@@NebulaMJthis is absolutely amazing. I started screaming in my car lmao. PLEASE do more WBSS. Toulouse would be my number 1 vote. Oslo or Munich would be amazing too. You are the absolute best at these!!
Hey Nebula Beats! I just checked out your studio recreation of Billie Jean live in Munich, and I wanted to share some thoughts. First off, major props for tackling such an iconic performance-it’s clear you put a lot of effort into capturing the feel of the Munich show. The bassline was spot-on, and I really enjoyed the attention to detail with the drum groove. One thing I love about the Munich performance is that “Double Tap” intro; I actually wish Michael did more of it in the live show’s! If you’re interested in adding something unique to your recreation, experimenting with that intro could be a cool addition. Also, a bit of feedback: in the live version, the bass and snare feel a bit punchier and drive the beat forward. Boosting those elements slightly could help capture that live energy even more. Maybe adding a touch of reverb to match the venue’s acoustics would also help bring that “magic” vibe. Overall, fantastic job! I’m looking forward to seeing more of your recreations-keep up the great work! By the way, how’s Working Day and Night coming along?
amazing man, btw could you do wbss munich 1992 (using the studio and live vocals) all the versions have bad isolating and wrong line one the "billie jean is always talking" part
In future do you have in mind to do a studio version of Beat It live in Oslo? Nobody did it on UA-cam and in the live video is missing the initial part. Please i love that pitch 🙏
Since a lot of people are asking about the Munich version, I'll for sure do that, but idk about Oslo. If enough people ask for it then I will, but it won't be until after I finish the main setlist for the tour
Layering. Believe me it took forever to get a sound that I was satisfied with, just trying several different samples on top of each other. For this remake specifically I combined 5 different snares to create what you hear in the video lol
I'll just try to splice it together with the few other shows we have available, but if I have to blur out anything to prevent it from getting blocked then I will
Of the 5 versions you've done, verbally and vocally it's one of the weakest. I think it would have been better to combine voices from other concerts trying to match the tone of Munich 92'. Instrumentally it's incredible. I love the aesthetics, the essence, and above all, that extended intro so iconic of this live incarnation of the song. I don't discredit your hard work, the dedication you gave to one of Michael's best songs is excellent. I look forward to your next tracks :)
Now we need a WBSS Munich and a Beat It Munich 🔥🔥🔥
Maybe
yes yes yes yes
@@NebulaMJYEA PLEASE I’m pretty sure you will be the first one to make a fanmade of WBSS and beat it in Munich 1992 style
@@NebulaMJthis is absolutely amazing. I started screaming in my car lmao. PLEASE do more WBSS. Toulouse would be my number 1 vote. Oslo or Munich would be amazing too. You are the absolute best at these!!
Yes , do it please @@NebulaMJ
Good night Michael Jackson Billie Jean
Hey Nebula Beats! I just checked out your studio recreation of Billie Jean live in Munich, and I wanted to share some thoughts.
First off, major props for tackling such an iconic performance-it’s clear you put a lot of effort into capturing the feel of the Munich show. The bassline was spot-on, and I really enjoyed the attention to detail with the drum groove.
One thing I love about the Munich performance is that “Double Tap” intro; I actually wish Michael did more of it in the live show’s! If you’re interested in adding something unique to your recreation, experimenting with that intro could be a cool addition.
Also, a bit of feedback: in the live version, the bass and snare feel a bit punchier and drive the beat forward. Boosting those elements slightly could help capture that live energy even more. Maybe adding a touch of reverb to match the venue’s acoustics would also help bring that “magic” vibe.
Overall, fantastic job! I’m looking forward to seeing more of your recreations-keep up the great work! By the way, how’s Working Day and Night coming along?
This is so amazing. I cried in my car cause i felt like i was the concert lmao it sounds so good. Thank you thank you!! You got everything so right.
I wanna see a of “If You Don’t Love Me” live DWT fanmade. Recharged MCM did it and nailed it. I think you would nail it.
I don't think he will do that but he can do "Nebula's Live Vision" of it.
Either way it would still be awesome if he did it.
5:38 looks like victory tour
Wow 😶
excellent vídeo
Somebody summoned me in the description? 👁️👄👁️
Yes indeed haha
@@NebulaMJGot a Discord?
很棒！👍
This is phenomenal!!! Please keep it up man, super talented!!
Mas Billie jean no se cansa
😍😍😍
Totally awesome! As usual
do a dangerous mix cmonnn maannnn so goood you are
haha I have a few different versions of dangerous on my channel already, but the dwt version will be coming most likely towards the end of the year
Great job!!!! This is banging!!!!
Other Studio Version of Dangerous Tour ❌🤡 Nebula Beats Studio Version of Dangerous Tour ✅🗿
amazing man, btw could you do wbss munich 1992 (using the studio and live vocals) all the versions have bad isolating and wrong line one the "billie jean is always talking" part
A lot of people are asking for it so I will end up doing it at some point, along with beat it :)
I missed David Williams guitar from 1982, they were placed from the multitracks in the final mix, you can hear them because they are separated in L&R
In future do you have in mind to do a studio version of Beat It live in Oslo? Nobody did it on UA-cam and in the live video is missing the initial part. Please i love that pitch 🙏
Since a lot of people are asking about the Munich version, I'll for sure do that, but idk about Oslo. If enough people ask for it then I will, but it won't be until after I finish the main setlist for the tour
how do you get the drums so well???? incredible
Layering. Believe me it took forever to get a sound that I was satisfied with, just trying several different samples on top of each other. For this remake specifically I combined 5 different snares to create what you hear in the video lol
You should do a live version of smooth criminal in 1999
I don't think he will do that since Nebula Beats already did MJ & Friends 1999.
@j.p._mj oh my bad
Amazing !
I'm huge fan of MJ , watch my moonwalk 😭🕴🏻
For Dirty Diana, are you going to use Wembley footage but blur or no?
I'll just try to splice it together with the few other shows we have available, but if I have to blur out anything to prevent it from getting blocked then I will
Cool. When are you going to release part 1 of DWT live Studio Recreation?
@@DANGEROUSPRODUCTIONS-n9dI think it supposed to be scheduled in December 2024 but Idk yet.
hey nebula long time no see! what 808 did you use for the synth?
For the bass I used Scarbee Jay Bass, Pop Oohs are from the EMU-III, and all other synths are from the Korg M1
Make a munich 92 series pls
WBSS and Beat It are now confirmed to be happening at some point, I don't think I'll do the whole setlist though lol
Of the 5 versions you've done, verbally and vocally it's one of the weakest. I think it would have been better to combine voices from other concerts trying to match the tone of Munich 92'. Instrumentally it's incredible. I love the aesthetics, the essence, and above all, that extended intro so iconic of this live incarnation of the song. I don't discredit your hard work, the dedication you gave to one of Michael's best songs is excellent. I look forward to your next tracks :)
I agree on the vocals, and normally I would've done that, but since this was a Munich specific remake I decided to just use the one vocal track
Billie jean 2001 30th anniversary please🙏🙏🙏