Erlkoenig - Schubert - oboe, oboe d'amore, cor anglais
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- Опубліковано 15 вер 2024
- Erlkoenig d. 328 by Franz Schubert
Daniel Waldron - oboe, oboe d'amore, cor anglais
Arrangement and recording by Daniel Waldron
Recorded October 2020
Update: this arrangement is now available at my online store! waldronreeds.c...
Oboe reeds, sheet music, online lessons: waldronreeds.com
Wow this is an amazing interpretation. I especially like how at 2:17 the shrill accompaniment figures create extreme tension, almost like an alarm; which adds to the distress of the section
Thanks!
Delightful, colorful and tense, in keeping with the story. Well done!
Thanks!
Haunting and gorgeous.
Thanks :-) This was fun to make, and I'm working on some new recordings to follow it up with.
@@DanWaldron 👏👏👏👍
I’m so happy youtube recommended this to me! Wonderfully played!!
Thanks! I'm working on a new video. It'll be ready when it's ready.
Love this arrangement and its colour and expression. So clever to get such good ensemble!
Beautiful and so wonderfully talented. I played the clarinet in school but only the top player was allowed to learn and use the oboe. I was nowhere close. Such a wonderful sound and almost hypnotic. Thanks for the share. I found your link in Discord.
Really great! Love this!
Gorgeous d'Amore solo
Thanks 🙂
I wish I had the opportunity to play the d’amore. I’ve the oboe and English Horn in a good few ensembles but never the d’amore.
Wow!! a very beautiful music, thank you very much indeed!
Thanks!
BRILLIANT! This arrangement really captures the flavor of this work!
Thanks 😁
So creative, and beautifully played!
I like the arrangements.
Thanks :-)
WOW! I play oboe myself and know how difficult this is. Thanks. This brightened up my day
Splendid, thanks a lot for this amazing lyrical performance.
Bravo, Dan. I found this more or less at random on UA-cam (not sure it helps if I say the previous thing I looked at was Holliger playing the Carpriccio from his solo sonata...). I looked at the title and thought "WTF?". I mean, all that tonguing to get the effect of the horse galloping through the night! Given that the oboe family has its vocal-like strengths and dynamic (range) weaknesses I thought you did a great job of transcribing and presenting this. It was really well-played, interesting and kept me wanting to know how it would all end. Good job.
Thanks!
Masterful sir. Thank you.
Great synchronization! Excellent pitch, tone and technique... all four of you 😁 (Former oboe & Cor Anglais, La Mesa, CA)
Thanks ... from the whole band!
Outstanding!
What a very cool interpretation of one of my favorite pieces. I just wish the ending had been taken slower since the child died.
Thanks! I'm happy with how I played it, but I do see what you are getting at.
spoilers! :)
Nice arrangement, well played!
Thanks!
What an amazing sounds🙌♥️
Thanks 😁
Bravo! So musical 🙂
Realy cool 😎
Thanks!
I like this very much. It helps that you dress for the different lines. I have not seen the double reed family .
Thanks!
Soy tu fan aaaah un abrazo desde México ❤️❤️❤️
Wonderful:)
Thanks!
oh my god dan ur so awesome and poggies oh my god we stan you even in the rso
Thanks! I'm really looking forward to playing the rest of the saint-saens "with" you. Its going to be so good 😁
I feel sorry for the guy playing the repeated notes. It needs a bass oboe too! I got to hear one last year when my orchestra played Planets.
Haha, thanks. Yes, I do wish I had access to a bass oboe but that isn't so likely to happen soon.
Is this arrangement published/available?
@@russdeluna8132 yes, it’s available at waldronreeds.com. I also made a version for woodwind quintet which is probably easier to play due to more places to breathe. That version isn’t online but send me a message if you’d like to try it.
Brilliant concept. What type of tounging are you using?
This was all single tongued. The rhythmic feel sat better this way, even though I could probably play it a tiny bit faster if I were double or triple tonguing it.
@@DanWaldron That’s what I thought. Thanks again for sharing.
Needs a heckelphone
If I were to have access to a bass oboe at any point I would re-record this.
Very nicely played, however if I may add one suggestion where it is a question of audio and visual being two very different things.
The idea of four separate squares playing the different parts on different instruments is interesting, for a while, perhaps the first 45 seconds to a minute - people quickly get the idea that it is you playing and that you are competent enough, but I would have much rather seen (and not particularly this specific example but as a general conceptual idea), the music still playing but then the screen go all dark.
Then one of the squares pops up and you are wearing rabbit ears out in your back yard nibbling on grass, looking around you ever so cautiously.
Then a second square pops up and you are in a squirrel suit sitting in a tree branch in a local park.
Then the third square and you are a bird (in a bird outfit of course) flitting about in a country meadow.
The fourth square then shows you as a stalking cat looking out your window (cat ears, painted on whiskers and a fake tail attached should do for this).
Of course, knowing the narrative of the piece, you'll know what to do with each character interaction.
Then in the last minute or so as the music still plays, as a post-modern twist, each of the squares shows you in your minimal animal costumes doing everyday mundane tasks - standing in a supermarket check out line, riding the bus or subway, brushing your teeth in the bathroom, etc.
Then at the finale, the square of Alice from the Brady Bunch is overlayed onto the intersection of the four squares in the middle of the screen - and of course, the script below appears seconds later that says:
and Ann B. Davis as Alice.
Thanks! I'm not currently planning any complicated costumes or location shots, but the feedback and input is appreciated.
@@DanWaldron I wasn't talking about a big Hollywood production and signing on Steven Spielberg!
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