That deadman record is an underrated classic! I remember hearing that album and thinking this producer is a king, checked out the credits and sure enough was mark! Such a cool dude
Real Gone & TOOM are honestly two of the most incredible sounding records of all time. Thank you both for this wonderful interview. (For fans of TOOM, be sure to check out Tom Verlaine's cover of Cold Irons Bound)
Fuckin awesome mark, to think it came down to the very tapes I had also been recording my rehearsals with from 95'- 98' time period ,Udxl2's Maxell. Burned it hot,6-8 and saturated that tape for all it was worth, and was it. Natural compression was evident and the real cause hear, no clipping like digital. Just really cool to know this,hear this, what a conformation to what I was doing at that moment, from bricks to the pavement, from the broken news to the unattended, it was all hot then and off the press,to simmer out the kiln,bake in the smoker a day or two, then real awaited review. Brewer brewed served us well in those early days, as I can tell ,it served you too working all those stairs to get it right for the man, and he liked the udxl2's, just amazing amazing. Cheers man, and would love to do something sometime with you at the helm. Johnny G.
The 2022 mix of TOOM sounds way better. More direct. I never realised Mark was responsible for the phasey, echoey sound, always thought it was Lanois and that it was kinda sloppy sounding..
Time Out Of Mind was a lifesaving album for me. Thanks for this awesome interview!!!
Amazing insights into the making of masterpieces. Love Marks low key approach to recording!
Thank you for watching !
Thanks,really fun to hear the craziness of how 2 of Bob's material s , came to us
Amazing album - my favourite Dylan album and so criminally overlooked. Incredible to hear how it came together. Terrible stuff!
Time Out Of Mind is amazing
Agree, one of best albums of the 90s and a key Dylan album, for sure
@@alldayvinyl I saw him in Sheffield on the Love & Theft tour. Wonderful that he is still going strong. Latest album is lovely.
Lovely hear from Mark. I know he was very ill a few years back with cancer. Sounding great. Liked his work with Deadman too 🙏🏽
That deadman record is an underrated classic! I remember hearing that album and thinking this producer is a king, checked out the credits and sure enough was mark! Such a cool dude
Real Gone & TOOM are honestly two of the most incredible sounding records of all time.
Thank you both for this wonderful interview.
(For fans of TOOM, be sure to check out Tom Verlaine's cover of Cold Irons Bound)
I gotta revisit real gone but time out of mind I’ve ranked among my top Dylan since I first heard it. A masterpiece imo
Fuckin awesome mark, to think it came down to the very tapes I had also been recording my rehearsals with from 95'- 98' time period ,Udxl2's Maxell. Burned it hot,6-8 and saturated that tape for all it was worth, and was it. Natural compression was evident and the real cause hear, no clipping like digital.
Just really cool to know this,hear this, what a conformation to what I was doing at that moment, from bricks to the pavement, from the broken news to the unattended, it was all hot then and off the press,to simmer out the kiln,bake in the smoker a day or two, then real awaited review. Brewer brewed served us well in those early days, as I can tell ,it served you too working all those stairs to get it right for the man, and he liked the udxl2's, just amazing amazing.
Cheers man, and would love to do something sometime with you at the helm.
Johnny G.
Thank you for watching!
Maxell XLII tapes were the best!
TERRIFIC SHARE......so BOB
I can never get enough Bob stories 🙌
@@alldayvinyl Right you are.
Good luck finding a house to rent now.
The 2022 mix of TOOM sounds way better. More direct. I never realised Mark was responsible for the phasey, echoey sound, always thought it was Lanois and that it was kinda sloppy sounding..
Or was it 'fragments'?
New mix is boring as hell.