Paul Whiteman and the Orchestra "At Sundown" (1947) from "Those Fabulous Dorseys" RESTORED in STEREO

A re-engineering of the original mono film soundtrack into Spatial Dyna-Stereo using mono-to-multi-track sound engineering design techniques.
In 1947, Paul Whiteman made a notable appearance in the film "The Fabulous Dorseys," a musical biopic about the Dorsey brothers, Jimmy and Tommy. Whiteman played himself in the movie.
One of the memorable performances in the film was Whiteman's rendition of "At Sundown." The song was beautifully orchestrated, showcasing Whiteman's talent in blending jazz and symphonic elements. The performance depicted the grandeur of Whiteman's orchestra and its distinctive sound. During the performance, the film highlighted some of Whiteman's standout musicians, including the banjo player Mike Pingitore, whose skilled plucking added a unique texture to the orchestra's sound. Additionally, the trumpet player Henry Busse displayed his virtuosity, contributing to the orchestra's brilliance.
The Dorsey brothers, Jimmy and Tommy, were also integral members of Paul Whiteman's orchestra at different points in their careers. Jimmy Dorsey, an exceptional saxophone player and talented bandleader in his own right, joined Whiteman's orchestra in the early 1920s and played a vital role in shaping its sound.
Tommy Dorsey, known for his incredible trombone skills, also became a member of Whiteman's orchestra in the mid-1920s.
Paul Whiteman, born on March 28, 1890, in Denver, Colorado, was a renowned orchestra leader, conductor, and composer during the early 20th century. With a captivating blend of musical genres, Whiteman's innovative approach to orchestration revolutionized American music and earned him the title "The King of Jazz." Throughout his illustrious career, Whiteman's orchestra became a symbol of sophisticated jazz and dance music, leaving a lasting impact on the development of the genre.
Paul Whiteman's musical styles were characterized by a fusion of jazz, classical, and dance music. His vision involved adapting jazz to a broader audience by combining the spontaneity of the genre with the structure and refinement of classical music. He believed in arranging jazz compositions in a way that would appeal to both the general public and serious music enthusiasts of the era.
Whiteman's orchestra, with its impressive size, was often referred to as a "Symphonic Jazz" ensemble. The orchestra featured a diverse array of instruments, including saxophones, trumpets, trombones, violins, cellos, and even a banjo, played by talented musicians such as Mike Pingitore.
The Whiteman sound was characterized by its smooth, melodic arrangements and featured a strong rhythm section that encouraged dancing. This distinctive style enabled the orchestra to captivate listeners and find immense popularity in the 1920s and 1930s.
Paul Whiteman earned the moniker "The King of Jazz" due to his remarkable impact on the jazz genre and the immense popularity of his orchestra. His innovative blend of jazz and symphonic elements attracted a wide audience, and he became a prominent figure in the entertainment industry during the Roaring Twenties.
Whiteman's rise to fame can be attributed to several factors, one of which was his successful series of recordings for the Victor Talking Machine Company. Hits like "Whispering" (1920) and "Rhapsody in Blue" (1924) - a collaboration with composer George Gershwin - showcased the versatility of Whiteman's orchestra and contributed to the popularization of jazz music.
His orchestral concerts became grand events, drawing audiences from all walks of life. Whiteman's ability to fuse jazz with symphonic arrangements and present it in prestigious concert halls distinguished him from other jazz bandleaders of his time. The term "King of Jazz" was fitting as it acknowledged his influence and leadership in shaping the direction of jazz music.
The reception of Paul Whiteman's orchestra among fellow jazz musicians was a mixture of admiration and criticism. Some traditionalists in the jazz community viewed Whiteman's approach as overly commercial and too distant from the raw, improvisational spirit of early jazz.
Louis Armstrong, a pioneering figure in jazz (and the real King of Jazz), once referred to Whiteman as "The King of Jazz, himself," expressing his admiration for Whiteman's musical accomplishments.
(Bio generated by my prompts in ChatGPT) !!!!
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"At Sundown" was written by Walter Donaldson:
(Chorus)
Every little breeze is sighing
Of love undying
At sundown
Every little bird is resting
And feather nesting
At sundown
Each little rosebud is sleeping
While shadows are creeping
At sundown
In a little cottage cozy
The world seems rosy
At sundown
Where a loving smile will greet me
And always meet me
At sundown
I seem to sigh
I'm in heaven when night is falling
And love is calling me home
#sounddesign #jazz #filmsoundtrack

[@daveanth71-dp5jz]

Whoh!!! Fabulous!! Always loved the movie and the real musicians that played themselves. Would be great to see a list of personnel for the Whiteman band seen on the clip. Unbelievable sound!! Here's hoping we get a ton more of this stuff. As a musician, this is the equivalent of opening King Tut's Crypt.👍👍👍

[@musicom67]

Glad you enjoyed it! As I find 'em...Feel free to make any suggestions with a link.

[@tomaszlerski7517]

Szał ❤