@@proarte4081 si lo sé digo, no es lo que estamos acostumbrados a escuchar de Beethoven es como su primera faceta como compositor con estilo muy clásico
@@sebastiansilva7940 Eso es cierto. Tal vez se llevó a la tumba muchas otras obras que lo declaraban como admirador de Mozart y Haydn, como la sonata para flauta.
It features two oboes, an English horn, and the notes written in the score. I don't know how it couldn't have as many high frequencies as are required?
"Brightness" is a function of timbre and overtones. There are geographical differences in what is considered the "best" oboe sound. This sounds ideal to some Europeans, but many Americans find Holliger et al.'s timbre too bright. Not that he isn't a wonderful musician--he is--but oboe sound is a matter of taste.
To me it seems strange to have a preference for oboes, rather than enjoy them all. Perhaps I'm too fond of each oboe I've heard from the late Baroque to the present day.
The difference is also the reed scrape itself, which is very different. I love German sounding oboes, but they play on different oboes than many Americans do. Most oboists I know play on Loree here. I play oboe as well as flute, but i didn't major in oboe because of reeds ;-) But i still love the oboe!
I can't believe no one has done this yet:
I Allegro 0:00
II Adagio 10:44
III Menuetto 15:55
IV Finale 18:57
You're welcome.
Pietro Marchiori Thankyou I was looking for adagio(took me ages) then I thought would look ate the comments ;D
thanks
Thanks.
Thanks
I've done this many times, once with a similar comment :D thanks!
The 2nd mvt is like walking th Austrian Alps in Gosau. Please post Beethoven's 6th symphony.❤
The best version of this trio. !!!!
One of my favorite works, ever. Thank, Ms. Val. (I'm celebrating his Birthday all this week.)
Maravillosa obra de juventud de Beethoven, un regalo para los oídos y para los oboistas. Gracias!
Für mich unbekannt bisher,danke.Sehr schön,interesant ♫♪♥
Excellent !.! !
I have this CD, because I am a Holliger fan.
Wonderful not enough of the small Ensemble stuff gets played
Für meine Begriffe eine Referenzeinspielung!!
Esa obra de musica es muy rara de L.v. Beethoven,pero sonido muy fresquido. Yo le encontre enre mis discos de vinilis.
Sergio desde Rusia.
Cierto no parece una obra del estilo de Beethoven
@@sebastiansilva7940 Si lo es.Beethoven a compuesto una gran quantidad de obras da camara con este estilo.
@@proarte4081 si lo sé digo, no es lo que estamos acostumbrados a escuchar de Beethoven es como su primera faceta como compositor con estilo muy clásico
@@sebastiansilva7940 Eso es cierto. Tal vez se llevó a la tumba muchas otras obras que lo declaraban como admirador de Mozart y Haydn, como la sonata para flauta.
Et dejligt lille stykke musik. Mon der kommer mere.......
Frankie, Ricardo and David
it reminds me Figaro by Mozart
La crème ...
The best of the best, in one group.
A couple of questions though:
When was the date of the recording and where did you find it?
1976 complete Beethoven Edition vol 15 Deutsche Grammophon
complete Beethoven edition ©1997 87 CD's volumen 15
STEREO 453780-2 D.P.
1979 Philips Classics Productions
Deutsche Gramophon a PolyGram company
Portrait looks like he should have stood closer to the razor.
Jack Housman Ludwig was busy the day this was painted and sent a stand-in, who, caught out by the short notice, didn’t have time to shave
Uncle's joke.
the second oboe sounds like they would be terribly bored
I played it as second oboe,...actually it is very funny!
It’s all about the music.
Too bright! (says the American)
It features two oboes, an English horn, and the notes written in the score. I don't know how it couldn't have as many high frequencies as are required?
"Brightness" is a function of timbre and overtones. There are geographical differences in what is considered the "best" oboe sound. This sounds ideal to some Europeans, but many Americans find Holliger et al.'s timbre too bright. Not that he isn't a wonderful musician--he is--but oboe sound is a matter of taste.
To me it seems strange to have a preference for oboes, rather than enjoy them all. Perhaps I'm too fond of each oboe I've heard from the late Baroque to the present day.
I think the problem has more to do with the acoustics and engineering than the music itself.
The difference is also the reed scrape itself, which is very different. I love German sounding oboes, but they play on different oboes than many Americans do. Most oboists I know play on Loree here. I play oboe as well as flute, but i didn't major in oboe because of reeds ;-) But i still love the oboe!