The small group of guys who actually used Fender guitars the way Leo intended, for Jazz & Western Swing, are so fascinating because they feel stuck between eras. Leo could never have anticipated that his creations would be perfect for Rock ‘n Roll and the harder driving country and blues styles that would ascend during the 50s, and most Jazz-ers stuck with their arch-tops. People like Eldon are rare. A video on Roy Lanham and his Jazzmaster would be cool too!
You can play just about anything on any electric guitar... fashion and emulation play a huge part in it. Also many famous players had artist models to promote for sponsors. Chet atkins is an example who preferred solid body guitars, but had his name on multiple hollowbodies.
Hi Zac: This episode and with Duke Levine are terrific. I lived in Tulsa in the early 80’s and took lessons with Eldon. I played the Strat on numerous occasions. I’m pretty sure he told me the knobs were what were on the guitar when Leo gave it to him. Also, amazingly, at that point the guitar had never been regretted. Also, I didn’t see it in the photos, but the guitar had a form fitting white plastic encasing on the back. I believe he had that done. He was a great person. He would write out his chord charts, with the runs, for all the classic Wills’ tunes. I was moving from Tulsa and at my last lesson I asked if he would let me record him and call out some tunes, he laughed and said “ you bet”. I still have that cassette. It was amazing. I did see the guitar at Larry Briggs’ booth at the Dallas Guitar show in the early 2000’s. Eldon also has a fine solo album if you can find it. Again, fantastic content, Zac. Ron
i remember eldon very well--i worked at rapp piano sales in tulsa in the 60s after school and saturdays and eldon was mr rapps piano tuner-at the time i being a new guitar player did not know eldon was a great guitar player till eldon tuned my moms piano and my dad about blew a fuse telling me i was working with the texas playboys guitar player his all time favorite country western band.--eldon wes kind to me and taught me most of the chords i used my entire career--super nice man.loved his playing.
Enjoyed this very much. It brought back many memories. In 1978 I took guitar lessons from Eldon at Claremore Junior College, Claremore, OK. He was brilliant. In 1979 I got the opportunity to play bass with Leon McAuliffe in Miami, OK. I've always loved Wills and western swing. In 1983 I was working at the Will Rodger's Auditorium, Claremore, OK and Leon and Eldon played a concert with The Great Southwest a local western swing band lead by Darrel Magee. Witnessing Leon and Eldon play was pure joy. Their love of the music and their love and respect for each other was sublime. I ran into Eldon before the show. As always, he was gracious and professional. He pulled up to the back of the theater and I helped unload his gear. In addition to the Stratocaster, I believe he had a Standel amplifier.
This was long over due. I was fortunate enough to take lessons from Eldon at Claremore Jr. College (now Rogers State), Claremore Okla. in '80, '81 time frame. I still have chord charts the he charted out for me for the songs Faded Love and Misty. He was a very friendly guy. Of course that was about the same time he was touring with Merle. Thx Zac for the memory.
Such a worthy man to draw attention to ... Even Mick Jagger venerates The Texas Playboys. This is the finest channel on UA-cam for guitar musicians and gear - by a country mile. HAPPY NEW YEAR 2024 TO EVERYONE WHO ASKS ZAC!
Ah, yes. The pics confirm my recollection that the Strat was not gold, but green. I got to "fiddle" with it for a few minutes when it was in the shop for service here in Tulsa years ago. I also remember it having one of those molded plastic protective "shells" on the back and, of course, the chicken head knobs. Eldon was a class guy.
Marty Stuart (at the beginning of the Asleep At The Wheel version of “Misery”): “Mr Eldon Shamblin, would you play me some chords on that fine Strat-o-Caster guitar you got there Sir?” Eldon: “You Bet, Marty…” One of my favourite albums, all those great artists on Bob Wills songs back in 1993. They do Ida Red on that one as well, with Merle.😎😬
Great video! I’m a fiddle player from Oklahoma who’s spent many years in Austin, and having been fortunate to work with many legendary musicians and artists. My Grandfather’s cousin Keith Coleman played fiddle for Bob, and I grew up immersed in Western swing. I was fortunate to play many gigs with the remaining playboys as a kid, including Eldon. I was in a recording session with Eldon once and had an opportunity to examine that and noodle on that Strat during a break. Eldon told me the band was on their way to Washington state for a 2-week run whenever he picked it up from Leo. They stopped back through on their way home and Leo was thrilled that Eldon loved it. He said he told Leo he wasn’t getting it back! Another Bob Wills/Leo Fender story: My hero and friend, fiddler Johnny Gimble replaced Tiny Moore in 1949 in Waco, TX. Immediately thereafter they headed to California. Gimble was playing a 1925 Gibson A-Style Mandolin, single strung as mandola with guitar strings. He said he’d installed a Sears and Roebuck pickup on it, and as soon as they got to California, the pickup quit! Bob took him to see Leo, and Gloria rewound and rewired the Sears pickup. Leo charged $12.50 for the job which Bob paid for. Lastly, Bob sold the Texas Playboys in the 1960’s and traveled as “The Bob Wills Show” with guitarist Tag Lambert, and bass/steel player Smiley Weaver. Smiley owned a music store in Ada, OK for many years. He told me Bob had a 2-car garage full to the ceiling with Fender gear Leopard had given him over the years. Whenever Bob passed in 1975, he left that stuff to Smiley who used it as his original stock to open his music store! I always figured there’s priceless vintage Femder gear collecting dust in attics all over the Eastern Oklahoma hills!
Early '54s had smooth shaft 100K pots. The early styrene Strat "short-skirt" knobs (some call "Bakelite", they aren't) were smooth bored and required cementing them to the pot.
Zac, I love all your videos, but this is for sure one of my favorites! The Texas Playboys were one of my gateways into country music way back when and I still love listening to them. I love all the history in your videos, but I especially like it when you play a little, demonstrate stuff, like in this one. Thanks for all you do!
I had the great privilege of being able to study guitar and arranging and piano tuning with Eldon for 3 years in the mid 80's when we were both instructors at Roger's State College in Claremore OK. What I learned from Eldon was that he was initially reluctant to try a solid body guitar after the way Will's reacted to the Rickenbacker. The 54 Strat was painted with an experimental gold flake finish. To get the metalflake look they used copper flakes which turned the finish green as they oxidized. Eldon also often brought a Super 400 which Merle Haggard had given him. In, I believe 1992 I and my good friends, Steve and Jenni Collier, stopped by to see him at his King st. home. He told us that Leo Fender had given him a number of guitars over the years but he was so used to the feel of the '54 that he couldn't play anything else. He showed us a G+L Strat which was the latest one. I think he also might have had an Ernie Ball. He said that he had played an Austin City Limits show with Asleep at the Wheel and someone had tried to steal the' 54 which motivated him to sell it to a friend who ran Cains Ballroom. If I remember correctly he said that when he decided to sell it Fender sent a tech over who measured every millimeter of the guitar with calipers and they had their custom shop build him a Strat that felt just like the '54. Eldon also said that the wife of Fender's CEOS bought his Super 400. At that time his eyesight was pretty bad and though he knew us very well, we had to tell him who we were. We felt bad that he might have had to sell his guitars because of financial hardship.
So thank you so much for this ! I just watched two Eldon Shamblin videos here playing this Strat !!! Only using the neck pickup in the videos and sounding incredible ! You know who else had big fat fingers like that ??? Segovia !!! The Segovia of Texas Swing !!!
The 1993 Asleep At The Wheel album "Tribute to the Music of Bob Wills and the Texas Playboys" has the song "Misery" done by Marty Stuart who at the start asks Eldon Shamblin " Brother Eldon Shamblin will you play me some chords on that fine Stratocaster guitar you have got there"- the one that is the subject of this film. You can find it on YT.
Bob Wills and his Texas Playboys For The Last Time is way better listening than Asleep At The Wheel. Go to the genuine source, not second generation imitators
I highlighted that track because Marty Stuart mentioned the Stratocaster guitar and Eldon kicks the song off. I have the Tiffany Transcriptions on vinyl and any number of Bob Wills albums plus Charles Townsend's bio- San Antonio Rose: The Life and Music of Bob Wills. Don't worry, I listen to Bob.
@@NickRatnieks yeah man! it's all good stuff. I just can't stand that little banty rooster Marty Stewart. I know he's talented but I have always considered him a second tier wanna be who only dresses like a star. He's no Eldon, and damn sure no Clarence White.
@@douglasscharnberg3883 There are few who could compete with the skills of Clarence White but to be fair to Marty, he has done his time from a very early age, so he gets credit for his endurance and commitment- even if he's a bit of a human Christmas tree but that's his thing, I suppose! He's never going to enter the running in the Willy Nelson sartorial stakes.
Very good episode, one thing I would like to mention and not for nothing but we got a Jazzmaster it was bought brand new from Mannys in NYC and it came with flat wound strings in early ‘65 soon after the holidays. It was special ordered 3 color sunburst with a clear plastic guitar back protecter also with that purchase was a Bandmaster with a 2 x 12 Showman cabinet.
Another great episode! I discovered Eldon Shamblin’s playing in the early ‘70s, with Bob Wills re-releases and Merle Haggard’s Bob Wills tribute album. Shamblin and Junior Barnard were huge influences on my own playing. I’m saving this episode!
Many years ago, while attending the Steel Guitar Convention (Scotty DeWitt) in St. Louis, Eldon was there - with his '54 Strat ...he let me touch and hold this Stratocaster. Just an AMAZING experience. He was such a nice man!
I've heard some collectors say that the first 100 or so strats, (maybe less) had 100K pots. But I'm not an expert, it's just what I've heard. '54 strats are still prototypes. They changed some details as they progressed. Also, the 100K pots were solid shaft (that might be why the knobs would split, besides the plastic was weak then). It looks like a Gibson switch tip has been jammed or glued onto the switch, or did he just wear away the point on the Fender "football" switch tip?. Great video, as always.
I really understand the preference for chicken-head knobs and have them on most of my guitars because they are so tactile. So, if you set zero or wide open for all your guitars at the same place, you never need to look at them to tell where they are set at. They tell you just by touch.
Great video. I was personal friends with Eldon. I did the last show that he and some of the original PLayboys played at Cains Ballroom. Eldon actually offered me the guitar for $15,000 in around 1990. Sadly I did not have the cash at that time to buy it. he lowered the price and sold it to a local vintage dealer.
Eldon Shamblin's gold '54 Strat and then Roy Buchanan's obsession with Blackguard Telecasters were my weird eureka moment about using Fenders for jazz styles, then Ted Greene & Ed Bickert were when I realized that more people had figured this out than I had originally anticipated
Great piece on this iconic guitarist and his Strat. I too was used to seeing the photos of the white trim on the body and thought it was painted that way but the photos you shared when JD had the guitar didn’t show that so was it a white cover that was on it?
As far as the neck pickup being changed, it looks to me from that picture that the new p'up was soldered to the old wire. Notice how shiny the lead points are on that one compared to the oxydized other two.
I spent a weekend at Roberto Venn guitar school building an amp and all they played was Bob Wills the whole time, apparently they used to hang out there back in the day, in Phoenix.
the earliest strats had the knobs pressed onto solid -shaft pots and would spin on the shaft, quickly leading to the change to knurled shaft ....it's likely that the bakelite knobs were replaced ?! (if the saddles have slotted height adj.screws, then the pots are almost certainly solid-shaft) players(&fender) quickly found the neck would skate w/o the shim but fender didn't make this feature standard until years later? and simply placed a small piece of construction paper inboard of the 2 inboard mounting screws ! (*for a better alternative, make this shim out of 220 sandpaper and glue it into the neck pocket for rock-solid stability - plus it can easily be reversed, if need be ?!) ........*early gold paint was made using real bronze filings, which accounts for the "greening" tarnish and can be found on fender and gibson knobs, as well the gold-top?!!
When you think about it, the stratocaster was perfectly suited for the music that Elden played with the Texas play Boys. It could cut through the band with perfect tone and brightness.
The 10 inch Speedy West / Jimmy Bryant album on the shelf is *very* cool. That size was only made for 2 years, and the cardboard sleeves, exceedingly cheap, all fell apart. One aspect of the De Armond "monkey on a stick" pickup was that the bottom end clamped ( unevenly ) on the strings, below the bridge. It significantly affects the sustain, and sound, of the instrument. My pawn-shop purchase 1947 Epiphone arch top had been retro-fitted with one of them.
I also remember that in the guitar player magazine spread Eldon had on one of the white 1970s Stratocaster “ bodyguards” that acted as a basket for the guitar to set in…
Zac: Great episode, great story. You mentioned about sharing your birthday with Eldon. I found out 20 or so years ago that Junior Brown and I shared the same birthday, even the year. I talked to him after his show in Chicago last summer and mentioned this fact to him. Surprisingly, he was unaware of it. Maybe the guit-steel would be another interesting story to cover.
Thanks for the wonderful video on Such a great guitar. It looks to me as though the pickguard may have been changed. You can see what appears to be foil under the shielding plate.
Great video Zac. The Guitar Player issue photo shows a cool plastic molded back of the guitar protector that is attached by the strap pins. A 1980's PBS Playboys special also shows it on Eldon's guitar. Probably a great accessory to prevent big cowboy belt buckle rash!
I got some closeups of Eldon’s Strat and him playing it at Bob Wills Days in Turkey, TX many years back. He’s probably my #1 guitar hero. My dad raised me on Bob’s music.
@@AskZac We were blessed one year to see Eldon, Herb Remington, Tiny Moore, and Joe Holley playing together. Eldon, Herb, and Tiny’s ensemble stuff was incredible!
Did Leo also give Eldon a G&L guitar that is kind of a rare guitar??? I think that guitar is on display at a music store in Tulsa.... Can you talk about that in a video.... Thank you! Happy Holidays!👍☃️
I held a 1954 Gold Strat with stock gold hardware. The entire guitar was gold. It was owned by Larry Hendrickson. I have no idea what happened to that guitar and can't find it on the internet.
Eldon took the knobs off the bandmaster that leo gave him with the guitar - 100k pots were stock the earliest strats -- solid shaft even with the push on knobs...
Zac. I saw this greart guitar, under glass at a vintage show in the mud 90s. Not to diss on your pix, but it looked way more green. Almost solid green. Great episode. HHHaaaaahhhh!
My 50th Silver Anniversary Strat had a red factory rework tag for a shim, which was most appropriate since it was built in 1979. That might have been a factory shim on Eldons guitar. Something found on the desk or shop floor, or out of a pocket. Flat wounds suck on a Strat, unless you are using it for slide primarily. They are extremely finicky instruments. Most people get by with them set up incorrectly I think. I still hate mine but when I get it out of the safe, it stays out until it won’t stay in tune because the strings are flat spotted. Maybe it’s love-hate. Needs a re-fret and it’s green now from years of cigarette smoke in bars, but it is otherwise (finally) together correctly.
OUTSTANDING video. I'm thinking that neck shim could've had double duty...what better a hiding place for your secret sweetie. Or maybe make it out of easy reach to make it hard to be tempted. But keep it around "just in case". Ha! And don't be shy with the vocals...
The small group of guys who actually used Fender guitars the way Leo intended, for Jazz & Western Swing, are so fascinating because they feel stuck between eras. Leo could never have anticipated that his creations would be perfect for Rock ‘n Roll and the harder driving country and blues styles that would ascend during the 50s, and most Jazz-ers stuck with their arch-tops. People like Eldon are rare. A video on Roy Lanham and his Jazzmaster would be cool too!
Great video as always btw !!
You can play just about anything on any electric guitar... fashion and emulation play a huge part in it. Also many famous players had artist models to promote for sponsors. Chet atkins is an example who preferred solid body guitars, but had his name on multiple hollowbodies.
Hi Zac: This episode and with Duke Levine are terrific. I lived in Tulsa in the early 80’s and took lessons with Eldon. I played the Strat on numerous occasions. I’m pretty sure he told me the knobs were what were on the guitar when Leo gave it to him. Also, amazingly, at that point the guitar had never been regretted. Also, I didn’t see it in the photos, but the guitar had a form fitting white plastic encasing on the back. I believe he had that done. He was a great person. He would write out his chord charts, with the runs, for all the classic Wills’ tunes. I was moving from Tulsa and at my last lesson I asked if he would let me record him and call out some tunes, he laughed and said “ you bet”. I still have that cassette. It was amazing. I did see the guitar at Larry Briggs’ booth at the Dallas Guitar show in the early 2000’s. Eldon also has a fine solo album if you can find it. Again, fantastic content, Zac. Ron
Thank you Ron. What an amazing memory to have!
i remember eldon very well--i worked at rapp piano sales in tulsa in the 60s after school and saturdays and eldon was mr rapps piano tuner-at the time i being a new guitar player did not know eldon was a great guitar player till eldon tuned my moms piano and my dad about blew a fuse telling me i was working with the texas playboys guitar player his all time favorite country western band.--eldon wes kind to me and taught me most of the chords i used my entire career--super nice man.loved his playing.
Enjoyed this very much. It brought back many memories. In 1978 I took guitar lessons from Eldon at Claremore Junior College, Claremore, OK. He was brilliant. In 1979 I got the opportunity to play bass with Leon McAuliffe in Miami, OK. I've always loved Wills and western swing. In 1983 I was working at the Will Rodger's Auditorium, Claremore, OK and Leon and Eldon played a concert with The Great Southwest a local western swing band lead by Darrel Magee. Witnessing Leon and Eldon play was pure joy. Their love of the music and their love and respect for each other was sublime. I ran into Eldon before the show. As always, he was gracious and professional. He pulled up to the back of the theater and I helped unload his gear. In addition to the Stratocaster, I believe he had a Standel amplifier.
This was long over due. I was fortunate enough to take lessons from Eldon at Claremore Jr. College (now Rogers State), Claremore Okla. in '80, '81 time frame. I still have chord charts the he charted out for me for the songs Faded Love and Misty. He was a very friendly guy. Of course that was about the same time he was touring with Merle. Thx Zac for the memory.
Such a worthy man to draw attention to ... Even Mick Jagger venerates The Texas Playboys. This is the finest channel on UA-cam for guitar musicians and gear - by a country mile. HAPPY NEW YEAR 2024 TO EVERYONE WHO ASKS ZAC!
Ah, yes. The pics confirm my recollection that the Strat was not gold, but green. I got to "fiddle" with it for a few minutes when it was in the shop for service here in Tulsa years ago. I also remember it having one of those molded plastic protective "shells" on the back and, of course, the chicken head knobs. Eldon was a class guy.
Thanks Zac, Bob Wills is still the King !
Marty Stuart (at the beginning of the Asleep At The Wheel version of “Misery”):
“Mr Eldon Shamblin, would you play me some chords on that fine Strat-o-Caster guitar you got there Sir?”
Eldon: “You Bet, Marty…”
One of my favourite albums, all those great artists on Bob Wills songs back in 1993.
They do Ida Red on that one as well, with Merle.😎😬
This is a great biography and tribute to my uncle. Thanks!
Great video! I’m a fiddle player from Oklahoma who’s spent many years in Austin, and having been fortunate to work with many legendary musicians and artists. My Grandfather’s cousin Keith Coleman played fiddle for Bob, and I grew up immersed in Western swing. I was fortunate to play many gigs with the remaining playboys as a kid, including Eldon. I was in a recording session with Eldon once and had an opportunity to examine that and noodle on that Strat during a break.
Eldon told me the band was on their way to Washington state for a 2-week run whenever he picked it up from Leo. They stopped back through on their way home and Leo was thrilled that Eldon loved it. He said he told Leo he wasn’t getting it back!
Another Bob Wills/Leo Fender story: My hero and friend, fiddler Johnny Gimble replaced Tiny Moore in 1949 in Waco, TX. Immediately thereafter they headed to California. Gimble was playing a 1925 Gibson A-Style Mandolin, single strung as mandola with guitar strings. He said he’d installed a Sears and Roebuck pickup on it, and as soon as they got to California, the pickup quit!
Bob took him to see Leo, and Gloria rewound and rewired the Sears pickup. Leo charged $12.50 for the job which Bob paid for.
Lastly, Bob sold the Texas Playboys in the 1960’s and traveled as “The Bob Wills Show” with guitarist Tag Lambert, and bass/steel player Smiley Weaver. Smiley owned a music store in Ada, OK for many years. He told me Bob had a 2-car garage full to the ceiling with Fender gear Leopard had given him over the years. Whenever Bob passed in 1975, he left that stuff to Smiley who used it as his original stock to open his music store! I always figured there’s priceless vintage Femder gear collecting dust in attics all over the Eastern Oklahoma hills!
This is amazing. Thank you for sharing
Early '54s had smooth shaft 100K pots. The early styrene Strat "short-skirt" knobs (some call "Bakelite", they aren't) were smooth bored and required cementing them to the pot.
Eldon Shamblin was amazing. That video of him and Herb Ellis is something truly special
This is so exciting to me! I first learned of Eldon and his Stratocaster in an issue of guitar player magazine over 40 years ago!
I learn and discover so many cool guitarists through this channel. Thanks, Zac.
Zac, I love all your videos, but this is for sure one of my favorites! The Texas Playboys were one of my gateways into country music way back when and I still love listening to them. I love all the history in your videos, but I especially like it when you play a little, demonstrate stuff, like in this one. Thanks for all you do!
I had the great privilege of being able to study guitar and arranging and piano tuning with Eldon for 3 years in the mid 80's when we were both instructors at Roger's State College in Claremore OK. What I learned from Eldon was that he was initially reluctant to try a solid body guitar after the way Will's reacted to the Rickenbacker. The 54 Strat was painted with an experimental gold flake finish. To get the metalflake look they used copper flakes which turned the finish green as they oxidized. Eldon also often brought a Super 400 which Merle Haggard had given him. In, I believe 1992 I and my good friends, Steve and Jenni Collier, stopped by to see him at his King st. home. He told us that Leo Fender had given him a number of guitars over the years but he was so used to the feel of the '54 that he couldn't play anything else. He showed us a G+L Strat which was the latest one. I think he also might have had an Ernie Ball.
He said that he had played an Austin City Limits show with Asleep at the Wheel and someone had tried to steal the' 54 which motivated him to sell it to a friend who ran Cains Ballroom. If I remember correctly he said that when he decided to sell it Fender sent a tech over who measured every millimeter of the guitar with calipers and they had their custom shop build him a Strat that felt just like the '54. Eldon also said that the wife of Fender's CEOS bought his Super 400.
At that time his eyesight was pretty bad and though he knew us very well, we had to tell him who we were. We felt bad that he might have had to sell his guitars because of financial hardship.
So thank you so much for this ! I just watched two Eldon Shamblin videos here playing this Strat !!! Only using the neck pickup in the videos and sounding incredible ! You know who else had big fat fingers like that ??? Segovia !!! The Segovia of Texas Swing !!!
Oh, listen to Eldon Shamblin's wonderful rhythm playing on the Back to Back album by Tiny Moore and Jethro Burns in 1979.
Beautiful. Thanks so much. Best wishes from a cold and wet London
These videos are treasures of American culture. Thank you.
Thanks Zac for shining some light on the real deal players.
The 1993 Asleep At The Wheel album "Tribute to the Music of Bob Wills and the Texas Playboys" has the song "Misery" done by Marty Stuart who at the start asks Eldon Shamblin " Brother Eldon Shamblin will you play me some chords on that fine Stratocaster guitar you have got there"- the one that is the subject of this film. You can find it on YT.
Bob Wills and his Texas Playboys For The Last Time is way better listening than Asleep At The Wheel. Go to the genuine source, not second generation imitators
I highlighted that track because Marty Stuart mentioned the Stratocaster guitar and Eldon kicks the song off. I have the Tiffany Transcriptions on vinyl and any number of Bob Wills albums plus Charles Townsend's bio- San Antonio Rose: The Life and Music of Bob Wills. Don't worry, I listen to Bob.
@@NickRatnieks yeah man! it's all good stuff. I just can't stand that little banty rooster Marty Stewart. I know he's talented but I have always considered him a second tier wanna be who only dresses like a star. He's no Eldon, and damn sure no Clarence White.
@@douglasscharnberg3883 There are few who could compete with the skills of Clarence White but to be fair to Marty, he has done his time from a very early age, so he gets credit for his endurance and commitment- even if he's a bit of a human Christmas tree but that's his thing, I suppose! He's never going to enter the running in the Willy Nelson sartorial stakes.
@@NickRatnieks good point, Nick. Credit given where credit's due. I love the human christmas tree analogy!
Very good episode, one thing I would like to mention and not for nothing but we got a Jazzmaster it was bought brand new from Mannys in NYC and it came with flat wound strings in early ‘65 soon after the holidays. It was special ordered 3 color sunburst with a clear plastic guitar back protecter also with that purchase was a Bandmaster with a 2 x 12 Showman cabinet.
I know of a mint 61 jazzmaster that came new with flatwounds
Do you know when Dick Dale started playing gold Strats? Love this channel❤
Early 60s?
Thanks for sharing, I’ve had it for 28 years and am still playing. You will too.
Another great episode! I discovered Eldon Shamblin’s playing in the early ‘70s, with Bob Wills re-releases and Merle Haggard’s Bob Wills tribute album. Shamblin and Junior Barnard were huge influences on my own playing. I’m saving this episode!
Love me that ole Bob Wills cowboy country what ever it is music....
Eldon is a longstanding favorite of mine and I knew JB had bought his Strat but I thought he'd sold it on soon after. Glad to hear he still owns it.
Thanks a lot for making this really appreciate your channel and all you do for this community
I just watched the videos of Eldon playing the Gold Strat ! Wonderful !! Thanks for pointing me to them !
Many years ago, while attending the Steel Guitar Convention (Scotty DeWitt) in St. Louis, Eldon was there - with his '54 Strat ...he let me touch and hold this Stratocaster. Just an AMAZING experience. He was such a nice man!
The earliest Strats in 1954 had all three pots 100k it was late ‘54 that they changed to 250k.
Back when I started reading vintage guitar magazine in the 90s I remember a great article on Eldon and his gold Stratocaster...✌️Happy Holidays Zac
I've heard some collectors say that the first 100 or so strats, (maybe less) had 100K pots. But I'm not an expert, it's just what I've heard. '54 strats are still prototypes. They changed some details as they progressed. Also, the 100K pots were solid shaft (that might be why the knobs would split, besides the plastic was weak then). It looks like a Gibson switch tip has been jammed or glued onto the switch, or did he just wear away the point on the Fender "football" switch tip?. Great video, as always.
My 1979 stratocaster has chicken head knobs in tribute to Eldon ,,, we used to play some Western Swing and jazz back in the day
Thank you for taking the time to assemble the Spotify list. Appreciate the extra effort !
My pleasure!
I really understand the preference for chicken-head knobs and have them on most of my guitars because they are so tactile. So, if you set zero or wide open for all your guitars at the same place, you never need to look at them to tell where they are set at. They tell you just by touch.
What a great episode! Such a treat. Thanks Zac.
Thank you, friend!!
Just found this video...cheers and Happy Birthday, Sir!
Great video. I was personal friends with Eldon. I did the last show that he and some of the original PLayboys played at Cains Ballroom. Eldon actually offered me the guitar for $15,000 in around 1990. Sadly I did not have the cash at that time to buy it. he lowered the price and sold it to a local vintage dealer.
Thank you Zac for featuring one of my favorite strats! One of the worn out pages on my Galaxy Of Stratocasters book.
Bob Wills was one of my dad's favorites.
I like that 1 and a 5 thing. I’ll do blues that way sometimes. Ain’t got time for that 4 chord, baby! I’m too blue!
Thanks for sharing this historical stuff on a fabulous player.
Not only great videos but I keep ordering the books you have on display behind you.
Eldon Shamblin's gold '54 Strat and then Roy Buchanan's obsession with Blackguard Telecasters were my weird eureka moment about using Fenders for jazz styles, then Ted Greene & Ed Bickert were when I realized that more people had figured this out than I had originally anticipated
Perfect video Zac. You did a good job with presenting the info and guitar. I loved it. Thank you.
Great episode. I’ve been an Eldon and Playboys fan for many years, but learned many new details.
Great piece on this iconic guitarist and his Strat. I too was used to seeing the photos of the white trim on the body and thought it was painted that way but the photos you shared when JD had the guitar didn’t show that so was it a white cover that was on it?
It was a Fender body protector from the 60s
Thanks for doing Eldon’s history. He’s one of my first guitar hero’s. Does Rumble Seat still have Eldon’s guitar on display?
Bonamassa bought it
@@AskZacNOOOO….🤭😂🤣
As far as the neck pickup being changed, it looks to me from that picture that the new p'up was soldered to the old wire. Notice how shiny the lead points are on that one compared to the oxydized other two.
I spent a weekend at Roberto Venn guitar school building an amp and all they played was Bob Wills the whole time, apparently they used to hang out there back in the day, in Phoenix.
Great play list! I am a rock / hard rock type of guy, but your videos are helping me appreciate other genres of music. Thank you! +1 for Patreon.
Cool, thanks!
I love Strat knobs and hardware. A masterpiece of 50s design.
Abstract loved this episode Zach!! Can't thank you enough for what you give us pickers!!
Thanks!
Thank you
Cool. I really enjoy the history of guitars, the players, what made them so influential, and the wonderful music they created. Thanks
the earliest strats had the knobs pressed onto solid -shaft pots and would spin on the shaft, quickly leading to the change to knurled shaft ....it's likely that the bakelite knobs were replaced ?!
(if the saddles have slotted height adj.screws, then the pots are almost certainly solid-shaft)
players(&fender) quickly found the neck would skate w/o the shim but fender didn't make this feature standard until years later? and simply placed a small piece of construction paper inboard of the 2 inboard mounting screws ! (*for a better alternative, make this shim out of 220 sandpaper and glue it into the neck pocket for rock-solid stability - plus it can easily be reversed, if need be ?!)
........*early gold paint was made using real bronze filings, which accounts for the "greening" tarnish and can be found on fender and gibson knobs, as well the gold-top?!!
What a cool story. I didn't even know gold strats existed in the 50s. I do love the firemist gold vintage strats.
When you think about it, the stratocaster was perfectly suited for the music that Elden played with the Texas play Boys. It could cut through the band with perfect tone and brightness.
Fabulous program great information on the gold Stratocaster
Glad you enjoyed it
The 10 inch Speedy West / Jimmy Bryant album on the shelf is *very* cool. That size was only made for 2 years, and the cardboard sleeves, exceedingly cheap, all fell apart. One aspect of the De Armond "monkey on a stick" pickup was that the bottom end clamped ( unevenly ) on the strings, below the bridge. It significantly affects the sustain, and sound, of the instrument. My pawn-shop purchase 1947 Epiphone arch top had been retro-fitted with one of them.
Fascinating stuff Zac. I had no idea that Eldon Shamblin was such a significant player. Always learn something new on this channel.
I also remember that in the guitar player magazine spread Eldon had on one of the white 1970s Stratocaster “ bodyguards” that acted as a basket for the guitar to set in…
Zac: Great episode, great story. You mentioned about sharing your birthday with Eldon. I found out 20 or so years ago that Junior Brown and I shared the same birthday, even the year. I talked to him after his show in Chicago last summer and mentioned this fact to him. Surprisingly, he was unaware of it. Maybe the guit-steel would be another interesting story to cover.
Can’t wait to check out that Spotify playlist at work tomorrow!
Thanks for the wonderful video on Such a great guitar. It looks to me as though the pickguard may have been changed. You can see what appears to be foil under the shielding plate.
Great video Zac. The Guitar Player issue photo shows a cool plastic molded back of the guitar protector that is attached by the strap pins. A 1980's PBS Playboys special also shows it on Eldon's guitar. Probably a great accessory to prevent big cowboy belt buckle rash!
Except the protector also messed the finish up
I got some closeups of Eldon’s Strat and him playing it at Bob Wills Days in Turkey, TX many years back. He’s probably my #1 guitar hero. My dad raised me on Bob’s music.
Fantastic!
@@AskZac We were blessed one year to see Eldon, Herb Remington, Tiny Moore, and Joe Holley playing together. Eldon, Herb, and Tiny’s ensemble stuff was incredible!
This was great --- what makes you say that about the round wound strings?
Comments from historians
Very informative! Very enjoyable! Learned a lot. Thanks so much for this, Zac.
In some of those old clips there seems to be some kind of back protector or cover. Any insight on what that was or when he started using it?
Fender body protector. Mid 60s
It was a back protector and probably a bit ill fitting since first year strats had a shallow back contour
Solid brass grease pots
Ha my bd is 4 24 54.excellant story!
Did Leo also give Eldon a G&L guitar that is kind of a rare guitar???
I think that guitar is on display at a music store in Tulsa....
Can you talk about that in a video....
Thank you!
Happy Holidays!👍☃️
Excellent overview - thanks Zac!
My pleasure!
I held a 1954 Gold Strat with stock gold hardware. The entire guitar was gold. It was owned by Larry Hendrickson. I have no idea what happened to that guitar and can't find it on the internet.
Thank you Zac! Incredible episode
Bartlesville, (OK) written on the note on the neck shim
Eldon took the knobs off the bandmaster that leo gave him with the guitar - 100k pots were stock the earliest strats -- solid shaft even with the push on knobs...
Love hearing this history!
Hey Zac you may know my grandpa lee w I been trying to learn and play guitar any tips
Zac. I saw this greart guitar, under glass at a vintage show in the mud 90s. Not to diss on your pix, but it looked way more green. Almost solid green. Great episode. HHHaaaaahhhh!
Great video, great story. Thanks Zac!
Glad you enjoyed it!
Thanks for the awesome history lesson and info!
You bet!
My 50th Silver Anniversary Strat had a red factory rework tag for a shim, which was most appropriate since it was built in 1979. That might have been a factory shim on Eldons guitar. Something found on the desk or shop floor, or out of a pocket. Flat wounds suck on a Strat, unless you are using it for slide primarily. They are extremely finicky instruments. Most people get by with them set up incorrectly I think. I still hate mine but when I get it out of the safe, it stays out until it won’t stay in tune because the strings are flat spotted. Maybe it’s love-hate. Needs a re-fret and it’s green now from years of cigarette smoke in bars, but it is otherwise (finally) together correctly.
all round excellence, thanks
Love the info, and love your show.
Terrific content, Zac!
Wow, a flat cut neck. Many if not most of the old Fenders that Ive seen are usually riftsawn.
Excellent video...thank you!
That neck shim is hilarious!
Howdy Zac
Excellent & wonderful history and gear lesson.
Thank you once again 🎸
My pleasure!
Thanks so much for this!!
You're so welcome!
thank you
You're welcome
Excellent thank you
So Eldon was a little bit like a man named Sue? 🤣😂 Great story and Merry Christmas to you, your family and everyone here!
OUTSTANDING video. I'm thinking that neck shim could've had double duty...what better a hiding place for your secret sweetie. Or maybe make it out of easy reach to make it hard to be tempted. But keep it around "just in case". Ha!
And don't be shy with the vocals...
Great show, amigo!