GongLi Quan - Breakthrough the Illusion & Attain Enlightenment 工力拳 破迷開悟

華藝精武 - 李俊森師父, 黃志恆教練, 璋師兄
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更多影片連結:
GongLi Quan - The Style that Emphasizes the Power Gained from Proper Movement & Posture 功力拳 正名 工力拳
• GongLi Quan - The Styl...
The Revelation of Traditional Routines - Tan Tui 傳統套路的啓示 潭腿
• The Revelation of Trad...
原來北方拳術都 “運氣上勁，以氣趨力 ”Northern Martial Arts - Strengthen the flow of Qi，using Qi to drive force.
• Northern Martial Arts ...
Hung Gar - Explaining the essence of Sheung Kung Chaap Fa 洪家拳 雙弓插花 拳意
• Hung Gar - Explaining ...
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[@InvisibleGoldfish]

Another valuable video from this channel.
Hilarity often ensues when practitioners cherry-pick specific moves from wrestling (or other martial arts), without a fundamental understanding of when/why/how they are executed, and then try to use these borrowed movements to explain CMA forms, completely out of context. Not only is this a complete waste of students' valuable training time, this also unfortunately results in CMA being poorly represented to the general public.
1:16 To supplement what went wrong here, lower body takedowns like double legs will hardly work against a resisting opponent if the setup and posture are incorrect. The CMA arrow stance simply has no place in lower body takedowns - if a practitioner must insist that this specific sequence in Gong Li Quan is a double leg takedown, then it follows that the creator of Gong Li Quan intended it to be a very sloppy double leg. On a very basic level, executing and finishing a double leg requires (1) level change of your body, (2) head looking forward (i.e. spine maintained relatively upright), (3) closing the distance to the opponent's centre of gravity and securing the back of his thighs or knees, with your head kept extremely tight to his body and (4) using circular or forward momentum of your head and body to disrupt the opponent's stance / balance, thereby driving his buttocks to the floor. Double leg has many different versions - you have the standard double where you (1) penetrate the midpoint of the opponent's stance with your lead (right in this case) knee on the floor, (2) put your left foot forward behind the opponent's stance and (3) drive him to the floor clockwise. There is also the blast double where you just ram your head into the opponent's centerline and continue to push forward (from a penetration step or a staggered stance). Going back to the interpretation demonstrated, reaching for the opponent's legs using an arrow stance makes your body stagnant, meaning you cannot close the distance, so there is no way to finish the takedown. With the lack of level-change and your face looking at the floor, the risk of neck exposure is maximised i.e. you are effectively serving your neck to the opponent on a silver platter - so the opponent can respond aggressively by causing a fatal cervical fracture (1:18), or in a safer sports context, snapping your head to the floor / sprawling / cow catchers / guillotines etc.

[@DragonDreamVNY]

Thank you. We have a move in Karate Kata , KankuDai or KankuSho (the later has a little jump in modern sport variants).. but the more I practice double or single leg take downs, the more I see what you mean that there is a Level Change, a forward as well as circular unbalancing of the opponent / receiver. And generally, Jujitsu or ShuaiJiao people will say NO GAPs
Of course rhe set up for throw or take down is extremely important or we end up like the BJJ guys who don't start from a standing position.. 🤔 in some Sport focused clubs

[@cwscma]

拳術之道，在於形、法、功。
道者，自然也；人法地，地法天，天法道，道法自然。
拳要做到拳無拳，意無意，無意之中是真意，方為其拳術修為達到自然之境。
而習拳術者，𢤦勁重要，而更重要的是𢤦法，正如拳經有云「懂勁知法，上乘；懂勁不知法者，中乘；不𢤦勁不知法，下乘」；
「心意本無法，有法是虛無，虛無得自然，無法不容恕」是也

[@KsChiu-z1f]

好利害。同師父交手好危險。輕則斷骨，重則無命。

[@123waterchiu]

10:00順勢投井，14:00烏龍探海，好用。15:02要防止被破都仲有“驚蛇入草”透過蹲低將自己部分體重拖住轉到撳低為止，即是以下蛇貓鶴混形拳的0:31 :
ua-cam.com/video/FVTAcRx9_A8/v-deo.htmlsi=kZXDJhGItbsxvdFd

[@enrique.chumbez1847]

Excelente técnica de kun fu me encanta en kun fu yo siempre práctico mi estimado amigo lo estoy grabando

[@tony71kk]

精彩👍🏻

[@cheeheanleong2000]

多謝師父的講解

[@guangzhouyoukuiinternation6218]

讲得真好的。

[@DragonDreamVNY]

Important to understand the meaning to justify the move/technique as demonstrated here. ❤
Even more so to preserve the art keeping the essence.
I come from Karate and have been saddened by much of its modernization, some good (the physio and sport science),
some bad (sport, olympics).
Coming back to kung fu is refreshing.
A top Japanese Karate-ka (Kanazawa) practised Yang Style tai chi (learned from Yang MingShi in Tokyo) for decades... But he never taught or maybe never knew the applications... Other instructors hsve taught "Yo ming Shi" tai chi in karate circles and i doubt any of them know how to apply any of it..
The fish story 🐟 - i catch a small fish. But decades later, the story becomes i caught a 🦈 shark.😅 Thst is what Karate (even the ones with white Crane/BakHok) forms have become..
Keep sharing ❤❤ happy mid autum festival 🥮 🍁

[@MTCHAN-r9x]

多謝師傅詳細分析❤❤❤

[@君基]

講的真好

[@kk9038]

道者？功也！內功有成，自然而然; 否則，無勁無招，俗稱，圖勞無功！

[@cwscma]

@@kk9038 拳術之道，在於形、法、功。
道者，自然也；人法地，地法天，天法道，道法自然。
拳要做到拳無拳，意無意，無意之中是真意，方為其拳術修為達到自然之境。
而習拳術者，𢤦勁重要，而更重要的是𢤦法，正如拳經有云「懂勁知法，上乘；懂勁不知法者，中乘；不𢤦勁不知法，下乘」；
「心意本無法，有法是虛無，虛無得自然，無法不容恕」是也

[@kk9038]

道、法、術！若不上道，執迷法術，何以悟開？

[@cwscma]

@@kk9038 拳術之道，在於形、法、功。
道者，自然也；人法地，地法天，天法道，道法自然。
拳要做到拳無拳，意無意，無意之中是真意，方為其拳術修為達到自然之境。
而習拳術者，𢤦勁重要，而更重要的是𢤦法，正如拳經有云「懂勁知法，上乘；懂勁不知法者，中乘；不𢤦勁不知法，下乘」；
「心意本無法，有法是虛無，虛無得自然，無法不容恕」是也。

[@chungchung8402]

如果單計中國武術,還是詠春最直接..