I love Tomo Fujita. He's such a great teacher. I also love when he teaches something simple and then proceeds to do 12 chord changes in a quarter of a second.
The most amazing part of Tomo's playing is his level of precision. You only hear the exact notes that he wants to hear. That level of accuracy and precision is always amazing to see.
Love Nile!!! He really unlocked my funk playing with two techniques. Never play more than three strings at a time and the funkier you get the less the chords ring out to almost playing nothing or VERY muted...
If anyone is wondering, the knee slapping exercise that Tomorrow is doing early in the video is a foundational drumming concept called gridding, which is the fundamental way that drummers develop extremely accurate syncopation even when not filling the space with ghost notes. Maybe not necessarily a concept that's too common for pitched instruments.
Just saw a Cory Wong interview where he talks about playing drumline in high school, and I've seen him discuss that same warm up in a different video. I bet that's where he took it from!
I’ve been asked countless times, how do I “keep track” of left hand, right hand, feet…it more than just muscle memory, though that’s important: it involves what I call rhythmic memory, or ‘embodying’ the beat. You can see dancers doing it if you watch them - the beat and it’s ‘fragments’, or pulses, get distributed to the head, the shoulders, hips, hands and feet, and a dance comes out. Or a drum rhythm. Or a funk strumming patterns. It’s called ‘syncopation’: “the placement of rhythmic stresses or accents where they wouldn't ‘normally’ occur… the correlation of *at least* TWO sets of time intervals.
When I was showing someone some funk and reggae licks I explained the correlation of the right hand rhythm picking and when to choke notes with the right hand is like a drummer's high hat. They don't just leave it open and do rolls.... it's the striking pattern along with when to let it ring, when to ring and cut, or to be closed the entire thing.
Definitely my favorite video based around an interview you made. You give plenty of room for the interview to breathe and the parts you give really expand on the ideas to explain it more. It also helps that Tomo is amazing.
So cool to see this broke down to the elements. This was such a common style of playing in the mid to late 70's. We just played what we were hearing on the radio and records, not understanding what we were playing. Nice to hear the comments about over playing the rhythm and how to accent. Good content here, Rhett!
Awesome, thank you Rhett, thank you Tomo! At GIT my instructor Pathik Desai who taught the funk guitar class turned me on to the late, great Ross Bolton who used to be the funk guitar guru at GIT, and Pathik based his entire funk beginner course around Ross' curriculum and I highly recommend to everyone to pick up Ross Bolton's Hal Leonard Funk Guitar book, it's a great workbook to get you on your way!
I hav always been impressed by you nce first ran accros you. But now.... FUNK!? Wow... And this is weird. I'm a 66 year old black guy who grew up on rock in Los Angeles. II'm a Rock guy. But FUNK!? Wow. I am so impessed. More please!!! Oh. And Ell done, sir!!
Nile Roger's is one of my biggest influences so I was excited to hear your thoughts about funk. It's gotta swing its got to support the sing and in my Roger's opinion "If there's not many notes it's not funky"
Anchoring the pinky genius just tried it funk is the toughest style for me some times you get the groove sometimes you don't lol. thanks for all the very interesting content . digging that gold top at the start the only les paul i like to cheers now
3 роки тому+1
I love those guitar fadeouts when you change the scene, so satisfying.
Lately I've really gotten into funk-style playing more. I play bass too, and a lot of the same practices, like muting and a focus on the right hand, carries through easily. One thing I realize that makes the great guitar and bass funk players so great isn't so much their ability to play, but their keen ability to listen. Listening to the other players, the vocal melody, rhythm, etc. is how they find that pocket and create space. I'll take Nile Rodger's tasty playing over the flashy stuff any day!
When it comes to learning funk quitar I will always remember that VHS with Ross Bolton's guitar course my dad gave me when I was a kid. It literally rocked my world!
You're lucky ... my folks had the great wall of vinyl in the 70s, and a few lodgers that included founding members of the Average White Band and Blockheads, so having that kinda grounding is SO valuable! Great lessons
That was useful. My main take aways were use expensive chords, voice leading (good thing I learned my triads), and most importantly, you don't have to scratch every sixteenth note; just the important ones. Thanks :)
Mute with left hand to determine length of note , alternating. Staccato accents rhythm line 16ths like a drummer percussion leaving out some chords more syncopated. And not so overplaying busy leaving some space and hitting. Sparse. Chords. Thanks for demonstraing guitars part isolated.
Great guidance, makes it super easy to understand and follow! And kudos to ur parents for instilling the funk in u at a young age 😃. One of my favorite 80s funk rhythm guitar lines is Sexy Dancer-Prince.
So glad I watched this video. I’ve always been that guy who loves mutes, and it’s always been pleasing to me…so much that my style is pretty much all based around muting strums. Started doing it from Punk rock influence. At times I’ve thought it was a hindrance, but now I know I need to dive into funk….I think it’s going to help me branch out more.
4;30 this guy is a train-ed rythm machine I couldn't change accents in a tapping pattern like that, I bet real drummers train that kind of thing... Impressive
i love rhett! thank you so much for all you do. my mind was blown when you said Tomo was gonna be a part of the video. absolutely incredible stuff! everyone can learn from musicians like you and tomo because you're both so positive and always looking to collab with others. fookin love it rhett! thank you again this was awesome! BRING ON THE FUNK
Where I live, we are lucky enough to have an original Detroit “funk brother” (Leroy Emmanuel) that fills the dance floor with nothing but a 335 (sometimes wah) and a Fender Twin (clean). You can actually hear his guitar on the opening sample/riff of Snoop Dogg’s “Who am I”. After hearing him play, you realize the power of great clean guitar playing. (You’ll get rid of your pedals and your on-the edge-of-breakup amps...)
Tomo is an absolute badass! Thanks Rhett, I lot of my style is blues, funk and jazzed base. This really helped me out big time! Especially the not playing to busy part. After all, you know how us guitarists are lol! ♥🙏🤘😝🤘
Rhett, Great funk lesson! Thanks again for having me!
You’re the man Tomo!
Tomo=Legend!
I love Tomo Fujita. He's such a great teacher. I also love when he teaches something simple and then proceeds to do 12 chord changes in a quarter of a second.
Tomo is an amazing dude. I would so buy his autobiography.
Yep. 1 lesson video from Tomo can keep you busy for days.
He has two great DVD’s that are definitely worth getting!
The most amazing part of Tomo's playing is his level of precision. You only hear the exact notes that he wants to hear. That level of accuracy and precision is always amazing to see.
Everybody funk: Single coil, Strat
Rhett:Gold top Les Paul.
It’s the funkiest guitar I have.
@@RhettShull To be fair, it's a Deluxe
@@RhettShull it's a beautiful guitar and envy it, just busting Rhetts chops, love you Rhett glad the injury is healing nicely!
A lot of funk guys played LP's SG's and es series
Mini humbuckers rock! I have a 71 deluxe with minis and it is the most versatile ever.
Rhett didn't use Tomo as clickbait for the thumbnail, mad respect
corey wong taught me the shifting-the-accent practice technique and it slaps
"Cory Wooooong!" Love that guy! One of the few guitarists that makes me happy just watching him play!
Best style to emulate- Fruscantie's. Perfect blend of rock and funk. Great technique that creates a rougher, more modern punk sound
Was thinking exactly that watching this. I find myself trying to emulate him even when I'm not.
Currently everything I play seems to emulate him lol
Love Nile!!! He really unlocked my funk playing with two techniques. Never play more than three strings at a time and the funkier you get the less the chords ring out to almost playing nothing or VERY muted...
The triplet thing he did at 15:28 was so sick
Yes! I was about to say the same thing! It was like muted raking or something. I keep scrubbing back to it and replaying it.
Play it at .75 speed to really catch the trick.
If anyone is wondering, the knee slapping exercise that Tomorrow is doing early in the video is a foundational drumming concept called gridding, which is the fundamental way that drummers develop extremely accurate syncopation even when not filling the space with ghost notes. Maybe not necessarily a concept that's too common for pitched instruments.
Just saw a Cory Wong interview where he talks about playing drumline in high school, and I've seen him discuss that same warm up in a different video. I bet that's where he took it from!
Yeah the dude is a living metronome
I’ve been asked countless times, how do I “keep track” of left hand, right hand, feet…it more than just muscle memory, though that’s important: it involves what I call rhythmic memory, or ‘embodying’ the beat. You can see dancers doing it if you watch them - the beat and it’s ‘fragments’, or pulses, get distributed to the head, the shoulders, hips, hands and feet, and a dance comes out. Or a drum rhythm. Or a funk strumming patterns. It’s called ‘syncopation’: “the placement of rhythmic stresses or accents where they wouldn't ‘normally’ occur… the correlation of *at least* TWO sets of time intervals.
I'm a guitarist and I've practiced the same exercise almost the entire time I've been playing. I would recommend it for almost all musicians.
Tomorrow huh 🤣
When I was showing someone some funk and reggae licks I explained the correlation of the right hand rhythm picking and when to choke notes with the right hand is like a drummer's high hat. They don't just leave it open and do rolls.... it's the striking pattern along with when to let it ring, when to ring and cut, or to be closed the entire thing.
That comparison is perfect, in fact I have done that without thinking of it
Funk?! Dang, you must be feeling a lot better!
My dear God the thing that he does at 15:29 made me stop the video and replay it several times. What a guy! :)
can't stop from the RHCP is a great example of not playing full chords and filling very well the harmony.
Nile Rodgers is a legend. He worked with so many greats, including David Bowie. His riffs are iconic 🎸
Rhetts clean tone is my solo tone
This is why social media platforms are so great nowadays. You get to learn from great minds like Tomo when it used to be a privilege.
Tower of Power! That's where my favorite funk and soul comes from. East Bay Grease. Got ya' some right here!
LOL, it always comes back to Tomo. The power behind the Throne!
I love that idea of voice leading using different inversions, that's a great way to make a part more interesting
Stratocaster
4th position
Righthand motor going
FUNK
I like position 3 or even position 2 on a Tele for funk!
*Me being confused for a second*
*Remembers how pickup switch positions are numbered*
Firmly flexed tape to that 4th position.
Just to confirm 4th position is Middle and Neck or not?
@@ferramirez4570 Yep!
Definitely my favorite video based around an interview you made. You give plenty of room for the interview to breathe and the parts you give really expand on the ideas to explain it more. It also helps that Tomo is amazing.
Is great how good you are healing from your injury. God bless!!!
So cool to see this broke down to the elements. This was such a common style of playing in the mid to late 70's. We just played what we were hearing on the radio and records, not understanding what we were playing. Nice to hear the comments about over playing the rhythm and how to accent. Good content here, Rhett!
Awesome, thank you Rhett, thank you Tomo! At GIT my instructor Pathik Desai who taught the funk guitar class turned me on to the late, great Ross Bolton who used to be the funk guitar guru at GIT, and Pathik based his entire funk beginner course around Ross' curriculum and I highly recommend to everyone to pick up Ross Bolton's Hal Leonard Funk Guitar book, it's a great workbook to get you on your way!
Damn Rhett. This is a supreme episode.
Great stuff Rhett. Love the Tomo stuff too.
Thank you
Thanks for this Rhett ! So fun!!!
My favorite video so far
Great video! I always love to see @TomoFujitaMusic . Fantastic player and musician. More please!
That strat sounded amazing
Tomo is a Guru of guitar. I like the guy with the silver guitar technique . Nice sound
thanks to Tomo and you, such a refreshing listening !
Glad to see your recovering so quickly man, great video!
Already signed up for the Inner Circle, can't wait to see what comes next!
Fantastic, Fantastic Funk history!!!!!!
Bootsy collins has your back when it comes to funk bass. Funkadelic baby, Groovy vibes.
It's all about the 1
I hav always been impressed by you nce first ran accros you. But now.... FUNK!? Wow... And this is weird. I'm a 66 year old black guy who grew up on rock in Los Angeles. II'm a Rock guy. But FUNK!? Wow. I am so impessed. More please!!! Oh. And Ell done, sir!!
Playing less to create more space and not playing full chords etc! So simple but very easy to not realise. Great video
Soooo cool!!! Can’t wait to go practice this!!! Love the accent exercise! Soooo tricky!
Loved this video. Just what a former metalhead needs to get out of his comfort zone when realizing what he's been missing out 😊
Wow! Not even a funk aficionado, but was blown away by Tomo's skill. Very nice lesson, provides great practice material. Thanks so much!
Nile Roger's is one of my biggest influences so I was excited to hear your thoughts about funk. It's gotta swing its got to support the sing and in my Roger's opinion "If there's not many notes it's not funky"
whew! that was fun! 2 of my fave Rhett and Tomo - amazing
man, you got it, funk, all about "the spaces".
When I was a did, I was a classic rock guy. Then as I got older, I started to appreciate blues, then funk. Funk is awesome.
Love the mini-humbuckers!!!
Well done, great funk lesson. Thanks.
Anchoring the pinky genius just tried it funk is the toughest style for me some times you get the groove sometimes you don't lol. thanks for all the very interesting content . digging that gold top at the start the only les paul i like to cheers now
I love those guitar fadeouts when you change the scene, so satisfying.
Always on the one! Norman
Perfect video for me as I am working on this now.
My mom took me to see the Ramones live on my 7th birthday in 1983. Forever influenced my musical journey.
Terrific…*and* USEFUL. Thanks, Rhett, and Tomoe!
Awesome mate, loved this!!
Rhett!! Love your new studio
Lately I've really gotten into funk-style playing more. I play bass too, and a lot of the same practices, like muting and a focus on the right hand, carries through easily. One thing I realize that makes the great guitar and bass funk players so great isn't so much their ability to play, but their keen ability to listen. Listening to the other players, the vocal melody, rhythm, etc. is how they find that pocket and create space. I'll take Nile Rodger's tasty playing over the flashy stuff any day!
When it comes to learning funk quitar I will always remember that VHS with Ross Bolton's guitar course my dad gave me when I was a kid. It literally rocked my world!
You're lucky ... my folks had the great wall of vinyl in the 70s, and a few lodgers that included founding members of the Average White Band and Blockheads, so having that kinda grounding is SO valuable! Great lessons
Rhett, great funk lesson by you and Tomo Fujita. I learned some new funk techniques. Glad you're back to playing again!!
That was useful. My main take aways were use expensive chords, voice leading (good thing I learned my triads), and most importantly, you don't have to scratch every sixteenth note; just the important ones. Thanks :)
Beautiful instruction
Right rhythm/left mute... so on point!
Mute with left hand to determine length of note , alternating. Staccato accents rhythm line 16ths like a drummer percussion leaving out some chords more syncopated. And not so overplaying busy leaving some space and hitting. Sparse. Chords.
Thanks for demonstraing guitars part isolated.
This has to be the best funk guitar video on YT. Thank you so much from a frustrated keyboard-playing guitarist. I'm going to give this another go.
Right on brother
I’ve been watching Tomo for a minute now so great
i love tomo fujita! especially his casiopea - ayasake lesson.
Great lesson and nice job!! THX!
Amazing, thank you for this
Getting the funk out...great lessons...
Nice job, gentlemen
I didn't expect you covering that genre of music! Great content, as always.
Been a longtime subscriber of Tomo’s... love his channel. So many good tips...
O man I love the color of that stratocaster .
Thanks Rhett, this was a great introduction to funk playing. Something I had been avoiding because I didn't understand it.
Great guidance, makes it super easy to understand and follow! And kudos to ur parents for instilling the funk in u at a young age 😃. One of my favorite 80s funk rhythm guitar lines is Sexy Dancer-Prince.
We need a collab video between you and Chris Buck too...
Tomo Fujita might be the nicest person on all of youtube
Yesss!! I needed this
Tomo is the man thank you Rhett awesome video
Thanks for continuing to deliver GREAT content!
Great lesson, Rhett! This is what music is all about - rhythm and feel baby!
So glad I watched this video. I’ve always been that guy who loves mutes, and it’s always been pleasing to me…so much that my style is pretty much all based around muting strums. Started doing it from Punk rock influence. At times I’ve thought it was a hindrance, but now I know I need to dive into funk….I think it’s going to help me branch out more.
Rhett, this was dope. Looking forward to more of these, and I love the funk guitar intro lessons.....(cant wait for the bluegrass lesson!)
4;30 this guy is a train-ed rythm machine I couldn't change accents in a tapping pattern like that, I bet real drummers train that kind of thing... Impressive
i love rhett! thank you so much for all you do. my mind was blown when you said Tomo was gonna be a part of the video. absolutely incredible stuff! everyone can learn from musicians like you and tomo because you're both so positive and always looking to collab with others. fookin love it rhett! thank you again this was awesome!
BRING ON THE FUNK
I’ve been a huge fan of Rhett Shull for a long time. He’s an incredibly talented and versatile guitarist.
that was awesome---thanks for the post
Wow, really useful stuff, cheers, Rhett
Tomo Fujita is really an amazing guitarist!! As are you Rhett...
Tomo RULES!!!!
Amazing lesson. Thank you both!
Great one man. Thanks
Thanks Rhett! Love the beginner lessons.
This was great Thank you!
Nile Rogers would be proud of you, really proud of you were using a fender lol. Keep up the good work. Can we get some more bass love?
Where I live, we are lucky enough to have an original Detroit “funk brother” (Leroy Emmanuel) that fills the dance floor with nothing but a 335 (sometimes wah) and a Fender Twin (clean).
You can actually hear his guitar on the opening sample/riff of Snoop Dogg’s “Who am I”.
After hearing him play, you realize the power of great clean guitar playing. (You’ll get rid of your pedals and your on-the edge-of-breakup amps...)
Awesome! I've been meaning to practice funk (and improving my overall right hand rhythm).
We have the future Larry Graham on our hands... Keep it up! Enjoyed the video
Awesome. Thank you.
Tomo is an absolute badass! Thanks Rhett, I lot of my style is blues, funk and jazzed base. This really helped me out big time! Especially the not playing to busy part. After all, you know how us guitarists are lol! ♥🙏🤘😝🤘