Another fine symphony by Badings, this one with the added attraction of drums, gong and bells. I'll admit that its' formal design puzzles me, with its' extremely short slow movement and very short finale, and no scherzo to extend the proceedings, making the first movement very weighty indeed (but also very effective). This is a symphony I want to hear often, as I'm sure all its rewards weren't evident the first time.
After an excellent and exuberant no. 7, Badings's no. 8 ventures into a bit more introvert mood, and no. 12 has some similarities as well. Contrasts between mysterius treble colouring and down-to-earth modal writing are most prominent features of this symphony. Finale is somewhat disappointing, way too "traditional" to be believable. I know, sounds strange.
OK, today will be devoted to listening to as many Henk Badings recordings as I can find on You Tube :)
Another fine symphony by Badings, this one with the added attraction of drums, gong and bells. I'll admit that its' formal design puzzles me, with its' extremely short slow movement and very short finale, and no scherzo to extend the proceedings, making the first movement very weighty indeed (but also very effective). This is a symphony I want to hear often, as I'm sure all its rewards weren't evident the first time.
After an excellent and exuberant no. 7, Badings's no. 8 ventures into a bit more introvert mood, and no. 12 has some similarities as well. Contrasts between mysterius treble colouring and down-to-earth modal writing are most prominent features of this symphony. Finale is somewhat disappointing, way too "traditional" to be believable. I know, sounds strange.