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Matt Wallace interview from the documentary COLOR ME OBSESSED
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- Опубліковано 10 сер 2019
- The complete Matt Wallace interview from the documentary COLOR ME OBSESSED, A FILM ABOUT THE REPLACEMENTS
Watch or Purchase COLOR ME OBSESSED here: tinyurl.com/y6...
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Matt Wallace deserves a Purple Heart for working with the Mats.
Dear Chris Mars, you sound fantastic on this record.
I don’t know if I’ve ever heard better drums on a record than Pleased to Meet Me
Chris Mars has always been a huge influence on my own drumming. he absolutely kills it on the Shit, Shower & Shave bootleg from the ‘89 tour.
This was my favorite bonus feature on the DVD tbh. Matt's a great producer when he's allowed to mix what he engineered
Matt Wallace is a wonderful human being and such a talented producer. I'm really happy to hear his take on his projects.
He sure is. A very nice, humble, and talented man. Kind to a fault.
Thanks for the whole interview. I see Paul around Minneapolis at times in a grocery store or at an antique corner just living a mid America life with his Twins cap on. If I make eye contact always nod a fans approval but never want to bother him. So fortunate my wife and I where able to see 4 shows on the last tour. 🙏🇺🇲😎🎸👍
Was Juliana Hatfield with him?
@@chrismccord1841
Yes she had been with him the last few times I've seen them.👍🎸
So cool you see him around. Just hope the man is happy because he makes me happy.
I saw him riding a cruser bike with groceries around 50th France area and he had a Twins hat on.
@@conorkennedy3304 yep that's him 👏🎸👍
I'm glad their career went just like it did, they are legendary, but not a cliche. Just enough to not be ruined.
Thank you, Gorman. Every minute of this is gold.
Thank you so much for sharing this full interview. I can’t wait for the release of Dead Mans Pop. This interview really helps bridge the gap until more songs come out. 🙏🏼🙏🏼🙏🏼
Thanks for the perseverance Matt, awesome record......waiting for your remix.
Great insights into an incredible rock 'n roll band
48:40 talking about going down together. I’ve watched this four times now Gorman and i get goosebumps every time he describes the shooting yourself in the foot aesthetic. I know it didn’t help them but it just sums everything up so well. It seems somehow noble. Goosebumps.
Im also obsessed (pun intended?) with this interview, love the one with Tommy Ramone too!
Ive watched this (and the Tommy interview too) so many times Ive lost count, its just great! Thank you for putting this out! I love "Dont tell a soul" I think its one of their best albums. So great to hear the producer/engineers side of it, I love hearing/reading about recording as I make my own music and this is gold, Thank you mister GormanBechard!
Please to meet me was the commercially most successful record
I totally agree with him that DTAS sounds more like a Mats record than PTMM. But I LOVE both! The Mats are my favorite band ever!
For me PTMM is the more consistent record. DTAS has higher highs and lower lows.
What a strange thing to say.
I think it is interesting that Matt states that he and Paul wanted to make a "classic sounding" album----when Paul has been very outspoken about how he hated the production on "Don't Tell A Soul" referring to the layers of guitars as "slop". It does NOT sound like the Replacements---and from what I can tell was their last ditch effort to hit "the homer".
Chris Lord-Alge's mix added glossier production values. Matt's remix on Dead Man's Pop is sounds more direct (see the Tim [Let It Bleed] remix).
Thoroughly enjoyed this, thanks. Regarding Matt's point about playing the game, with the industry, press, even fans - my friend and I were leaving the 930 Club in DC after a great Westerberg solo show. Paul was sitting on the steps of his tour bus, talking and signing things. My friend said "want to say hi to Paul?" I passed as I knew Paul's reputation and didn't want to sully a fantastic show. For me, it's good enough to have the records and see the shows.
Worth a new listen in the light of the Dead Man's Pop release
I like the new (old) mixes better
Probably my favorite Replacements album after Let it be.
Considering how influenced Paul was by the Faces and Stones it's no wonder some country textures make their way into the last couple albums.
Thank you for sharing this!
If one guy goes south, we're all going with ya! ❤️
Good stuff, can't wait to hear the original mixes!
I love this band.
Asking me lies-brilliant!
yes! love that song, love the album, great tunes!
Wow, had no idea that the chorus effects were done in post. I wish I could hear the board tapes as they were on this. Tuning/timing problems aside I bet there the real deal.
I loved this band and still do. Can't imagine their career trajectory or personalities ever being anything other than what it was. But to still be doing some of that shit (like Tommy showing what he thinks of the guy by spitting on the sidewalk) as late as 1989...That's some junior high schoolboy goofy bullshit...
excellent interview
Don't Tell a Soul is awesome. Not as good as the Twin/Tone records, but still amazing in its own right
wow Scott Litt haven't heard that name in a long time..
There's no pedal steel on Achin to Be, it's just Slim on guitar doing some pedal-steel-ish licks
If Matt says there's pedal steel, I think I'm going to trust the sober producer.
@@GormanBechard Well Matt didn't really say it, the interviewer asked a question based on the premise that the song had pedal steel, and Matt didn't reject the premise. Then later in the interview, the pedal steel becomes a lap steel, and Matt lets that slide, even though those are different instruments. So maybe he was just letting things slide here. Matt also states that there are parts of the sessions where his memory is foggy.
The point is, the Mats didn't make a big decision to be "country" to the point of bringing in special instruments on the song. Still, no question Slim's sweet playing on the song was an ear-opener at the time. I'm a guitarist, and I started playing licks like that all over the place after hearing Slim do it.
Those tom Waitz Tracks on Dead Man’s Pop are pure gold
Hey, Matt. Matt's a great producer and a nice man.
My favorite Matt Wallace produced album is Nice Talking To Me by Spin Doctors. That album is fantastic.
Is this ANDY Wallace’s brother?? Cuz that’s who did like the big Nirvana & soul asylum records right (?) was the Butch Vig and Andy Wallace (??)
I had completely forgotten about the Spin Doctors.
Thankfully .
I remember when they were in LA to record Soul. I ran into them a few places, and they were always pretty friendly, but drunk as skunks.
Post the Stickles interview please.
Love that Minneapolis dork core scene
I always thought "Don't Tell a Soul" was an attempt to sound more like U2.
Perfect fan band. They never did the things that would make them popular with normal (non -music hipster) people, so fans never have to say "I used to like them, before...".
(Well, they did anyway - "before Don't tell A Soul..)
Either Matt is a great liar or he genuinely thought the tapes were all lost. Brilliant. This was a fun hour-fourteen!
He wasn't lying, they were lost as far as he knew. Slim stole all the original mixes and never told anyone until his wife found them in the basement. That's where the box set camp from.
Slim was mean!? Say it ain’t so!
I know - I was VERY surprised to hear that somehow
Yeah, if he threatened me, I would have put that skinny fucker in his place. I love Slim.
Alcohol can really change people. Even supposedly nice ones.
Slim was the new guy so he had to outdo the rest of the band in being difficult.
Kind of ironic now that we have the DEAD MANS POP mixes and it turns out that the slick "80's sound" was inherent from the beginning and it wasn't the Alge remix that inflicted it.
Great interview. The impression I get is that the band was basically a bunch of talented fuckups.
Brutal album.
When I heard the album don't tell the soul I knew it was over because it was just so slick.
That documentary/flick did as well as the Replacement’s career......in other words......went nowhere......tried so hard to be different......they became the same
Obviously you understood neither.
Don't Tell A Souls is both their best and worst album.
Just make films about my navel!! Awesome idea. I think I will do this.
Thankless job lol they deserved to have a kook like Spector or Pappilardi produced their records! Dickinson was close enough...seriously what a job...
Dead Man’s Pop is phenomenal. The stuff with Tom Waits is horrible.