*Highlights* 1:17 4:16 - The buildup here is incredible 6:07 - Unbelievable control 8:07 - More lively than any other interpretation 9:36 - Whilst many pianists drown this part, Kholodenko plays the beginning of the third skazki in a way that comes close to Horowitz version 10:17 - Kholodenko nails this part 14:01 - Here he creates a beautiful atmosphere like no one else 16:31 - The drive here is just so compelling 19:06 - Another example of his unbelievable control 20:40 - Not so much the recording, but this chord is very interesting 22:58 - The rhythmic choices here are fantastic 23:10 - The return of the "fools dance", done sublimely 23:36 - Here he disregards Medtners dynamic instructions and plays the final climax very quietly. This drastically changes the ending, but I think it's a good choice (but definitely not something for everyone) 24:13 - Notice how he holds that bottom F
*Highlights*
1:17
4:16 - The buildup here is incredible
6:07 - Unbelievable control
8:07 - More lively than any other interpretation
9:36 - Whilst many pianists drown this part, Kholodenko plays the beginning of the third skazki in a way that comes close to Horowitz version
10:17 - Kholodenko nails this part
14:01 - Here he creates a beautiful atmosphere like no one else
16:31 - The drive here is just so compelling
19:06 - Another example of his unbelievable control
20:40 - Not so much the recording, but this chord is very interesting
22:58 - The rhythmic choices here are fantastic
23:10 - The return of the "fools dance", done sublimely
23:36 - Here he disregards Medtners dynamic instructions and plays the final climax very quietly. This drastically changes the ending, but I think it's a good choice (but definitely not something for everyone)
24:13 - Notice how he holds that bottom F
The F…. How. I can’t tell if this a layered recording or if I am just coping. He’s not holding the pedal in that part
@@nicb4589 I can’t figure it out either. It’s a live recording so i doubt there’s any editing tricks here
Maybe he used the middle pedal for it?
@@maleficfig68 It must be that, yes
There is something exotic in this recording
woah
Nice.
I think Kholodenko shows a rather controversial but very impressive interpretation.