kinda impressed by how smooth the transitions actually are. Just a bunch of glitchy notes or glissandos.
it's like a good ytp
I don't even remember what fur elise even sounds like anymore
it's like la la la la la da la la la (hth)
It sounds like: Beep boop boop beep beep
it goes: *piano key noise* *piano key noise* *piano key noise* *piano key noise* *piano key noise* *piano key noise*
It’s Tininininininininininininini
it sounds like bwombwombwom
Imagine going to a normal professional concert and suddenly this happens
That would be the like watching the one piano guy who plays the song upside down but 3 times worse lmao
I would watch hell out of that thb
It would definitely make me go to more professional concerts. I live a few miles from Weill Hall at the Green Music Center and I'd definitely be there more often than for the regular symphony season if I thought this kind of thing might happen. Less of a stuffy vibe would help attract the under-eighty audience.
Victor Borge type act... Yes please
"The piano was the staple of Romantic period because of the wide range of dynamics and techniques could be performed on it"
😂
This took some time and thought. My God, the Chaconne got me. Got me good. Well done, sir. Well done.
me too
I tried literally conducting this. Figuring out tempo changes, cues, and cutoffs. Notes for anyone interested, feel free to tell me if you have a different interpretation:
mm 1~2 in a slow 6 pattern repeating twice (6+6)
mm 2 cue bass on 6th, 9th and 10th beats (the 6th, 3rd, 4th beats of the slow 6 pattern respectively)
mm 3 conduct 3+3+3
mm 4 tempo change, quarters are faster. notation is impossible to read on the fly so just remember what 108 feels like. 7th beat should land with the start of the 2nd "never gonna" figure
mm 5 conduct 4+3 in same tempo
mm 6 much faster tempo! but still 4+3
mm 7~8 don't let the offset melody distract you, just continue conducting 4/4 and then 5/4 (3+2 pattern) in the next measure
mm 9 don't let the fast notes fool you - this tempo is actually slower, continue conducting in 5/4 (3+2 pattern)
mm 10 let the chords in the left hand starting on beat 2 guide your 5/4 if you get lost
mm 11 i would conduct only the first 2 beats of the measure, wait until the "cadenza" glissando is done and leads into the repeating G#, and signal an upbeat on the first eighth note G# (so remember to anticipate)
mm 12~13 thankfully no change in tempo, continue conducting regularly 3/4 and 4/4
mm 14 much faster - listen to grouping of 16th notes (4 as a unit)
mm 15 the quarter note here (notated as half note = 111) is almost twice as fast as in mm 9 (quarter note = 113), so you can actually just snap back into the old tempo from mm 9~13, which would be conducting at the same pace as in those measures but in half notes. It's so fast that it wouldn't make practical sense to beat out all 4 quarters.
mm 16~22 arguably the easiest part. the tempo is again pretty much the same as mm 9~13 because if we multiply the marking (half note = 57) by 2 we get quarter note = 114, which is basically the same as our old marking of 113.
so, simply conduct 4/4 for a few measures. some wrong notes in the piano but that isn't the worst part is it?
mm 18~19 remember to indicate the crescendos and decrescendos
mm 23 a simple 3/4 measure
mm 24 this is a visual trick. merge this 1/8 measure into mm 25 which is in 7/8. now you have an 8/8 which you can divide into 4+4, which is how our ears intuitively hear the Mario theme. so starting right on mm 24, start conducting in half notes to 86 bpm. it'll make so much sense. it's the only part of the music that i demand a rewriting of. i doubt i'll ever get it.
mm 24, 25~29 conduct the Mario theme at half note to 86, as mentionwd above.
mm 30~37 i had to follow the blue bar for this one. ideally as a conductor you'd want moving banners on a screen to tell you where the hypermeter or next downbeat is, but we can't ask for much. just know that it gets faster.
mm 35 careful of the 3/4
mm 36~37 due to the blasphemous nature of this short passage, i find it meaningless to even attempt to conduct any sort of beat. i would treat these two measures at a single, morphed unit. Since you'd end on an upbeat from the 3/4 in mm 35, you can consider further merging mm 35 and treating it as the first 3 beats of a 4/4 measure, which would allow the unit mm 36~37 to land on an upbeat gesture. or you can treat it as another "cadenza" and leave it unconducted, or give it an ambiguous downbeat (?), this one's really up to you.
mm 38 slow down a lot. conduct in a slow 4+4 pattern.
mm 39 tad faster, still 4+4
mm 40 again our ears betray us regarding what's actually written. it sounds like the music takes a quicker pace but quarter note to 82 is actually slower. listen for the start and end of the first sextuplet (A B C D C B) to figure out how long your quarter note beat will be.
once again, conduct a 4+3 pattern.
mm 41 unlike the merging of measures in mm 24~25, i hesitate to merge mm 40~41 because i feel mm 41 strongly resembles a prefix to Giorno's theme, rather than being linked to the previous bar. thus, after finishing mm 40, give a quick, energetic downbeat followed by the successive downbeat of Giorno's theme in mm 42.
mm 42~45 this tempo change makes it quicker but not as drastically as previous instances. make sure your conducting gestures are appropriate broad, with a balance between rigidity and lyricality.
mm 46 DO NOT CONDUCT IN 10. Instead, conduct in half notes; reduce the tempo marking, which, dividing by 2 yields arouns 150, making the half note pulse slightly faster than the quarter note pulse of Giorno's theme. so just quicken your pace by a bit. and conduct mm 46 in 5 (2+3 this time, because of how the motifs are repeated). damn, all of this is stupid. can't stop now though.
mm 47~52 regular, good ol' 4/4
mm 53~60 remember when we halved the tempo from mm 46 to get half note to arouns 150? well guess what? mm 53 says quarter note to 150. you don't have to change a thing, you're welcome.
just remember that the ascending line starts AFTER THE DOWNBEAT. don't freak out if you feel like the music is "late"; it's supposed to be.
mm 61~63 beat out two full measure of 3/4 and then indicate a cutoff at the downbeat of mm 63, followed by an upbeat (on the 3rd beat) to the next measure. no change in tempo.
ALSO THERE ARE NO MEASURE NUMBERS BEYOND THIS POINT FUUUUUUUUUUUUUUUUUUUUUUUUUCK
mm 64~71 the chaccone starts out slower but follows an unmarked accelerando... curious. i guess you'll conduct this by innate feel.
mm 72 funnily this measure is slower (quarter note = 66). that's all i have to say.
mm 73~end is slightly faster (around half note = 76) than mm 72, and is a very easy 2/2 (conduct in half notes) until the end.
the last chord is mf (and the bass is mp to even out which makes sense since lower registers tend to be louder on the piano), NOT ff, so don't raise your hands too high but have some poise to indicate it is indeed the final note of this abomination.
this took me an hour. was it worth it?
NO.
I gotta respect the effort and time tho
@@DraqonfruitYT i need to find a way to make my conducting lessons worth it
Probably never using this but thank you
its like someone has ADHD playing it
2:11 to 2:24
If you think this is hard on piano, imagine it on violin, which is what it was written for
Oh my fucking god when giorno's theme came on I couldn't anymore my heart is in pain because of how gloriously good this is the transitions from every piece and song was *chef's kiss*
As a pianist and a fucking nerd this was so damn hilarious. I applaud to ya
if this made you fail music theory im not ready
Here's almost all the song names, and their timestamps! :D
0:00 - Fur Elise, Beethoven
0:13 - Still DRE, Dr. DRE
0:22 - Stereo Madness from Geometry Dash, Forever Bound
0:23 - Construction Site
0:24 - Never Gonna Give You Up, Rick Astley
0:33 - Eine Kleine Nachtmusik, Mozart
0:40 - Flight of the Bumblebee, Korsakov
0:45 - Spring, Vivaldi
0:50 - Some Powerup From The Mario Series I Think
1:09 - Main Theme from Super Mario Bros., Koji Kondo
1:17 - Rush E, Sheet Music Boss
1:43 - Giorno's Theme from Jojo's Bizarre Adventure, Yugo Kanno
1:50 - Canon in D, Pachabel
There's another list by HoodieSticks in the comments that you might want to check.
0:50 is winter wind
That was so obnoxuious it was good. :D
I’m gonna learn how to play this someday.
Knowing my theory prof, he probably would’ve passed me through Theory IV if I turned in something like this. He probably would’ve been like, “can you analyze it? Yes? A.”
It’s like when I’m messing around on my drums, realize I’ve bitten off more than I can chew trying to play along to something, and go “fuck it” and change songs halfway through
very nice pfp
Your teacher was just jealous they didn't come up with this masterpiece.
I CRIED THIS IS THE BEST THING I'VE HEARD IN MY ENTIRE TIME ON THIS PLANET
Trying to read the sheet music as a violin player is hell on earth
trying to read the sheet music as someone who doesn’t even play instruments sends me to unexplainable places where the universe is flipped on its side diagonally and the sun is a triangle
i think this is my favorite one, the transition into fucking winter wind kills me every time. i chuckled so hard the first time, it caught me so off guard
How awesome! I loved the use of odd time signatures that you really don't see much of, like 9/4, 8/4, 10/4, and 12/4! Great job!
ling ling’s spirit guided you to this amalgamation of pieces.
i wonder if one day the men of the future will find this and think theres some deep cultural meaning in it and play it at some big events
1:42 jojo theme got me and i wasn’t expecting that
Petition for this to be an encore piece for a master’s recital
There are other ‘[put song here] but I got distracted’ videos, and this is the best one yet
Eat Your Heart Out, Beethoven.
0:39 sounds like the start of a pokémon battle 😂
But in reality it's the start of "flight of the bumblebee"
2:37 when your piano randomly decides to do the same sound as a slot machine when you hit the jackpot
1:17 When you realise he put rush E in this song
This was a good collection piece. A teacher should give good marks for the sheer creativity used to tie everything in seamlessly
I forgot what fur Elise sounded like halfway through
It was a long journey guided by the youtube algorithm but clicking on a couple of chess in movies vids 8 years ago has really paid dividends now.
I lol'ed so hard when Rush-E came into it. Just one loud "HA!"
In public.
Wearing headphones.
People are looking at me now.
References in the video:
0:00 Für Elise.
0:13 The Next Episode.
0:24 You know.
0:33 Mozart's Eine Kleine Nachtmusik.
0:42 Flight of the Bumblebee.
0:46 Vivaldi's Spring.
0:50 Green Hill Zone from Sonic the Hedgehog.
1:10 The Super Mario theme.
1:18 Rush E.
1:33 Pieczonka's Tarantella in A minor.
1:43 You know this one too.
1:50 Pachabel's Canon in D.
1:57 Vivaldi's Summer.
2:12 Bach's Chaconne.
2:27 Chopin's Elude Op. 25, No 12.
nah cause winter wind into mario is a bop
The transition to Winter Wind was so smooth i nearly died
The fact that i immediately got dizzy when i heard rickroll tells something about my mental health
I genuinely want to see someone actually play this on piano
I'll try and keep you updated lmao (I would rather like to have the whole sheet but I'll do as I can)
Ling ling is very much proud 😌
I feel your ability to mash up a bunch of songs into something amazing would make you pass music theory.
the transition from spring to winter wind is oddly poetic
Why would your music theory teacher give you a bad grade on this; the transitional work is immaculate.
Im no musician, but for some reason this is the kind of piece you play to piss off a music teacher you hate, and she cant fail you because even though this is against her vision of music you magnificently pieced this music together like a sculpture made of trash, yes trash but beautiful trash
Thats the thing that popped in my head while i was listening ahahaha
I enjoyed this very very much
If ADHD had an OST this would be it.
Wow, so many references! I've never seen the Bach chaconne and the Ocean étude in such videos before. So great!
Glad you enjoyed it!
i love how the song went COMPLETELY off track and never decided to go back to für elise (:
During the part with the Chopin Etude ”Winter wind”, I just hoped that it would not stop as quickly. Love that piece…
As someone who can only read clarinet sheet music, this is physically and mentally and emotionally painful.
When Elise says no:
0:53 the way my mind went to that one scene in your lie in april 😭
YES SAME IT WAS INSTANT 😭
@@weirdmiggy what is the sing name
@@nexmasher Winter Wind by chopin
@@weirdmiggy tysm
op.1sutoea
alternate title: fur elise but adhd
So, I'm watching the music flow by, and at the last stanza I can feel my face twist into a grimace and my body arch back in my chair as I watch the blue marker hurtle towards that last chord. Yikes! 😱
U forgot the licc
0:23 𝚃𝙷𝙴 𝙸𝙽𝙲𝙸𝙽𝙴𝚁𝙰𝚃𝙾𝚁
Never would have thought a rickroll on piano would sound so good. I am now getting a keyboard to learn piano. Nobody will stop me from achieving this ultimate power of rickrolliness
“A master pianist dissociates while working for several minutes straight”
Is it a piece or a song?
Open and see
It is neither, it is a MASTERPIECE
I have had the absolute honour of being this video's 6969th viewer. I am proud to be here.
The mashup we didn’t deserve, but got anyways
that transition into winter wind is smooth
POV: I’m thinking about doing this for my piano recital
I lobe that it went from Für Elise straight into Still Dre
you or somebody should play this on a piano contest
1:33 why is this actually so good
It's better than the original Rush E
this video has severely worsened my already large fear of ledger lines
This the best choice for a talent show 😂
0:49 the transition was epic.
when someone asks me why I'm zoning out, my brain:
Probably my tenth time watching this, and I STILL forget that he Rickrolls you in the first 30 seconds
ah yes, the best way to get rickrolled.
I just see see sheets of metal and I already know I'm up for something
I feel like you'd have to know music theory to be able to compose such chaos. Personally, I'd say you passed the class.
this chaos did not allow me enough processing time to put a name to a few songs that were included, despite clearly recognizing them. well done my friend.
1:09 Do the Mario!
Swing your arms from side to side...
INNOCENVE
DOESNT
GET
YOU
**FAR**
understand?
i delight in videos like this. absolutely incredible
best music compilation ever
how did u manage to exactly fricking reprensent my mind when i think of a music ???
Now we just need TwoSet to review and play this
Would have been funny to submit that in class as a music decomposition.
I’m a trombonist and seeing those glissandos slapped in was physically repulsive
pov: my brain while doing a test
I would pay money to see this being performed live
0:13 Sire has transitioned from a mere noble to an og mobbing with the d o double g
i wanna play this at my school's talent show to show off to everyone and rick roll them at the same tame.
Teacher: Did you practice?
Me: yes teach
The practicing:
Watching this in 2x speed was a religious experience
this is definently what a graduated student would make after learning every symbol and note
THIS IS THE GREATEST THING EVER
Love that Bach chaconne was added in there
Finally UA-cam knows what top tier content is
the transition from rush e to tarantella was godsend thanks
I was not expecting the JoJo Reference! 😂
My brain when I’m walking around my house.
Setting this as my morning alarm
Why is this delightful