0:33 Das Wandern 2:59 Wohin? 5:06 Halt! 6:40 Danksagung an den Bach 8:55 Am Feierabend 11:31 Der Neugierige 15:43 Ungeduld 18:22 Morgengruß 22:39 Des Müllers Blumen 25:49 Tränenregen 29:50 Mein! 32:00 Pause 36:54 Mit dem grünen Lautenbande 38:47 Der Jäger 39:48 Eifersucht und Stolz 41:15 Die liebe Farbe 45:21 Die böse Farbe 47:16 Trockne Blumen 50:56 Der Müller und der Bach 54:56 Des Baches Wiegenlied
Beautiful! Singer and pianist in perfect harmony with the genius of Schubert. How I love the brook's lullaby at the end of these wonderful poignant songs - you can just hear the little stream's babbling as it rocks the lovelorn miller to sleep away his joy (for the miller maid) - and his sorrow (that she rejects him).
Ah, Schubert, Schumann, Mahler, Wolf ... Papageno, u.s.w. Es ist eine Gesangsschule, eine Geschichte schönen Gesangs, legendärer Interpretationen. Danke an das selbstlose Angebot von Bösendorfer! Grüße aus Kroatien
For sure. First thing I noticed. He’s not past it here, even while old, but the pushing doesn’t help him. I’m just revisiting his voice again, and I hope I don’t hear it when he’s younger lol! I always thought he could have applied his voice to tenor.
Eine Legende. Leider nicht mehr stimmlich auf der Höhe und Schiff spielt gut aber benutzt Notenmaterial, das viele editorische Mängel hat. Interessant zu hören aber da gibt es doch mittlerweile viel bessere Deutungen.
@@greenbayfan915 His focus is on pattern and style, shortchanging the emotional aspect. Frankly, my recordings of Gerald Moore is a perhaps unattainable benchmark.
Dietrich Fischer-Dieskau is an amazing Baritone, but his singing, and performance went downwards toward the end of his career, and he made some recordings that I think he shouldn't have. This is only my opinion, his early singing is music from the heavens, but it just went sour later in his life. Still love his singing, and try to emulate it in my own singing as a baritone, emulate his early singing I mean. Anyway, I'm done lol, have a good one!
Solch eine Pauschalkritik bedarf aber einer genaueren Erläuterung! Zu Beginn sind bei Intonation ein paar Ausreißer dabei und einige Sechzehntel sind nicht ganz in der Zeit. Sonst ist seine Interpretation aber weltweit bewundert und DER Maßstab für Schubert-Lieder.
D F-D has always tended to sing sharp during crescendi in his upper register. It’s really prominent in this performance - quite uncomfortable. It amazes me how infrequently this problem attracts any comment. I love his lieder performances but that has required learning to tolerate his intonation.
0:33 Das Wandern
2:59 Wohin?
5:06 Halt!
6:40 Danksagung an den Bach
8:55 Am Feierabend
11:31 Der Neugierige
15:43 Ungeduld
18:22 Morgengruß
22:39 Des Müllers Blumen
25:49 Tränenregen
29:50 Mein!
32:00 Pause
36:54 Mit dem grünen Lautenbande
38:47 Der Jäger
39:48 Eifersucht und Stolz
41:15 Die liebe Farbe
45:21 Die böse Farbe
47:16 Trockne Blumen
50:56 Der Müller und der Bach
54:56 Des Baches Wiegenlied
Thank you very much for the editing!
Der Müller und der Bach: 52:23 -> 52:25 Trio, 53:32 Reprise
0:46
To the end he never lost that floaty mezza voce- and very long breath. He must be in his late 60’s here, and for many years smoked.
What we like about this duo is that Andras Schiff is also another great singer.
Andras Schiff and Dieskau are a fantastic duo
Heute dürfte kein Sänger mehr so auftreten
Keiner begleitet diese wunderbaren Lieder schöner als Andras Schiff - unglaublich gut!!
25:49
Beautiful! Singer and pianist in perfect harmony with the genius of Schubert. How I love the brook's lullaby at the end of these wonderful poignant songs - you can just hear the little stream's babbling as it rocks the lovelorn miller to sleep away his joy (for the miller maid) - and his sorrow (that she rejects him).
Hohe Kunst!
Ah, Schubert, Schumann, Mahler, Wolf ... Papageno, u.s.w.
Es ist eine Gesangsschule, eine Geschichte schönen Gesangs, legendärer Interpretationen. Danke an das selbstlose Angebot von Bösendorfer!
Grüße aus Kroatien
I’m sorry, but I will never get over D F-D’s sharp pitch in his upper register, especially in crescendos and fortes.
For sure. First thing I noticed. He’s not past it here, even while old, but the pushing doesn’t help him. I’m just revisiting his voice again, and I hope I don’t hear it when he’s younger lol! I always thought he could have applied his voice to tenor.
Eine Legende. Leider nicht mehr stimmlich auf der Höhe und Schiff spielt gut aber benutzt Notenmaterial, das viele editorische Mängel hat. Interessant zu hören aber da gibt es doch mittlerweile viel bessere Deutungen.
What awful playing by Schiff. I was flabbergasted!
I recognize that many serious music lovers admire Schiff's playing. Yet, somehow it doesn't work for me.
What about it do you dislike?
@@greenbayfan915 His focus is on pattern and style, shortchanging the emotional aspect. Frankly, my recordings of Gerald Moore is a perhaps unattainable benchmark.
Overly sentimental is kitschy and wouldn’t last long. He’s is an opponent of that kind of playing but some prefer that, so to each his own.
@@handekmessiah1112 Is Gerald Moore's playing overly sentimental and kitschy?
@@pepperco100 Did I say anything about Gerald Moore?
Dietrich Fischer-Dieskau is an amazing Baritone, but his singing, and performance went downwards toward the end of his career, and he made some recordings that I think he shouldn't have. This is only my opinion, his early singing is music from the heavens, but it just went sour later in his life. Still love his singing, and try to emulate it in my own singing as a baritone, emulate his early singing I mean. Anyway, I'm done lol, have a good one!
Schade, das Dieskau schon zu Beginn unsauber singt!!!
Mach’s besser!
@@tomaxi007 das kann ich natürlich nicht. Aber bei einem Weltklassesänger verwundert es zumindest.
Solch eine Pauschalkritik bedarf aber einer genaueren Erläuterung! Zu Beginn sind bei Intonation ein paar Ausreißer dabei und einige Sechzehntel sind nicht ganz in der Zeit. Sonst ist seine Interpretation aber weltweit bewundert und DER Maßstab für Schubert-Lieder.
@@Bethman-c3p zu seiner "sonstigen Interpretation" habe ich auch nichts gesagt!!
@@guentherrieger7862 also sind meine genannten Details das was du kritisierst?
Intonation??
D F-D has always tended to sing sharp during crescendi in his upper register. It’s really prominent in this performance - quite uncomfortable. It amazes me how infrequently this problem attracts any comment. I love his lieder performances but that has required learning to tolerate his intonation.
The greatest Lieder-Singer of all times. And here are you with vile and insubstantial comments...ridiculous and embarrassing!