If anyone do not like video or artist,but anybody haven't right to dislike it.atleast you neglect this.anybody seats at centre is not ordinary human.he or she.i am shocked 4 nos disliked this.remember its a god gift to all artists.one day they perform superior second day might not yesterday s performance. At least respect smallest artist in any field.
Yes you are 100% correct sir. Those who dislike music or muscian, in which capacity they dislike. They don't know there are many people who dislike them.
Probably Yes....This is first time I heard jogkauns from Panditji.....I am waiting for his Bilaskhani todi and nayaki kanada....Hope will get them too soon on UA-cam
In mumbai gunidas samnelan in December 2019panditji sung jogkans, which incidentally is creation of gunidas ie.pt.jagannathbuva puranik. It is on UA-cam
@@IndianClassical97 Paramparik Bandish. Created by Jagannathbuwa Purohit ‘Gunidas’ in the 1940s (also the progenitor of Swanandi and Jaun Bhairav), Jogkauns is usually summarised as ‘Jog plus Chandrakauns’. However, the Agra vocal master’s original inception drew more from the melodies of a ‘raised Ni‘ Malkauns offshoot than from Chandrakauns itself, which was then still in its infancy (Parrikar: “Gunidas originally referred to his inspiration as simply ‘Kaunshi’, but a subsequent discussion with B.R. Deodhar lead him to re-baptize it ‘Jogkauns’ given its harmonious blend of Jog with the Kaunsi-ang“). Gharana-blending singer Kumar Gandharva soon picked up on the new form, garnering acclaim across North India from the early 1950s for his spellbinding renditions - with many other artists following in his wake to cement the raga’s status as one of the most popular modern creations. Compare with other Jog derivatives including Nandkauns (which takes komal ni instead) and Jogeshwari Pancham (which ‘flips’ both uttarang swaras to Dha+ni) - as well as Devata Bhairav (the same scale plus komal re).
What a beautiful rendition of Jogkaus. Panditji Dhanyoham.
क्या बात है... खुपच मधुर..सुरेल..
Heard pat tore song by another great Mallikarjun Mansur..both are top class
Great rendition by the great artist. Thank you all the accompanists.
If anyone do not like video or artist,but anybody haven't right to dislike it.atleast you neglect this.anybody seats at centre is not ordinary human.he or she.i am shocked 4 nos disliked this.remember its a god gift to all artists.one day they perform superior second day might not yesterday s performance.
At least respect smallest artist in any field.
Yes you are 100% correct sir. Those who dislike music or muscian, in which capacity they dislike. They don't know there are many people who dislike them.
I was present at this cover. It was just magnificent! The bada khayal is in Yaman Kalyan, the next piece in Jogkauns
One of best Jogkauns i heard❤️
Pt Jee is Just Too Good.
Listening to him,one is literally transported to another World.
Guru ji ke charno me mera pranam
I am big fan of pandit ji,
Thanks for uploading this !!!.. I think this is the only Jogkauns video of Panditji on youtube
Probably Yes....This is first time I heard jogkauns from Panditji.....I am waiting for his Bilaskhani todi and nayaki kanada....Hope will get them too soon on UA-cam
right i also heard recently
In mumbai gunidas samnelan in December 2019panditji sung jogkans, which incidentally is creation of gunidas ie.pt.jagannathbuva puranik.
It is on UA-cam
@@nilkanthdeshmukh5559 please share the link
@@indrajeetmalamalasi2406 I am also eagar to listen BALASKHAANI THODI from Pt Venkatesh Kumar. FROM : TNC SEKHER, HYDERABAD.
Koti Naman to pandit ji so divine
Mesmerizing voice of Pandit M Venkatesh Kumar 👍👌👌👌
Pronam Guruji🙏🙏🙏🙏
Shravniy. Pranam panditji
Simply superb
Please please upload more 🙏.. Gem of Hindustani classical..
Guru'ji aapko koti naman 🙏🙏🙏🙏🙏
Simply divine
Waah! Kya baat hai!!
Excellent. Singing
ಅದ್ಬುತ ಆಧುನಿಕ ತಾನ್ಸೇನರು
💐👏👏👏👏👏💐
Great
Could not follow Tabal ji
Which raga?? Plz describe please..
Imon??
Yes. Yaman Kalyan, followed by Jogkauns.
@@IndianClassical97 Paramparik Bandish. Created by Jagannathbuwa Purohit ‘Gunidas’ in the 1940s (also the progenitor of Swanandi and Jaun Bhairav), Jogkauns is usually summarised as ‘Jog plus Chandrakauns’. However, the Agra vocal master’s original inception drew more from the melodies of a ‘raised Ni‘ Malkauns offshoot than from Chandrakauns itself, which was then still in its infancy (Parrikar: “Gunidas originally referred to his inspiration as simply ‘Kaunshi’, but a subsequent discussion with B.R. Deodhar lead him to re-baptize it ‘Jogkauns’ given its harmonious blend of Jog with the Kaunsi-ang“). Gharana-blending singer Kumar Gandharva soon picked up on the new form, garnering acclaim across North India from the early 1950s for his spellbinding renditions - with many other artists following in his wake to cement the raga’s status as one of the most popular modern creations. Compare with other Jog derivatives including Nandkauns (which takes komal ni instead) and Jogeshwari Pancham (which ‘flips’ both uttarang swaras to Dha+ni) - as well as Devata Bhairav (the same scale plus komal re).
Abhishekibuwa's and Manik Varma's renditions are also beautiful!