Yes, exactly here: ua-cam.com/video/OUHShx43JVU/v-deo.html (It's at the time he references him, but you have to go back a little in the video to see what he's talking about ; ) ).
Seeing Mr Savage butchering a toy piano and attempting to cobble together something that can make sounds from bits and pieces he has laying around and being happy with the end result even though it looks like it was made by a one armed chimpanzee with a hatchet and sounds like a beer crate half filled with broken springs is so far removed from what Todd does that I'm surprised he thought of Todd while making that video !
I like the fact that the customer wanted this old Harmony to be done right even though it doesn't make sense given the dollar value of the guitar. That's called loving your guitar. People do it with cars and such all the time.
I agree - every guitar has it's own unique personality, even the cheaper ones like Harmony.! I have 2 ,and they are loved and cared for ,just like my more expensive ones !
The thing is, as he said earlier in the video, this guitar might’ve been an economy model back in the day but the wood that it’s made from is now a luxury. Which is why I try to keep my older instruments. Many of the fingerboards are Brazilian rosewood.
Keith Richards toured and recorded the Stones first two albums with Harmony guitars. The first album was recorded with a 6- string/ the second with a 12 string. Yes- these are cheap guitars for their time, but very sought after by guitarists.
@@whansandceros or do the research, I contacted Fender for the full specs on my 15 year old MIM strat, and they had everything down to the neck finish.
A Nun (sister Mary Theresa) taught me play guitar during my summer CCD catholic instruction when I was 10 years old in 1970. She had this same guitar, so I pleaded with my dad to get me the same guitar, which he did! Over the years it developed the highest action known to mankind! Even though it was barely playable, I LOVED it and took it everywhere with me for the next 12 years until someone stole it at the Jersey shore during a college break in 1982... Lots of awesome memories!
In an act of Nostalgia, I purchased a Martin 000-15M in 2019 after searching for the guitar that most reminded me of this tried and true all Mahogany Harmony!
I think the date stamp says "S48" not "S46" but you might already know that and accidentally said 46. Or it really is a 46 and it looks like 48. Excellent video btw as always!
Your content is not solely for guitar repairs, for me it's therapy, a money can't buy experience. I wish you the best in everything you need. Cheers from the land Down Under !
You got to smile , when everyone starts correcting you for what they think is a mistake you make…From the opening music to the end test play , That’s what puts a smile on my face. You don’t see this kind of repair of guitars …anywhere but here.! Further more, I have yet to see a bad video.🇨🇦🇨🇦🇨🇦🇨🇦🇨🇦🇨🇦💌😊
Great to see you go into so much detail about that bridge routing jig of yours. I'm fixing up a 1972 Aria, clearly inspired by the Gibson Hummingbird. I'm using your bent B string method to intonate the new saddle. just quietly watching your vids has given me loads of lutiery and repair tips and I'm very grateful for that - and for the entertainment
I have a self-built 12string from 1967. The neck is mahogany with an integral fingerboard. The wood was chosen with a slight back-bow and when strung up it is virtually flat without any reinforcement
Love your, "I'm not going to show every ______ job" thing. Personally I don't set my alarm for the latest vid from you, I simply am pleased with seeing a new one available. Stick to your guns. Great work.
I found when using very long thin drill bits (2 or 3mm), it helps to slide a brass or ally tube up the drill bit. This helps stop it bending and can also protect nearby body material from the spinning drill bit.
People need to understand that this is your job. We viewers see entertainment. You are working. Indeed, the casket shop I worked at, shut down for everyone's vacation at the same time.
"Don't ask for dimensions. Get a guitar and figure it out for yourself. Do the work." Best quote I've heard in a while. That is a cool jig though. I love learning about and working on my guitars. But I don't think I would want that to be my job. Thank you for the work that you do and for sharing some of it with us.
That reminds me of Chef John when people ask how much salt or sugar or butter he used and his response is "make it to your liking - that's just you cooking". "That's just you luthiering."
Thanks, Ted, for the detailed explanation of your saddle routing jig. That gives me enough info to “do the work” and make my own. FYI-I always get a little sentimental whenever you work on a Harmony guitar. A guy in my very first band started building his chops on a Harmony Bobcat played through a Montgomery Ward Airline amp. Great times.
Honduran mahogany and even cuban mahogany is still somewhat available today. But are getting quite expensive especially the old growth verity. When you get your hands on some it is obvious why our ancestors loved it so much.
He will never read this, but thank you for explaining the core elements of what I need to do to fix my classical guitar that has crappy intonation! Will I ever do it? Not sure, but now I know how to build the jig!
Very unusual having sapwood and heartwood running along the fingerboard like that and also on the bridge, that makes it a pretty unique instrument ! Finding a piece of rosewood in your stash with similar colours so you can make a matching insert for the bridge is astonishing and shows what kind of a craftsman you really are ! It really blew me away to see the matching insert fitted in the bridge, if you didn't know that it had been done you'd never notice it !
I think it sounds excellent!! You’ve got me keeping my eyes peeled (ouch) for an old harmony or Stella in recoverable shape. Just as a project bed not to strike vintage fortune!
That guitar sounds as lovely as it looks! That mahogany is beautiful 😍. Someone has taken very special care with it all these years and could not have given it to a better luthier for repairs and changes! Loved this video ❤️❤️
Man, I love watching these videos. I’m a self employed carpenter but I wish I did this for a living. There’s a big difference between carpentry and luthier work. Even tho we both work with wood. I do finish carpentry as well but this is a different animal. I typically do my own guitar work and have even done some refinish work on my guitars but good luthier work is something I view with a very deep appreciation. Thanks for sharing your great work.
Thanks for the part about first and second part of the year. I have been having this debate with people for a long time. I have a later H165 (1958). Guitar materials are the same, but it bottom bout on mine is flatter on the end, and it has the “Steel Reinforced Neck”. As cheap as these guitars were new, they have some interesting material choices, like the once piece sound boards and backs (not book-matched like today’s guitars, or other guitars of the same era).
i used to use Honduran Mahogany to build bookcases and furniture in high school almost 50 years ago. A beautiful wood to work with and I still have one bookcase and two pieces of furniture I built out of that wood. All finished with 'Deft' which I understand was responsible for the loss of a few brain cells along the way. Who knew ???
Have a harmony with a similar fretboard. It's used as a barbeque guitar. Traded a bucket of used horseshoes for it. Had to fix some cracks and reset the neck.
Sometimes I get a really good dose of why did I even do that... Coming from the memories of all the various Harmony and Silvertone guitars I've passed over or just wasn't educated enough on their history. Had some pretty nice Kay's before I probably should have kept and just played when the mood hit.
I'm in the middle of a neckset on a 1950 Silvertone H621 (made by Harmony?), and I was surprised to see that it has a rectangular steel bar in its neck.
I was just going out to spray clear nitro on a mid-60s Harmony archtop I've had for decades. It had been sitting outside and I bought it for like $35. Now I'm older and smarter (than when I took a run at it the first time), I think I stand a fair chance of turning it into something fun and playable. It has a steel-reinforced poplar neck with a lovely little backbow to it. I think it'll be fine.
I love watching you work! I am a guitarist, i had my framus panthera at a luthier for a refret and a new nut, but he just glued a piece of wood under the old nut (frets are higher) and it was sloppy, brought it to another luthier for a new nut, spacing was all over the place, can i send you my guitar from austria? :D
I'm fond of your videos. Very interesting and also it seems that being a craftsman lifts spirit. Very good philosophy in life from my point of you. Thanks for everything.
if you look you can find a Fender Elite strat or tele with a half n half neck like this in the ebony species, honestly the knot will bring strength in that area, so it's all good, what it does for vibrations dunno? curious what the numbers are stamped on it tho? beautiful guitar tho, no jokes, that wood and the patina is fabulous, bet its the only one in existence like this unless they did a run of em like fenner did with the elites? props to the owner, SCORE! beautiful great sounding guitar and fantastic repair set up work..
Great as always! Questions on cutting a new saddle slot (possibly fodder for a future video): It looks like you are doing it parallel to a flat edge of the bridge. But I would think it is common to need to slant the saddle a bit for better intonation. So my 2 part question is a) how to set up your jig for a slant and b) how to determine the proper slant (or even if you need one) before you cut? I've even seen some acoustics where the saddle is split so there are 2 (or more) saddle slots to accommodate even more intonation control. As an added bonus .... why on earth has no one invented a saddle/bridge system for acoustics that allow accurate intonation adjustments (like electrics)?
It was cut with a slant, but I angled the take off points to the very front edge for the treble and the very back for the bass so it's not slanted as much, so I didn't run out of bridge for the treble. The bridge might also have been glued on a bit crooked as well. There have been several adjustable saddles developed for acoustics over the years. They usually get pulled out and plugged because they sound awful.
Love your channel! Do you advise customers that the cost of repairs may exceed the value of the instrument? Sentimental value, of course, is priceless.
The answer to “How much time do you spend looking at the far side of your neck?” is the same for me as for my guitar. None. I spend no time looking at the far side of the neck. I have wasted much of my life. But as Ted said, “You can’t expect too much from them.” Thank you Ted.
Until you pointed out the dual colored bridge I thought it had a huge chunk broken out of it and was wondering why you weren’t mentioning it. Old eyes I suppose. Very interesting fret board and bridge.
I know your a fan of fish glue and I recently used it on a refret that has been hanging around (I'm very amateur and this is for my own use) and I was a bit surprised to see a clamping time of 12 hours...is that the norm for fish glue? Do you rely on the fret tang to provide the clamping when you use it on frets? I used my fretboard radius block light clamped in place overnight-seemed to work fine. Your vids got me going on some projects that hung up....enjoy watching you work.
As always, an unbelievable job that leaves me in awe! Don't know if I spelled that right but you're pretty amazing and I love watching your videos! I think you're much better than you really realize!
Doesn't sound bad at all. You hear it as an inexpensive guitar when you pick a single note against a ringing chord or some open strings. As for the market value of the guitar versus the work put into it...I know the feeling. I have a 1954 Guild X-150 that I got as a wreck and had refin'ed 45 years ago. It has a staple P-90 pickup from a '55 Byrdland on it. And a 1956 Guild X-175 I also had refin'ed-ordinarily I'll never refin a guitar (I didn't do the work; I just paid dearly for it) but these were both very crashed guitars. I just like the 25.5" scale and you only find that on very early Guilds. The '56 I have over $3K in and I doubt I could sell it for over $1200.
Actually there were quite a few of the Harmony, Silvertone, Kay and Audition model guitars with the string through design. Although it looks a little cleaner and eliminates the possibility of bridges splitting in half due to temp/humidity changes with pins (as a few of his videos have stated) the tension being pulled through the bridge had a tendency to really warp the bridges. I think that's why most of the older "cheaper" guitars all had screws or bolts holding the bridges down at one point.
Adam Savage referenced you on one of his one day builds. It was the refurbish of some type of mini piano.
Yes, exactly here:
ua-cam.com/video/OUHShx43JVU/v-deo.html (It's at the time he references him, but you have to go back a little in the video to see what he's talking about ; ) ).
@@Mat_1000 Cool thanks
He's done it before as well, in regards to using superglue to strengthen wood. I can't remember which video it was but it was earlier in the year.
Seeing Mr Savage butchering a toy piano and attempting to cobble together something that can make sounds from bits and pieces he has laying around and being happy with the end result even though it looks like it was made by a one armed chimpanzee with a hatchet and sounds like a beer crate half filled with broken springs is so far removed from what Todd does that I'm surprised he thought of Todd while making that video !
@@ian-c.01 I think his name is Ted.
When we needed it most he restored Harmony in our lives.
I still can't get over how good that restored harmony sounded
I like the fact that the customer wanted this old Harmony to be done right even though it doesn't make sense given the dollar value of the guitar. That's called loving your guitar. People do it with cars and such all the time.
I agree - every guitar has it's own unique personality, even the cheaper ones like Harmony.! I have 2 ,and they are loved and cared for ,just like my more expensive ones !
The thing is, as he said earlier in the video, this guitar might’ve been an economy model back in the day but the wood that it’s made from is now a luxury. Which is why I try to keep my older instruments. Many of the fingerboards are Brazilian rosewood.
Keith Richards toured and recorded the Stones first two albums with Harmony guitars. The first album was recorded with a 6- string/ the second with a 12 string. Yes- these are cheap guitars for their time, but very sought after by guitarists.
@@paullarnce2167 Pete Townshend I believe, also used them.
The choice of woods for the fretboard, bridge and neck make this an extraordinarily pretty and unique guitar.
Man, after your description of how it sounded, I wasn't expecting to hear what I did. That sounded beautiful.
“Don’t ask for dimensions - get a guitar and figure it out for yourself” - love it!
"Do the work"
@@whansandceros or do the research, I contacted Fender for the full specs on my 15 year old MIM strat, and they had everything down to the neck finish.
yet gives the dimensions for everything else. lol
My ear heard 46 and my eye was seeing 48 :) Very enjoyable to watch as always
The Honduran mohogany on this one is remarkably beautiful.
Among Canadian tradesmen "figure it out" is a sign you're asking too many questions
That "weird little modal thing" sounds just lovely! I enjoy listening to these old Harmony guitars - they have their own distinctive sound.
Ladder bracing of the top is part of it. So is the all mahogany wood choice. The rest is execution.
Very Jethro Tullish to my ears
A Nun (sister Mary Theresa) taught me play guitar during my summer CCD catholic instruction when I was 10 years old in 1970. She had this same guitar, so I pleaded with my dad to get me the same guitar, which he did! Over the years it developed the highest action known to mankind! Even though it was barely playable, I LOVED it and took it everywhere with me for the next 12 years until someone stole it at the Jersey shore during a college break in 1982... Lots of awesome memories!
In an act of Nostalgia, I purchased a Martin 000-15M in 2019 after searching for the guitar that most reminded me of this tried and true all Mahogany Harmony!
I think the date stamp says "S48" not "S46" but you might already know that and accidentally said 46. Or it really is a 46 and it looks like 48. Excellent video btw as always!
Yeah that's an 8
Your content is not solely for guitar repairs, for me it's therapy, a money can't buy experience. I wish you the best in everything you need.
Cheers from the land Down Under !
You got to smile , when everyone starts correcting you for what they think is a mistake you make…From the opening music to the end test play , That’s what puts a smile on my face. You don’t see this kind of repair of guitars …anywhere but here.! Further more, I have yet to see a bad video.🇨🇦🇨🇦🇨🇦🇨🇦🇨🇦🇨🇦💌😊
That two tone bridge is gorgeous. I thought it was broken when the video started.
Me too. I had to look twice when I saw it from the other angle and it wasn't broken at all.
Ain't it odd that a thing can go from hideous to beautiful that quickly; off-perception to recognition of the true. That shit can be dangerous. . .
Class
Great to see you go into so much detail about that bridge routing jig of yours. I'm fixing up a 1972 Aria, clearly inspired by the Gibson Hummingbird. I'm using your bent B string method to intonate the new saddle. just quietly watching your vids has given me loads of lutiery and repair tips and I'm very grateful for that - and for the entertainment
I have a self-built 12string from 1967. The neck is mahogany with an integral fingerboard. The wood was chosen with a slight back-bow and when strung up it is virtually flat without any reinforcement
Love your, "I'm not going to show every ______ job" thing. Personally I don't set my alarm for the latest vid from you, I simply am pleased with seeing a new one available. Stick to your guns. Great work.
I found when using very long thin drill bits (2 or 3mm), it helps to slide a brass or ally tube up the drill bit. This helps stop it bending and can also protect nearby body material from the spinning drill bit.
Thanks for this useful advice.
The fact that you happened to have a piece of perfect match sap-/heart wood ebony lying around made me smile. Thanks for another great video!
People need to understand that this is your job. We viewers see entertainment. You are working. Indeed, the casket shop I worked at, shut down for everyone's vacation at the same time.
Did people take a vacation from dying? I'll see myself out ...
Nice Tele.
"Don't ask for dimensions. Get a guitar and figure it out for yourself. Do the work." Best quote I've heard in a while. That is a cool jig though. I love learning about and working on my guitars. But I don't think I would want that to be my job. Thank you for the work that you do and for sharing some of it with us.
That reminds me of Chef John when people ask how much salt or sugar or butter he used and his response is "make it to your liking - that's just you cooking". "That's just you luthiering."
Thanks, Ted, for the detailed explanation of your saddle routing jig. That gives me enough info to “do the work” and make my own.
FYI-I always get a little sentimental whenever you work on a Harmony guitar. A guy in my very first band started building his chops on a Harmony Bobcat played through a Montgomery Ward Airline amp. Great times.
Honduran mahogany and even cuban mahogany is still somewhat available today. But are getting quite expensive especially the old growth verity. When you get your hands on some it is obvious why our ancestors loved it so much.
He will never read this, but thank you for explaining the core elements of what I need to do to fix my classical guitar that has crappy intonation! Will I ever do it? Not sure, but now I know how to build the jig!
Ahhh, here we are again. What a treat.
A Half Sapwood Half Heartwood Fretboard & Bridge, that's quite a neat design.
I love the sound of good mahogany. Beautiful.
Fantastic!!!! what a unusual looking but beautiful sounding guitar!!! twoodfrd you are genius!!!!
I have to say...I grew up as a carpenters kid, but I didn't know how to use a chisel until I saw your vids. As usual, awesome work!
Very unusual having sapwood and heartwood running along the fingerboard like that and also on the bridge, that makes it a pretty unique instrument ! Finding a piece of rosewood in your stash with similar colours so you can make a matching insert for the bridge is astonishing and shows what kind of a craftsman you really are !
It really blew me away to see the matching insert fitted in the bridge, if you didn't know that it had been done you'd never notice it !
Love the old Harmonys! Nice work!!
Oh hey there gang
Well, don’t care what anyone says, I reckon that’s $800 CAD well spent if you end up with a guitar with as much charm as that sounding so lovely 🙌
I think it sounds excellent!! You’ve got me keeping my eyes peeled (ouch) for an old harmony or Stella in recoverable shape. Just as a project bed not to strike vintage fortune!
That guitar sounds as lovely as it looks! That mahogany is beautiful 😍. Someone has taken very special care with it all these years and could not have given it to a better luthier for repairs and changes! Loved this video ❤️❤️
i like the two color fingerboard... it DOES sound "bluesy"... nicely done!
Man, I love watching these videos. I’m a self employed carpenter but I wish I did this for a living. There’s a big difference between carpentry and luthier work. Even tho we both work with wood. I do finish carpentry as well but this is a different animal.
I typically do my own guitar work and have even done some refinish work on my guitars but good luthier work is something I view with a very deep appreciation.
Thanks for sharing your great work.
Thanks for the part about first and second part of the year. I have been having this debate with people for a long time.
I have a later H165 (1958). Guitar materials are the same, but it bottom bout on mine is flatter on the end, and it has the “Steel Reinforced Neck”.
As cheap as these guitars were new, they have some interesting material choices, like the once piece sound boards and backs (not book-matched like today’s guitars, or other guitars of the same era).
Sweet. I do like that fret board. thanks for showing
I like the simple beauty of the guitar. I saw a video of someone polishing frets with a small buffing pad on a Dremel - Smart. 😎
Wonderful opening music! Now all that's needed is a Stéphane Grappelli accompaniment.
Cool fretboard and bridge matching!
Harmony are underrated guitars in my opinion
i used to use Honduran Mahogany to build bookcases and furniture in high school almost 50 years ago. A beautiful wood to work with and I still have one bookcase and two pieces of furniture I built out of that wood. All finished with 'Deft' which I understand was responsible for the loss of a few brain cells along the way. Who knew ???
Actually seems to sound very deep and nice. great fix as usual love the way you try to keep the bi-color of the bridge it looks nice
I really appreciate your insights into things. Your videos are informative and very pleasant to watch. Thanks for the stupendous effort!
Have a harmony with a similar fretboard. It's used as a barbeque guitar. Traded a bucket of used horseshoes for it. Had to fix some cracks and reset the neck.
Craftsmen are so underappriciated these days.... In all walks of life.... Have a Gold star sir.... 🙂
How in the heck? You kinda' sound like John Redbourn on that lefty!
These are the best documentaries on You-Tube.
...6:47 -
"Had a boo-boo"
It's 1957 again !
I love this guy.
Sometimes I get a really good dose of why did I even do that... Coming from the memories of all the various Harmony and Silvertone guitars I've passed over or just wasn't educated enough on their history. Had some pretty nice Kay's before I probably should have kept and just played when the mood hit.
WOW, Made 2 years before I was born and seems to be holding up a lot better then I am. :) Thanks for the Vids!
Your upside down playing is exceptional
Always a pleasure watching your vids.
Thank you for sharing your work.
I use yellow food coloring and a que-tip to mimic aged binding. works pretty well.
Great sound after you repair..love this lerthanded guitar because i'm a lefty too..
I always look forward to late Saturday afternoons.
Really like the sound on the bass end of the scale with this one.
Guitar sounds great
Would love to hear more about the g string intonation trick in a future video! Thanks!
I'm in the middle of a neckset on a 1950 Silvertone H621 (made by Harmony?), and I was surprised to see that it has a rectangular steel bar in its neck.
Ah, yeah. Got that Harmony jingle jangle! You have the best recording microphone (at least it sounds that way on my tiny tab speakers!).
My Saturday night by the radio. Thank you!
I was just going out to spray clear nitro on a mid-60s Harmony archtop I've had for decades. It had been sitting outside and I bought it for like $35. Now I'm older and smarter (than when I took a run at it the first time), I think I stand a fair chance of turning it into something fun and playable. It has a steel-reinforced poplar neck with a lovely little backbow to it. I think it'll be fine.
beautiful old guitar. Thank you for the great video.
Ooooo...I read some of the comments before it got to the sound.
Wow that does sound great.
Thank you really great information as always
Thanks Ted. I really appreciate you playing them for us.
that is a great sounding guitar!
Wood wizard, thanks for teaching us! Keep up the great work!
What a beautiful guitar, great work
Really nice work as always and playing a strung left-handed guitar right-handed sounding beautiful at the end
nice to see the conversion i am left user in a lot of thing and is nice t osee a proper way to convert
Awesome work as always!!
I love watching you work! I am a guitarist, i had my framus panthera at a luthier for a refret and a new nut, but he just glued a piece of wood under the old nut (frets are higher) and it was sloppy, brought it to another luthier for a new nut, spacing was all over the place, can i send you my guitar from austria? :D
Great Video. I love how You just have odd scraps of woods that can pretty much cover most jobs
I'm fond of your videos. Very interesting and also it seems that being a craftsman lifts spirit. Very good philosophy in life from my point of you. Thanks for everything.
Thank God for that. I've just got in from work and a new video pops up. Cheers
if you look you can find a Fender Elite strat or tele with a half n half neck like this in the ebony species, honestly the knot will bring strength in that area, so it's all good, what it does for vibrations dunno? curious what the numbers are stamped on it tho?
beautiful guitar tho, no jokes, that wood and the patina is fabulous, bet its the only one in existence like this unless they did a run of em like fenner did with the elites? props to the owner, SCORE!
beautiful great sounding guitar and fantastic repair set up work..
Another fine lesson
Great as always! Questions on cutting a new saddle slot (possibly fodder for a future video): It looks like you are doing it parallel to a flat edge of the bridge. But I would think it is common to need to slant the saddle a bit for better intonation. So my 2 part question is a) how to set up your jig for a slant and b) how to determine the proper slant (or even if you need one) before you cut? I've even seen some acoustics where the saddle is split so there are 2 (or more) saddle slots to accommodate even more intonation control. As an added bonus .... why on earth has no one invented a saddle/bridge system for acoustics that allow accurate intonation adjustments (like electrics)?
It was cut with a slant, but I angled the take off points to the very front edge for the treble and the very back for the bass so it's not slanted as much, so I didn't run out of bridge for the treble. The bridge might also have been glued on a bit crooked as well. There have been several adjustable saddles developed for acoustics over the years. They usually get pulled out and plugged because they sound awful.
Love your channel! Do you advise customers that the cost of repairs may exceed the value of the instrument? Sentimental value, of course, is priceless.
Grat sound! Way better than the 1k & under stuff being sold today as quality Frankenstein guitars.
It's a beauty 🎶🎶🎶
Fantastic once again. great skills!
The answer to “How much time do you spend looking at the far side of your neck?” is the same for me as for my guitar. None. I spend no time looking at the far side of the neck. I have wasted much of my life. But as Ted said, “You can’t expect too much from them.” Thank you Ted.
Until you pointed out the dual colored bridge I thought it had a huge chunk broken out of it and was wondering why you weren’t mentioning it. Old eyes I suppose. Very interesting fret board and bridge.
Sounded pretty good to me.
I have the same pen, Tom. Good show!
dude. watch your titles! i was in suspense all the time waiting for something to go wrong :D nice work!
Could it be possible the neck back bow was induced deliberately or otherwise by the re-fret by forcing oversized tangs into narrow slots?
I'm told it was probably introduced by sanding when the refret took place.
I know your a fan of fish glue and I recently used it on a refret that has been hanging around (I'm very amateur and this is for my own use) and I was a bit surprised to see a clamping time of 12 hours...is that the norm for fish glue? Do you rely on the fret tang to provide the clamping when you use it on frets? I used my fretboard radius block light clamped in place overnight-seemed to work fine. Your vids got me going on some projects that hung up....enjoy watching you work.
I do rely on the tang to hold frets in place. The glue is just to fill gaps and make a more solid attachment.
@@twoodfrd Tks.
Harmony Central!
As always, an unbelievable job that leaves me in awe!
Don't know if I spelled that right but you're pretty amazing and I love watching your videos! I think you're much better than you really realize!
Those older guitars just sound sweeter.
I look forward all week for your broadcast.
I thought that podcast was abandoned, so glad there’s new episodes!
Doesn't sound bad at all. You hear it as an inexpensive guitar when you pick a single note against a ringing chord or some open strings. As for the market value of the guitar versus the work put into it...I know the feeling. I have a 1954 Guild X-150 that I got as a wreck and had refin'ed 45 years ago. It has a staple P-90 pickup from a '55 Byrdland on it. And a 1956 Guild X-175 I also had refin'ed-ordinarily I'll never refin a guitar (I didn't do the work; I just paid dearly for it) but these were both very crashed guitars. I just like the 25.5" scale and you only find that on very early Guilds. The '56 I have over $3K in and I doubt I could sell it for over $1200.
New respect for Harmony Guitars.
That’s the first pinless bridge I’ve seen on a vintage American guitar. Wondering if that was unusual for Harmony? Nice tone, too.
Actually there were quite a few of the Harmony, Silvertone, Kay and Audition model guitars with the string through design. Although it looks a little cleaner and eliminates the possibility of bridges splitting in half due to temp/humidity changes with pins (as a few of his videos have stated) the tension being pulled through the bridge had a tendency to really warp the bridges. I think that's why most of the older "cheaper" guitars all had screws or bolts holding the bridges down at one point.