Mahler: Symphony No. 9 (with Score)
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- Опубліковано 11 чер 2024
- Gustav Mahler:
Symphony No. 9 (with Score)
Composed: 1909-10
Orchestra: SWR Symphonieorchester
Conductor: Michael Gielen
00:00 1. Andante comodo (D major)
29:20 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major)
47:14 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor)
1:01:56 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major)
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. A typical performance takes about 75 to 90 minutes. A survey of conductors voted Mahler's Symphony No. 9 the fourth greatest symphony of all time in a ballot conducted by BBC Music Magazine in 2016. As in the case of his earlier Das Lied von der Erde, Mahler did not live to see his Symphony No. 9 performed.
Though the work is often described as being in the key of D major, the tonal scheme of the symphony as a whole is progressive. While the opening movement is in D major, the finale is in D♭ major.
Mahler died in May 1911, without ever hearing his Ninth Symphony performed. The work's ending is usually interpreted as his conscious farewell to the world, as it was composed following the death of his beloved daughter Maria Anna in 1907 and the diagnosis of his fatal heart disease. However, this notion is disputed inasmuch as Mahler felt that he was in good health at the time of the composition of the Ninth Symphony; he had had a very successful season (1909-10) as the conductor of the New York Philharmonic Orchestra and, before that, the Metropolitan Opera (New York). In his last letters, Mahler indicated that he was looking forward to an extensive tour with the orchestra for the 1910-11 season. Moreover, Mahler worked on his unfinished Tenth Symphony until his death from endocarditis in May 1911.
Mahler was a superstitious man and believed in the so-called curse of the ninth, which he thought had already killed Beethoven, Schubert and Bruckner; this is proven by the fact that he refused to number his previous work Das Lied von der Erde as his ninth symphony, although it is often considered a symphony.
The work was premiered on 26 June 1912, at the Vienna Festival by the Vienna Philharmonic conducted by Bruno Walter. It was first published in the same year by Universal Edition.
Wikipedia article:
(en.wikipedia.org/wiki/Symphon...)
holy cow new drop by mahler
Conductors have a tradition to let the last note linger in the air to pay respects to mahler before the audience applauses
That 4th movement is one of the most beautiful melodies I have ever heard.
'Dude this song is like 5 minutes. That's way too long"
Classical listeners:
Lol try listening to his 3rd symphony
@@porkyminch5131 I know, I'm a huge classical fan
@@porkyminch5131it’s funny, because when I first started listening to classical music it was much easier to get into since I had listened to prog rock before I started classical
Haha you get it
Scarily accurate. Literally heard that exact same thing, almost word for word. They were talking about Bohemian Rhapsody 💀
The counterpoint in the rondo burleske is so unbelievably delicious
THANK YOU SO MUCH FOR POSTING MAHLER 9, mahler 7 needs a new video because the solti video on youtube got deleted
Oh God yes. I took Mahler's 7th for MAD granted and want to see the score for it now without having to download and study it like I did for Mahler's 2nd and 3rd Symphonies.
Those closing bars... such an intensity, as the threads of life shear away in abject resignation and acceptance. Heartbreakingly beautiful...
Just love this symphony. Outstanding! I must say, Mahler was certainly a guineas. His music is something you never get tired of listening to. At least not me. I must say, it's so sad Mahler never got to hear this. Anyways, thank you so much for uploading this magnificent recording.
39:54 sounds like Mahler is saying through the violins: "help me, help me" 😢
Damn, I always feel so badass when I listen to the 2nd and 3rd movement.
One of the best symphonies ever composed in history.
I'm seeing you commenting a lot. Let's shake hands, fellow Mahler fans!
@@swinger9374 Yes sir!
@@porkyminch5131My second and therd names are Villamor (a locación in Zamora), and Lugo ( a locación in Galicia). All the spanish locacions mean Jewish Blood in the family names. ❤ ❤
He explicado largamente el barullo mental que yo tenía la pri,mera vez que ingresé en un hospital psiquiátrico. Que me perdone la doctora Pino Morales
Pero ahora sí que me siento en paz conmigo mismo. Ha sido totalmente un acto de catálisis. Estoy en las mejores manos, las de la Dra. Pilar. Gracias por. Vuestra comprensión.
That finale makes me think of Mahler's ascension across the abyss of the universe and into Heaven.
Sehr große Sendung, danke 3x
1ч.
Вступление - 0:05
Экспозиция двойная
1ГП - 0:27
1ПП - 1:59
«Тема судьбы» - 2:59
2ГП - 3:10
2ПП - 5:24
Тема «мучительной радости жизни» - 6:00
Разработка - 6:40
ГП - 9:22
«Мучительная радость» - 11:45
ПП - 12:39
«Тема судьбы» - 14:43
ГП - 16:34
«Мучительная радость» - 18:30
Траурное шествие - 19:00
Реприза
ГП - 20:58
ПП - 22:48
«Тема судьбы» - 24:37
Кода - 25:17
ГП - 27:17
2ч.
Tempo I - 29:20
Tempo II - 32:30
3ч.
Раздел А
a - 47:14
b - 49:13
Раздел В - 53:33
Раздел А1 - 59:12
4ч.
Раздел А - 1:01:56
Мотив из раздела В - 1:03:42
«Мучительная радость - 2» - 1:03:57
Раздел В - 1:05:52
Раздел А1 - 1:08:00
Раздел В1 - 1:13:04
Раздел А2 - 1:14:47
«Мучительная радость - 2» - 1:15:36
Кода - 1:16:17
Thanks.
I'm going to see this in September. Cannot wait omg!!!
update: I saw it and throughout the entirety of the fourth movement, there was just a continuous stream of tears down my face. Not an exaggeration. Also loved the 3rd movement, even if the counterpoint was just to spite the critics who said he couldn't do it!!!
I'm going to see this today!!!
@@ddf72778 ooooh how did you find it? :)
@@marnieholdsworthgreen8449 Сначала, конечно, была 4 месса Шуберта, которая мне не особо понравилась, мне не нравятся мессы. А вот в 9 Малера уже начался какой-то кошмар. После 1 части просто люди начали уходить, это же бред, при чем даже не дожидаясь конца части просто уходили из зала. Между 2 и 3 частями ушла где-то пятая всего зала, который и так не был заполнен. И не смотря на то, что ведущий 2 раза очень попросил выключить звук на телефонах ради Малера, все равно в финале 3 части у кого-то громко зазвенел телефон, при чем не переставая. Без всего такого прошел только финал, к сожалению. В конце заплакали 1 скрипка, я и несколько человек из зала. В конце все молчали минуту, потом уже аплодисменты. Дирижёра было жаль, он все эти уходы видел. Перед покиданием сцены показал партитуру и указал на имя Малера. Можешь посмотреть видео концерта на сайте московской филармонии имени Чайковского (7 февраля). Я не знаю, что думать об этом концерте. Образцовое исполнение симфонии, сопровождающееся уходами из зала женщин около 50 лет. Это видел и оркестр, и дирижёр, и ведущий.
Absolute roller coaster!
These “Viennese” waltz episodes from the 2nd movement are just superb. Probably my favourite of all Mahler’s waltzes
Give time code please. Are you talking about the 2nd theme?
Yes, they alternate with ländler episodes. There are two waltz themes: e.g., 32:29 and 33:40
@@mgorshkoff7929 I really love the 2nd one!
Я слышал, что где то в этой части звучит цитата из вальса Штрауса "Живите счастливо"
@@ddf72778 Вполне возможно, правда, я совсем не знаток Штраусов и не смог найти вальс с таким названием… Не подскажете точнее?
Truly a farewell moment😭😭
Una meravella escoltar Malher amb la Sinfonia numero nou
Es lo más terminal que sa haya escrito jamás. En el primerr movimiento es más evidente. Malher intuía el holocausto. El segundo movimiento parece, bastante burlesco. El tercer movimiento guarda más furia, se desatan los acontecimientos. El último movimiento guarda el parecer del futuro Mesías con respecto a este hecho: jamás visitará el Museo en Memoria del Holocausto, jamás se guardará nada con respecto a los alemanes (al contrario se deleitará en el uso del alemán), y además el recuerdo de ésto se manifiesta en la figuración de 6 notas conjuntas (sol, la b, sol, fa#, sol, sol) que se repite hasta la saciedad. Es el recuerdo de algo lejano que no afecta ya jamás, y además con el carácter añadido va muriendo lentamente (ahora sí) hasta pppp. Así todo será aceptado, la tonalidad del final no es la misma que al principio y el humo del holocausto se fundirá con el nitrógeno del aire, siendo así pequeño pero denso, hacia un nuevo significante, con una lentitud de Adagio, con un sentido del nuca más, pero con un matiz que tiene algo de humano. ❤
@@user-hd2tc9ze5iбред
30:18 an eager bassoonist? :D
HAHAHA What a legend!
Good thing they stopped and caught themselves haha🤣
that's the first french horn
nope it's a bassoon haha
@@thejokingwizard
0:17 what does "gest" mean on french horn part?
It stand for gestopft in German, which means you put your hand in the bell of the instrument to make a different sound
@@bernardnoe4424 thanks 👍
the greatest mahler symphony without a doubt, where he finally escaped from wagner and began to find his own soundworld
???
@@Dylonely42 !!!
No he had his own style but in symphony n.10,I . He eventually scaped from himself!!lol, symphony 11 could be the best!
The 4th movement is basically a variation based on Tristan und Isolde.
@@user-yx5sj1vm4q 😂
Mahler 1 Moments:
10:37
11:53
Connection:
0:15
11:28
Viola Solo:
1:06:40
trombone excerpt
mvt. 1 5:56 91 11:09 178
mvt. 3 50:32 180 51:03 208
Wonderful! But what’s with the harp in the sixth last bar? In one recording it plays an F sharp, in another a D on the 3rd measure. Does someone know the truth?😃
7:41. Stopfstelle
10:12
22:51
26:08
27:14
35:07
38:25
40:20
43:32
46:34
53:44
57:26
58:31
1:07:22
1:10:09
1:10:42
1:11:58
1:13:04
1:18:15
1:11:57
Good performance overall, however....... 45:39..... :(
10:11
52:01
10:48
33:40 34:19 41:58 42:37
5:00-5:35
22:15 Timestamp for the future me
22:55
😢gtcc
And if you liked *that* (and I think you should have), then *this* symphony - by another Vienna-based composer (who knew Mahler and worked with him as a cellist) - might appeal to you: ua-cam.com/video/AIAzkO60sWc/v-deo.htmlsi=1xGHN96CFFrL8IT2
Considering how I detest Wagner and love Mahler from his first symphony, I don't really understand this coment!
I love Wagners music, if only he wasn't..... ya know, an antisemitic, but Mahler is still better.
@@desireemontalvo-dobao3411 I doubt that Mahler would have agreed with you.
Why do you detest Wagner? Because of his politics or his music?
Ít has been a long story,. The mind delÿrum that I had, only to demonstrate many things that I had thoiught. The mind is complelxe und one cannot have enaugH time to exlplin such things So forgive me Dra. Pino Morales for my unconfidence. I carry my illnes now good out, becase I am in the best hands, those of. Dra Pilar. Greetings. ❤
1:09:28