Jean Françaix: Quintetto per fiati No.1 (1948)
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- Опубліковано 30 вер 2024
- Jean Françaix (1912-1997): Quintetto No.1 per flauto, oboe, clarinetto, corno e fagotto (1948).
I. Andante tranquillo - Allegro assai
II. Presto [04:14]
III. Thema: Andante - Variations 1-5 [08:58]
IV. Tempo di marcia Francese [15:53]
Kammervereinigung Berlin
Cover image: painting by Guido Marussig.
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What a marvelous interpretation!!! Since first hearing this piece circa 1957, I've always loved it, but this recording brings out its full brilliance -- as if we never really knew the piece before.
The good humor in this piece always blows me away. This is an amazing performance!
Ecouter Jean Françaix, c'est abolir le déferlement des bruits et des images du quotidien pour entrouvrir l'espace d'un ailleurs où la contingence et la représentation cèdent la place à l'immatérialité du sensible. La puissance expressive de l'architecture sonore rompt avec toute forme de transcription du réel pour s'attacher à l'expression d'un univers fabuleux où la couleur et le rythme des compositions constituent une expiration qui donne voix à l'exaltation 😎
I don't feel that painting does it justice.
Je suis extrêmement Françaix pour ce qui concerne la musique du 20ème siècle...
really cool piece.
I love me some
jean francaix!
Wonderful performance.
Fantastic performance!!!!
Truculent ! ! !
M 42 -- Audacious ! ! !
Yôtoshite burning hell awaits led Kashmir little illusion Tsuki postmortem no Frozen
Not gonna lie, this is a neat work. Very french.
Stuart Segan -- Actually, Stu, you come off better when you Lie......
Sudno there's More to life than this Yang
Thanks for introducing me to this composer. Me likes.
I like it. But what context requires it?
Recacono tv
Wunderschöne Interpretation dieses einzigartigen doch perfekt konstruierten Quintetts im veränderlichen Tempo mit mildem Ton der Flöte, herrlichem Ton der Oboe, bezauberndem Ton der Klarinette, brillantem Ton des Horns und tiefem Ton des Fagotts. Der dritte Satz klingt besonders schön und auch lyrisch. Die intime und perfekt balancierte Miteinanderwirkung zwischen den fünf Virtuosen ist echt bewundernswert. Echt faszinierend wunderbar!
La musica di Jean Fran¢ais per me è accettabile anche se talvolta gli strumenti procedano in modo sgangherato.Almeno
non addotta un linguaggio
troppo dissonante.La mia presenza a Roma come uditore all'auditorium nazionale di S.Cecilia mi ha
fatto scegliere ciò che è adatto all'ascolto da ciò che
non lo è.
Ho composto quintetto sestetto settimino con corno e arpa, ottetto decimino e sto completando un dodicimino.