Thanks for watching! What's your favorite step from the video? If you want to expand your playing in every way, check out my "Jazz Warmup and Etudes" packet. It contains etudes based on The Blues, Rhythm Changes, Tune Up, and Autumn Leaves! www.whalenjazzlessons.com/warmups_opt-in
Hey Tim. What's great about this video for those, like me, who are somewhat at the beginning of their jazz piano learning journey is that it breaks the concept of transcription into bite-sized pieces that can be digested over time. Thanks for putting this together and for providing the warm-up etudes.
Hey Tim Thanks very much for putting the 6 step method together. I found it very useful as a guitarist that spends a lot of my time on the jazz vocabulary of a guitarist that I really like. Maybe less time now that I'm doing the 27 steps of 7th chord arps which has been humbling but I guess it's all good. I digress . Anyway the lines are pretty complex, but if I stick to the steps they become more manageable, fun and more a part of my improvs. I try and relate the lines to a chord form and find with 2 forms I,m able to transcribe in all 12 keys more easily. The step a like the most are small chunks in 12 keys. Anyway, the steps are a useful roadmap for not getting lost and improving my playing. Thanks again for taking the time for putting this and other lessons together on your channel. Be well Mark =-
Hey Tim, I just discovered your channel. The material really resonates with where I am on my improvisation journey. Based on your recommendation I did review Hazeltine’s methods. Do you think your approach of writing etudes with vocabulary over chord changes is as effective as his approach over static harmony (major, minor, dominate) or should one consider both as complimentary. I would consider the static harmony approach as a method of ingraining the vocabulary and the approach over changes more as approaching application. It is not often that one comes across 8 bars of static harmony in application. Hazeltine does discuss connecting vocabulary in etudes and that is also a consideration in your approach. Your thoughts. Just looking for a recommendation to focus limited resources. I know…do both!
Thanks for this! David actually does both. He does exercises over one mode, but also over song forms. I think both are super beneficial. If you're starting out, perhaps start with stringing stuff together into an 8 measure exercise over one mode / chord
Thanks for watching! What's your favorite step from the video? If you want to expand your playing in every way, check out my "Jazz Warmup and Etudes" packet. It contains etudes based on The Blues, Rhythm Changes, Tune Up, and Autumn Leaves! www.whalenjazzlessons.com/warmups_opt-in
Thank you for the detailed explanation
Love it, Tim! 👏🏻
Hey Tim. What's great about this video for those, like me, who are somewhat at the beginning of their jazz piano learning journey is that it breaks the concept of transcription into bite-sized pieces that can be digested over time. Thanks for putting this together and for providing the warm-up etudes.
"The Language Iceberg." Very cool, especially getting to see it on that chart 👍
❤❤❤❤Your UA-cam channel is AMAZING!! I just “discovered” you! Please keep these awesome videos coming. Your explanations are so clear. Thank you!!🙏 🎉
Hey Tim Thanks very much for putting the 6 step method together. I found it very useful as a guitarist that spends a lot of my time on the jazz vocabulary of a guitarist that I really like. Maybe less time now that I'm doing the 27 steps of 7th chord arps which has been humbling but I guess it's all good. I digress . Anyway the lines are pretty complex, but if I stick to the steps they become more manageable, fun and more a part of my improvs. I try and relate the lines to a chord form and find with 2 forms I,m able to transcribe in all 12 keys more easily. The step a like the most are small chunks in 12 keys. Anyway, the steps are a useful roadmap for not getting lost and improving my playing.
Thanks again for taking the time for putting this and other lessons together on your channel.
Be well
Mark
=-
Keep it going, Mark!
Hey Tim, I just discovered your channel. The material really resonates with where I am on my improvisation journey. Based on your recommendation I did review Hazeltine’s methods. Do you think your approach of writing etudes with vocabulary over chord changes is as effective as his approach over static harmony (major, minor, dominate) or should one consider both as complimentary. I would consider the static harmony approach as a method of ingraining the vocabulary and the approach over changes more as approaching application. It is not often that one comes across 8 bars of static harmony in application. Hazeltine does discuss connecting vocabulary in etudes and that is also a consideration in your approach. Your thoughts. Just looking for a recommendation to focus limited resources. I know…do both!
Thanks for this! David actually does both. He does exercises over one mode, but also over song forms. I think both are super beneficial. If you're starting out, perhaps start with stringing stuff together into an 8 measure exercise over one mode / chord
I didn't hear the Autumn Leaves I know during the demonstration.
One of many ways it can be played 👍🏻🙏🏻
i like jazz ineed example more i waching you