-Shure KSM32 (Good all round work horse mic) -Neve Newton (or Shelford) Channel Strip -Apogee Symphony Converter Very versatile chain that captures great results on most things. ✌🏾🙂
Great video! I use a Sound Skulptor MP & EQ 573 as well! They're so nice. On my voice, one thing I love to do is use an 1176 style compressor (I use a Hairball Audio FET/500 - also a great DIY kit!) and a DIYRE OLA5 in series. Neither are working super hard, but the FET/500 is great at capturing the quick changes in volume and gives just a little boost into the OLA5 so it can do its buttery-smoove thing. Then finally a DIYRE EQP5 on the end does a wonderful job of smooth eq tweaking. Also, a noise gate (I use a Drawmer DS101) is really nice to have between the preamp and compressor, especially with harder to drive mics like an SM7B. Even on other mics though, it can be a big help. I landed on an Earthworks Ethos as my 'daily driver' mic on my voice, and love it.
Oh man, what a chain you have!!! That's THE Chain for sure. I've played with that 1176 into opto thing. Man it works a treat for sure. Ive been eyeing off the hairball fet and DIYRE EQP5 for a while. Have you tried the Sound Skulptor versions for both at all? I'm coveting those too hahah!
I have a sound skulptor MP 573 and a WA12 mkii from warm audio. Love the mp573 for vocals and the WA12 for acoustic. They both do great for either. I do wonder about getting 1 compressor. Maybe a JLM LA500A.
For music and working in the box - i've found that different tracks ask for different things, at least slight variations. So me personally, I want to stay quite flexible and open instead of having a 'go to' rig. I have my eye out on a Neve 1073 DPA that I can track my U87ai (💪😘) through, as well as re tracking stems through before mixing to impart that goodness that's quite obvious when it's cumulative like that. So in my opinion, either start with something for the mixbus, or a L/R 2 channel preamp (Which can also be used on the mixbus).
Yeah 100% man. U87 into a 1073 is magic. Add a good comp and you’ve got an unbeatable signal chain for tracking. Mix bus definitely if you’re mixing but if you’re a tracking engineer more front end is always good.
Great video! You mentioned getting a cleaner and more detailed preamp setup for classical music. Would you care to elaborate? I'm considering a capi VP28 with red dot opamps with a Capi 550 EQ for classical guitar. I'd love your thoughts
Thanks for asking John, great question! So I wouldn't call the CAPI preamp a clean preamp. It is amazing and detailed, but they do colour the sound. You might be interest in the preamps made by companie like Grace Designs or Millenia, I have friends who record classical and Orchestral and thats predominantly what they use. Focusrite ISA preamps aren't bad either.
I literally JUST started with outboard gear last month. I got the WA-MPX, LinTec, Lin2a as well as the Lin76 with Warm audio Buss compressor. I can't believe what I been missing. Even without the tubes the Lintec is a Pultec type EQ without the tubes. BUT hahaha the warmth it adds even with everything on zero is crazy... I have mixed in the box the entire time I have tried mixing my own music. I had a Band I wish I had this stuff back then HAHAHA. I am IMPRESSED so far with everything. I am considering making it all Stereo and buying another set of everything, so I have stereo matched pairs. Well, they aren't matched but they will be the same things. The WA-MPX is AWSOME for Metal Drums Bass and Vocals!!!! I got midi Drums that when Humanized with the software it really sounds like a drummer sitting there LOL Am Also considering some Rupert Neve stuff the Newton and or the Diode Compressor the newest one they sell. Bridge Diode Stereo Buss compressor. Shelford, I believe is the name. It's getting expensive but I need one more Stereo Buss compressor!
Great point not skimping on mics. You can do some bloody damage w some mid tier options though in my experience if you know what you’re doing. Good takes here I agree with a lot. 100% agree with you a hardware compressor is the MOST useful by light years if you can’t get an EQ. And honestly, so far in my experience, the most useful type of hardware to buy at all (other than nice pres). Here’s my personal 2 cents. Save up for an API 512 or a 1073 (or accuarate copy), get a Distressor and call it a day lol. No, but seriously, I went the route of “buy it nice don’t buy it twice” with my hybrid setup and I’m honestly really glad my rack isn’t filled with entry-level stuff. There’s absolutely nothing wrong with warm audio or whatever if you’re a novice w outboard but honestly, if you’re not willing to spend money on quality gear, you definitely shouldn’t get into hardware because buying a 500 series rack was one of the worst financial decision of my life 😂. I say with analog though it’s better to go big or go home. Doesn’t have to be top-of-the-line by any means, but in my experience good software easily beats out entry-level analog gear. If you aren’t willing to pay for the real thing but are still willing to make a more serious investment, then there are companies like Audioscape, Capi, Heritage audio etc that deliver much more than software emulations for a fraction of the price of the real thing, and still a DAMN good professional product at the end of the day. Personally, I did mostly opt for the real thing when it comes to preamps and compressors, but I do have an Audioscape bus comp, and a heritage audio successor which I still use on almost every mix and are just as valuable to me as my more expensive gear. Also, you can literally get one of the most famous compressors of all time (our old friend the Distressor) for like 1500 bucks so understand that’s not a small amount of money by any means but we’re talking about hardware here and with some killer pres, good microphone placement and good room treatment you’re 99% of the way there. I say get something nice. I WOULD say start with a 500 series rack because you can do some serious damage for about half the price but… it’s really important to get a nice chassis which is also super expensive and once you get a 500 series rack you’re just going to not be able to sleep at night until it’s full 🤣. I 100% don’t regret buying nice gear right off the bat though. This stuff is not cheap, but with patience and time you can build a really REALLY professional set up without spending anywhere near as much you would think. A solid mic, a killer pre and a reliable, versatile, and good-sounding hardware compressor and you’re straight up off to the races. The rest is a bonus that you can just continue to build.
Out of every production channel I follow, I've never seen anyone with the same vocal chain I use. I run an SM7b into the Alctron MP73eqV2, and on to the Lindell 76. Do you have a video on that chain? If you don't, I would love to see a vocal recording breakdown and what your approach is for dialing in a vocal sound.
I love the lindell 76. It’s great especially for the money. It does the thing. I haven’t used the alctron much yet, I have sound Skulptor neve type preamps and eqs I prefer. I’m actually hoping to do some mods to the alctron unit sometime soon. Definitely could do a bunch of vocal tracking signal chain vids though.
@@diyrecordingstudio Love the Lindell too. The Alctron isn't too bad for the price point. It's obviously not going give that classic "neve" sound most folks are looking for, but I feel it's a decent entry point into analog preamps. I also looked into the mods for it, like the carnhill transformers and everything. I may be going that route as well. Thanks for the reply and I'll definitely stay tuned.
So you can absolutely do that. The main goal to for this is the CAPI VP28s. A pair of these across your mix bus is magic. You just need a 500 series rack, those pres and enough i/o on your interface. If you need any further help or info email me mitch@thediyrecording studio.com
Love it. I'm running a Mic Parts mic into a Cranborne camden 500 pre, then hairball rev a 1176 comp clone, and I've just added the cranborne carnaby harmonic eq. Which adds some nice air and shine to my chain, however, I feel I still need an actual EQ in the chain. What should I get my man?
After researching your signal chain and checking out prices, I've decided to stick with plugins until I find some really good deals on new or used equipment. Or, maybe I'll win the lottery. haha
If you go the DIY route, you can build a chain for about $1500 which will set you up forever. Not cheap, but Not a lot of money in the scheme of things. If you buy the original ie, NEVE1073 etc it gets very expensive. Depends on your budget and what you're using stuff for. Just for perspective, I do this as a business so if i look at my gear as tools, the hardware may cost $1000-$1500 but in any other industry, this might be similar to the cost of tools r equipment. if not cheaper. If you factor in software subscriptions and updates of many years, they might actually wind up costing you the same if not more. It's a long game thing. Also the time it save recording with hardware and having to do less in mixing is invaluable. Just my thoughts though, everyone has to do what they can and what they can afford, I totally get it! Thanks for leaving a comment!
Hi, your video was great!. I understood the advantages of using hardware before going into the DAW. Talking about preamp and compressor clones, you said you would consider some that are not very cheap. What's your opinion about the Audio Warm Audio WA73-EQ and the WA-2A?. With those two I would have the preamp, EQ and compressor for recording guitars and vocals. And finally, what would be the difference in tonality between a SSL Pure Drive Quad and a Neve 1073?. Thank you!
Great video mate!. - like your Core too. I have a Q: Is there a point in hooking up all the back's I/O of my several units hardware into a rack unit - connected to a patchbay - with "not so cheap" cables? (200€ or so the lot), Or, considering that later on, "the chained cable quality" its going to be broken with SO MUCH CHEAPER "colored patch cables" on the front of the Patchbay, may just as well better connecting the whole thing using JUST the much cheaper "patch cables"? (Some 40€ at most) Did you understood? Thanks :)
I would use whatever fits your budget. Cables have never stopped me from getting an awesome recording or mix. I wouldn’t stress too much about the quality. Just make sure you’re using balanced trs ones. Thanks for leaving a comment!
a kt 76 is quite clean, much more than the lin76, I owned both. It is great at holding a signal in place like a 76 without the the distortion especially when you open the attack. The Lin has quite a bite of crunch and has a more li fi top end. I think both can have a place in a signal chain depending on what you want to achieve.
Yeah I havent used the KT ones yet, would be keen to get one and potentially mod it though. You're 100% right, the lin76 has a pretty obvious rolloff in the highs and gets distorted very quickly. I really like it on snare and some vocals at the moment.
Yeah, if the 76 had the option of trimming the top end to get it as it is or have a flatter response, it would be perfect! It is great on snares. Did you run some bass through it?
This was a great video! I have fairly recently started following you - and I am currently considering venturing into some analog gear. I really liked your detailed comparisons, as well as the specific gear recommendation. I am also interested in an upgrade to my interface that will better support that hybrid digital/analog environment. Any recommendations on an interface with line inputs that can support up to 6 to 8 total inputs? I’m mainly recording acoustic instruments (i.e. Bluegrass).
Honestly most of the 8 channel interfaces are of similar quality preamps and converters. Any of them will do a good enough job. I would go for whatever fits your workflow best and more importantly your budget. The evo 16 is pretty great for the money. Whatever gives you easy connectivity and workflow.
Once I got my BAE 1073 pre I was amazed lol. I thought I was good using my Neve 1073 emulator on the UAD Apollo, but it doesn't even compare to a real hardware 73. It also really smoothed out the highs on my Manley Reference mic.
Yeah absolutely! Once i heard a real neve sound i was like whhhaaaaaaat! That's actually what started me on this whole journey. There's some magic in there for sure!
MITCH ! Bruh sorry just saw your comment on another vid, Apologies brother ! i dont use this account as my main, only on it when music related ! sending nothing but love and respect your way ! Also great informative vids as per usual !!! Bless you bro for sharing your knowledge with us !! Absolute LEGEND !
Hey, great question! If you're talking about the the chassis the 500 series gear sits in they are available from heaps of different companies. I use the Midas L10 and the RND R10 racks at the moment. Theyre both fine. They all rack nicely into any 19" rack unit which is standard audio gear width! Hope this helps!
great question. It totally depends on what you are doing. Say I'm doing drums, well I'm going to need pairs for Overhead mics and room mics. Or say I'm mixing back through my outbaord comps, eq's and compressors, drums, guitars and the different busses AND overall mix buss are all stereo, so they need pairs for analog processing. I hope this makes sense!
Nice video, I'm still considering two alternatives for a mic preamp, but I don't know if these would be good clones: Warm Audio WA 273 EQ Preamplificador or WA MPX2. Any thoughts are appreciated, thank you.
Great options you have there. The warm audio 1073 clone would probably be more useful and versatile especially seeing it has a full eq. The tube pre clone would be good too don’t get me wrong I have some I use for things like bass but they get used far less often. I think if you start with a neve preamp, it will work in almost every situation for you.
I’ve purchased a Flock audio patchbay that is designed for “analog” rack mount gear and not digital signals. The prime benefit is the software that allows different patching configuration’s via the dbs connections. Question: is analog gear exclusive to the preamp, compressors and equalizers you mention or, what are other examples of “analog” gear that are compatible ie: Lexicon reverb, Digitech guitar pedals. It does not route digital gear. Thanks
Yes I know the flock Audubon patchbay. Even though a digital rack mount reverb is maybe a “digital reverb” with digital processors, as it is still a physical box, we kind of lump all that stuff into analog as well, especially pedals, it is often referred to in this case as just outboard gear.
@@diyrecordingstudio If it’s a line level signal that won’t be converted to digital until it reaches the DAW, I’m thinking with the exception of midi signal it should be compatible with the Patch software.
Great question. The 286 is a completely different design and sound. It’s really just an entry level preamp and the dbx 266 compressor design which was mostly used for live audio. It’s cheaper and lacks the slap and punch you get from the vintage 160vu, 160x and other variants. It’s not the same circuit or vca design and therefore doesn’t sound the same unfortunately.
Thanks for the video ! Do u have any suggestions for hardware . I want a Sony c800g sound . Neve 1073 , and tube tech compressor sound with out breaking that bank. .what gear would u reccomend ?
yeah wow dude, are you doing mostly pop/hiphop/rap/rnb work? The sony c800 is extremely bright. I get why you might want it. there's a warm audio clone but i dont think it sounds close enough. I would go more for a u87 OR u67 type clone mic IMO. 1073 is easy, there are heaps of affordable clones, the Golden Age Projects are probably the best affordable clone i can recommend. Tube tech unfortunately is even harder again. Super prestige, warm have a clone, again, but nowhere near the sound of the real thing. If you want further info and advice i offer audio consulting at mitch@thediyrecordingstudio.com
The most important question is what is it you are trying to do/record? Different tools for different jobs. The ISA is an excellent preamp, however much cleaner and a totally different sound to the neve 1073. Preamp simulations aren't ever as good as the real thing at least yet. Stay away from them and invest in real gear if you are serious about your craft.
Hey Mitch, I’m looking to get started with some outboard gear so was looking at the DIYRE CP5 with the colour modules. Do you have any thoughts on that and do you think I would be better off just going for a straight up 1073 clone kit instead? Im doing mostly rock and pop, will be using it mostly for vocal tracking. Cheers 🤘
Hey Jesse! Excellent question. The cp5 is a great clean preamp and the colour modules are awesome. However if you’re doing vocals, rock and pop, I think a better first purchase is a 1073 style preamp. Everyone needs at least one. My suggestion is build a strong signal chain. Your mic and preamp are the most important. Then when you’re ready and the budget is there look at an 1176 style comp and then an opto style comp. These will change the quality of your vocal tracking immensely.
The asp800 is fine. Pretty transparent pre though, not going to give colour like a Neve or API. Sorry for the slow reply, OPR Mics are great! Stay away from UA Twin though, dont love those at all.
Quibble here: the signl chain starts with the source in a room! If the source and/or room sounds bad, gear will not save you. Order of importance: 80% source and mic, 15% room and 5% SIGNAL CHAIN.
Haha "what should you buy first?" I was expecting you to say "FMR RNC 1773 compressor" not a damn Neve 1073 haha this should be called "what top pro gear should you buy".
There’s plenty of neve 1073 clones for about the same price as the fmr rnc compressor. If you want to open a studio doing real recordings, a good signal chain is the best value for money. I have a bit of an issue with those fmr compressors as they are just basically software and not true analog hardware compressors. As far as I’ve read that seems to be what they are.
@@diyrecordingstudio Oh wow didn't know that dude! It's only for myself as I just bought a new desk for my real job, and it has space for a couple pieces of rack gear haha. So first channel I looked for was yours! What I didn't know, was I need "external preamps", thought I could use the ones on my Clarett+ 4Pre and just "plug in a compressor", I mean, that's why I bought it, as I like Focusrite preamps....how naiive By the way. just read my message and it came across as if I was having a dig, I wasn't I promise, I love your work!!
If I had the room in my studio I might consider this. A lot of the bands I work with don’t have the budget for tape. Are the prices still very expensive?
If I need this I use an online analogue service like access analogue. Having and maintaining a working reel to reel is more of a hobby in itself than a tool for music production
it sounds like you're repeating what everyone else says about analog gear. All i got from this video is, buy very expensive stuff because...yes. Correct me if i'm wrong.
You've skipped over the most affordable significant improvement in the vocal chain: replace that budget mic cable with Mogami (or Canare.) Weakest link.
Dude some of those are the closest clones to their originals than even Neve or the makers make modern time lol. And you apparently don’t know shite if you’re calling CAPI crap
Yeah lol I use API 512s but CAPI is totally legit. I have a heritage audio successor with their 73 output stage and it does for the most part do that “thing” so I can only suspect their mic pres are at least in the ballpark for how much less you’d hopefully be paying. I have never used one, but I’ve heard their demos and they do sound very high-quality quality. Still not a bad idea saving up for a real 1073 at that point if you have a 500 series rack though
-Shure KSM32 (Good all round work horse mic)
-Neve Newton (or Shelford) Channel Strip
-Apogee Symphony Converter
Very versatile chain that captures great results on most things. ✌🏾🙂
Great video! I use a Sound Skulptor MP & EQ 573 as well! They're so nice. On my voice, one thing I love to do is use an 1176 style compressor (I use a Hairball Audio FET/500 - also a great DIY kit!) and a DIYRE OLA5 in series. Neither are working super hard, but the FET/500 is great at capturing the quick changes in volume and gives just a little boost into the OLA5 so it can do its buttery-smoove thing. Then finally a DIYRE EQP5 on the end does a wonderful job of smooth eq tweaking. Also, a noise gate (I use a Drawmer DS101) is really nice to have between the preamp and compressor, especially with harder to drive mics like an SM7B. Even on other mics though, it can be a big help. I landed on an Earthworks Ethos as my 'daily driver' mic on my voice, and love it.
Oh man, what a chain you have!!! That's THE Chain for sure. I've played with that 1176 into opto thing. Man it works a treat for sure.
Ive been eyeing off the hairball fet and DIYRE EQP5 for a while. Have you tried the Sound Skulptor versions for both at all? I'm coveting those too hahah!
I have a sound skulptor MP 573 and a WA12 mkii from warm audio. Love the mp573 for vocals and the WA12 for acoustic. They both do great for either. I do wonder about getting 1 compressor. Maybe a JLM LA500A.
For music and working in the box - i've found that different tracks ask for different things, at least slight variations.
So me personally, I want to stay quite flexible and open instead of having a 'go to' rig.
I have my eye out on a Neve 1073 DPA that I can track my U87ai (💪😘) through, as well as re tracking stems through before mixing to impart that goodness that's quite obvious when it's cumulative like that. So in my opinion, either start with something for the mixbus, or a L/R 2 channel preamp (Which can also be used on the mixbus).
Yeah 100% man. U87 into a 1073 is magic. Add a good comp and you’ve got an unbeatable signal chain for tracking.
Mix bus definitely if you’re mixing but if you’re a tracking engineer more front end is always good.
The mics by Stam audio are fantastic….Have used them….
I hear good things, hopefully he has fixed the wait times on gear. Haha. What have you used?
Great video! You mentioned getting a cleaner and more detailed preamp setup for classical music. Would you care to elaborate? I'm considering a capi VP28 with red dot opamps with a Capi 550 EQ for classical guitar. I'd love your thoughts
Thanks for asking John, great question!
So I wouldn't call the CAPI preamp a clean preamp. It is amazing and detailed, but they do colour the sound. You might be interest in the preamps made by companie like Grace Designs or Millenia, I have friends who record classical and Orchestral and thats predominantly what they use. Focusrite ISA preamps aren't bad either.
I literally JUST started with outboard gear last month. I got the WA-MPX, LinTec, Lin2a as well as the Lin76 with Warm audio Buss compressor. I can't believe what I been missing. Even without the tubes the Lintec is a Pultec type EQ without the tubes. BUT hahaha the warmth it adds even with everything on zero is crazy... I have mixed in the box the entire time I have tried mixing my own music. I had a Band I wish I had this stuff back then HAHAHA. I am IMPRESSED so far with everything. I am considering making it all Stereo and buying another set of everything, so I have stereo matched pairs. Well, they aren't matched but they will be the same things. The WA-MPX is AWSOME for Metal Drums Bass and Vocals!!!! I got midi Drums that when Humanized with the software it really sounds like a drummer sitting there LOL Am Also considering some Rupert Neve stuff the Newton and or the Diode Compressor the newest one they sell. Bridge Diode Stereo Buss compressor. Shelford, I believe is the name. It's getting expensive but I need one more Stereo Buss compressor!
Great point not skimping on mics. You can do some bloody damage w some mid tier options though in my experience if you know what you’re doing. Good takes here I agree with a lot. 100% agree with you a hardware compressor is the MOST useful by light years if you can’t get an EQ. And honestly, so far in my experience, the most useful type of hardware to buy at all (other than nice pres). Here’s my personal 2 cents. Save up for an API 512 or a 1073 (or accuarate copy), get a Distressor and call it a day lol. No, but seriously, I went the route of “buy it nice don’t buy it twice” with my hybrid setup and I’m honestly really glad my rack isn’t filled with entry-level stuff. There’s absolutely nothing wrong with warm audio or whatever if you’re a novice w outboard but honestly, if you’re not willing to spend money on quality gear, you definitely shouldn’t get into hardware because buying a 500 series rack was one of the worst financial decision of my life 😂. I say with analog though it’s better to go big or go home. Doesn’t have to be top-of-the-line by any means, but in my experience good software easily beats out entry-level analog gear. If you aren’t willing to pay for the real thing but are still willing to make a more serious investment, then there are companies like Audioscape, Capi, Heritage audio etc that deliver much more than software emulations for a fraction of the price of the real thing, and still a DAMN good professional product at the end of the day. Personally, I did mostly opt for the real thing when it comes to preamps and compressors, but I do have an Audioscape bus comp, and a heritage audio successor which I still use on almost every mix and are just as valuable to me as my more expensive gear. Also, you can literally get one of the most famous compressors of all time (our old friend the Distressor) for like 1500 bucks so understand that’s not a small amount of money by any means but we’re talking about hardware here and with some killer pres, good microphone placement and good room treatment you’re 99% of the way there. I say get something nice. I WOULD say start with a 500 series rack because you can do some serious damage for about half the price but… it’s really important to get a nice chassis which is also super expensive and once you get a 500 series rack you’re just going to not be able to sleep at night until it’s full 🤣. I 100% don’t regret buying nice gear right off the bat though. This stuff is not cheap, but with patience and time you can build a really REALLY professional set up without spending anywhere near as much you would think. A solid mic, a killer pre and a reliable, versatile, and good-sounding hardware compressor and you’re straight up off to the races. The rest is a bonus that you can just continue to build.
100% agree with you. It's a long game and if you buy the right gear and take your time, eventually you have the dream setup. It took me ages.
Out of every production channel I follow, I've never seen anyone with the same vocal chain I use. I run an SM7b into the Alctron MP73eqV2, and on to the Lindell 76. Do you have a video on that chain? If you don't, I would love to see a vocal recording breakdown and what your approach is for dialing in a vocal sound.
I love the lindell 76. It’s great especially for the money. It does the thing.
I haven’t used the alctron much yet, I have sound Skulptor neve type preamps and eqs I prefer. I’m actually hoping to do some mods to the alctron unit sometime soon.
Definitely could do a bunch of vocal tracking signal chain vids though.
@@diyrecordingstudio Love the Lindell too. The Alctron isn't too bad for the price point. It's obviously not going give that classic "neve" sound most folks are looking for, but I feel it's a decent entry point into analog preamps. I also looked into the mods for it, like the carnhill transformers and everything. I may be going that route as well. Thanks for the reply and I'll definitely stay tuned.
Very nicely and elaborately crafted video. Thank you for the knowledge...
Not a problem. Thanks for the comment.
What about if we wanted to use mic-pres on our stereo bus for mix downs? Would love some info on that. Suggestions for gear and maybe how to set it up
So you can absolutely do that. The main goal to for this is the CAPI VP28s. A pair of these across your mix bus is magic.
You just need a 500 series rack, those pres and enough i/o on your interface.
If you need any further help or info email me mitch@thediyrecording studio.com
@@diyrecordingstudio any videos on how to set that up that you can point me to?
None in particular. Colt capperune has some. Maybe I should make one!
Love it.
I'm running a Mic Parts mic into a Cranborne camden 500 pre, then hairball rev a 1176 comp clone, and I've just added the cranborne carnaby harmonic eq.
Which adds some nice air and shine to my chain, however, I feel I still need an actual EQ in the chain.
What should I get my man?
After researching your signal chain and checking out prices, I've decided to stick with plugins until I find some really good deals on new or used equipment. Or, maybe I'll win the lottery. haha
If you go the DIY route, you can build a chain for about $1500 which will set you up forever. Not cheap, but Not a lot of money in the scheme of things. If you buy the original ie, NEVE1073 etc it gets very expensive. Depends on your budget and what you're using stuff for.
Just for perspective, I do this as a business so if i look at my gear as tools, the hardware may cost $1000-$1500 but in any other industry, this might be similar to the cost of tools r equipment. if not cheaper.
If you factor in software subscriptions and updates of many years, they might actually wind up costing you the same if not more. It's a long game thing. Also the time it save recording with hardware and having to do less in mixing is invaluable.
Just my thoughts though, everyone has to do what they can and what they can afford, I totally get it!
Thanks for leaving a comment!
Hi, your video was great!. I understood the advantages of using hardware before going into the DAW. Talking about preamp and compressor clones, you said you would consider some that are not very cheap. What's your opinion about the Audio Warm Audio WA73-EQ and the WA-2A?. With those two I would have the preamp, EQ and compressor for recording guitars and vocals. And finally, what would be the difference in tonality between a SSL Pure Drive Quad and a Neve 1073?. Thank you!
Also interested in the answer
Great video mate!. - like your Core too. I have a Q: Is there a point in hooking up all the back's I/O of my several units hardware into a rack unit - connected to a patchbay - with "not so cheap" cables? (200€ or so the lot),
Or, considering that later on, "the chained cable quality" its going to be broken with SO MUCH CHEAPER "colored patch cables" on the front of the Patchbay, may just as well better connecting the whole thing using JUST the much cheaper "patch cables"? (Some 40€ at most)
Did you understood? Thanks :)
I would use whatever fits your budget. Cables have never stopped me from getting an awesome recording or mix. I wouldn’t stress too much about the quality. Just make sure you’re using balanced trs ones.
Thanks for leaving a comment!
a kt 76 is quite clean, much more than the lin76, I owned both. It is great at holding a signal in place like a 76 without the the distortion especially when you open the attack. The Lin has quite a bite of crunch and has a more li fi top end. I think both can have a place in a signal chain depending on what you want to achieve.
Yeah I havent used the KT ones yet, would be keen to get one and potentially mod it though. You're 100% right, the lin76 has a pretty obvious rolloff in the highs and gets distorted very quickly. I really like it on snare and some vocals at the moment.
Yeah, if the 76 had the option of trimming the top end to get it as it is or have a flatter response, it would be perfect! It is great on snares. Did you run some bass through it?
when you turned on the compressor, it also increased sibilance a lot.
This was a great video! I have fairly recently started following you - and I am currently considering venturing into some analog gear. I really liked your detailed comparisons, as well as the specific gear recommendation.
I am also interested in an upgrade to my interface that will better support that hybrid digital/analog environment. Any recommendations on an interface with line inputs that can support up to 6 to 8 total inputs? I’m mainly recording acoustic instruments (i.e. Bluegrass).
Honestly most of the 8 channel interfaces are of similar quality preamps and converters. Any of them will do a good enough job.
I would go for whatever fits your workflow best and more importantly your budget.
The evo 16 is pretty great for the money. Whatever gives you easy connectivity and workflow.
Once I got my BAE 1073 pre I was amazed lol. I thought I was good using my Neve 1073 emulator on the UAD Apollo, but it doesn't even compare to a real hardware 73. It also really smoothed out the highs on my Manley Reference mic.
Yeah absolutely! Once i heard a real neve sound i was like whhhaaaaaaat! That's actually what started me on this whole journey. There's some magic in there for sure!
MITCH !
Bruh sorry just saw your comment on another vid, Apologies brother ! i dont use this account as my main, only on it when music related !
sending nothing but love and respect your way !
Also great informative vids as per usual !!! Bless you bro for sharing your knowledge with us !! Absolute LEGEND !
Dope! What do we buy to mount these?
Hey, great question! If you're talking about the the chassis the 500 series gear sits in they are available from heaps of different companies. I use the Midas L10 and the RND R10 racks at the moment. Theyre both fine. They all rack nicely into any 19" rack unit which is standard audio gear width! Hope this helps!
Nice video! Sorry for the beginner question but why do you have your pre amps and eqs in pairs? Isn't 1 enough?
great question. It totally depends on what you are doing. Say I'm doing drums, well I'm going to need pairs for Overhead mics and room mics. Or say I'm mixing back through my outbaord comps, eq's and compressors, drums, guitars and the different busses AND overall mix buss are all stereo, so they need pairs for analog processing.
I hope this makes sense!
@@diyrecordingstudio Thank you!
Nice video, I'm still considering two alternatives for a mic preamp, but I don't know if these would be good clones: Warm Audio WA 273 EQ Preamplificador or WA MPX2. Any thoughts are appreciated, thank you.
Great options you have there. The warm audio 1073 clone would probably be more useful and versatile especially seeing it has a full eq.
The tube pre clone would be good too don’t get me wrong I have some I use for things like bass but they get used far less often.
I think if you start with a neve preamp, it will work in almost every situation for you.
I’ve purchased a Flock audio patchbay that is designed for “analog” rack mount gear and not digital signals. The prime benefit is the software that allows different patching configuration’s via the dbs connections. Question: is analog gear exclusive to the preamp, compressors and equalizers you mention or, what are other examples of “analog” gear that are compatible ie: Lexicon reverb, Digitech guitar pedals. It does not route digital gear. Thanks
Yes I know the flock Audubon patchbay.
Even though a digital rack mount reverb is maybe a “digital reverb” with digital processors, as it is still a physical box, we kind of lump all that stuff into analog as well, especially pedals, it is often referred to in this case as just outboard gear.
@@diyrecordingstudio If it’s a line level signal that won’t be converted to digital until it reaches the DAW, I’m thinking with the exception of midi signal it should be compatible with the Patch software.
Thanks Mate.. 🙂
Not a problem, thanks for dropping a comment!
Would you say a DBX 286s is a good one to start with?
Great question. The 286 is a completely different design and sound. It’s really just an entry level preamp and the dbx 266 compressor design which was mostly used for live audio. It’s cheaper and lacks the slap and punch you get from the vintage 160vu, 160x and other variants. It’s not the same circuit or vca design and therefore doesn’t sound the same unfortunately.
Thanks for the video ! Do u have any suggestions for hardware . I want a Sony c800g sound . Neve 1073 , and tube tech compressor sound with out breaking that bank. .what gear would u reccomend ?
yeah wow dude, are you doing mostly pop/hiphop/rap/rnb work? The sony c800 is extremely bright. I get why you might want it. there's a warm audio clone but i dont think it sounds close enough. I would go more for a u87 OR u67 type clone mic IMO. 1073 is easy, there are heaps of affordable clones, the Golden Age Projects are probably the best affordable clone i can recommend. Tube tech unfortunately is even harder again. Super prestige, warm have a clone, again, but nowhere near the sound of the real thing.
If you want further info and advice i offer audio consulting at mitch@thediyrecordingstudio.com
Where do you see the frequency response of the preamps?
You can use software like plugin doctor or room eq wizard.
Modded by Signal Art WA-47 - Grace pre - tegelar 500 VCA - WA Pulteq modded by REVIVE - focusrite
Since you mention the Neve what are your opinions with the Isa One ? I heard that is better than most analog Neve preamp emulation
The most important question is what is it you are trying to do/record? Different tools for different jobs. The ISA is an excellent preamp, however much cleaner and a totally different sound to the neve 1073. Preamp simulations aren't ever as good as the real thing at least yet. Stay away from them and invest in real gear if you are serious about your craft.
@@diyrecordingstudio Thanks im looking for a nice preamp for my Tlm 103 to record vocals mostly Male.
A Neve 1073 style mic pre is probably what you're looking for!
What prevents you from just using plug ins before the recording? then you can record a dry and wet signal?
Latency, doesn't sound as good as hardware, Doesn't have the same effect as the real thing. Maybe I should do a video to demonstrate the differences!
@@diyrecordingstudio That would be a great video!
Hey Mitch, I’m looking to get started with some outboard gear so was looking at the DIYRE CP5 with the colour modules. Do you have any thoughts on that and do you think I would be better off just going for a straight up 1073 clone kit instead? Im doing mostly rock and pop, will be using it mostly for vocal tracking. Cheers 🤘
Hey Jesse! Excellent question. The cp5 is a great clean preamp and the colour modules are awesome. However if you’re doing vocals, rock and pop, I think a better first purchase is a 1073 style preamp. Everyone needs at least one. My suggestion is build a strong signal chain. Your mic and preamp are the most important. Then when you’re ready and the budget is there look at an 1176 style comp and then an opto style comp. These will change the quality of your vocal tracking immensely.
@@diyrecordingstudio thanks for the recommendations Mitch, much appreciated 👍 Sound Skulptor 1073 kit is on the way as we speak 😂
Good luck with it. If you need any help email me at mitch@thediyrecordingstudio.com
Great vid bro
Thanks, are you looking at buying anything analogue at the moment, or have you got any analogue gear you're using?
I got a Neve 511 and a golden age 2a. I have the telefunken cu29
I want more but gear isn’t cheap.
Oh dude what a great chain! What do you think of the golden age 2a?
Yeah all the gear adds up for sure!
Fantastic video Mitch and perfectly timed for me at the moment. I’ll be taking all this advise on board, thank you 🙏
Thanks Liz! Congrats on finishing your studies too! If you need any further advice, feel free to hit me up!
Would you consider the Audient ASP800 as an acceptable add on pre, or would I still need something like a Warm Audio Tone Beast or similar?
Also considering the UA Twin 87… unless I am feeling wealthy when I order, and in that case it would be a OPR U-87 1:1 Clone.
The asp800 is fine. Pretty transparent pre though, not going to give colour like a Neve or API.
Sorry for the slow reply, OPR Mics are great! Stay away from UA Twin though, dont love those at all.
@@diyrecordingstudio Thank you.
Quibble here: the signl chain starts with the source in a room! If the source and/or room sounds bad, gear will not save you. Order of importance: 80% source and mic, 15% room and 5% SIGNAL CHAIN.
Absolutely agree with you. It’s something I’ve talked about a lot on this channel.
The better gear I got the more it exposed any weakness with my room! Always a great point to re-emphasize. 💯
Very Expensive. Goodness. Something good quality but cheaper.
What would Da' Baby Jebius buy?
Haha "what should you buy first?" I was expecting you to say "FMR RNC 1773 compressor" not a damn Neve 1073 haha this should be called "what top pro gear should you buy".
There’s plenty of neve 1073 clones for about the same price as the fmr rnc compressor.
If you want to open a studio doing real recordings, a good signal chain is the best value for money.
I have a bit of an issue with those fmr compressors as they are just basically software and not true analog hardware compressors. As far as I’ve read that seems to be what they are.
@@diyrecordingstudio Oh wow didn't know that dude! It's only for myself as I just bought a new desk for my real job, and it has space for a couple pieces of rack gear haha. So first channel I looked for was yours! What I didn't know, was I need "external preamps", thought I could use the ones on my Clarett+ 4Pre and just "plug in a compressor", I mean, that's why I bought it, as I like Focusrite preamps....how naiive
By the way. just read my message and it came across as if I was having a dig, I wasn't I promise, I love your work!!
Buy a real tape machine..no matter what kind.
If I had the room in my studio I might consider this. A lot of the bands I work with don’t have the budget for tape. Are the prices still very expensive?
If I need this I use an online analogue service like access analogue. Having and maintaining a working reel to reel is more of a hobby in itself than a tool for music production
@@GingerDrumswhat do you use on there? I’ve used it but mainly for their Neve MBT and their Pultecs in Dual Mono on masters
@@officialdiomer they have a studer and a telefunken
@@officialdiomer studer and telefunken
it sounds like you're repeating what everyone else says about analog gear. All i got from this video is, buy very expensive stuff because...yes. Correct me if i'm wrong.
Check out my other videos. I’m all about saving money! This is the DIY recording studio after all. 😉
You've skipped over the most affordable significant improvement in the vocal chain: replace that budget mic cable with Mogami (or Canare.) Weakest link.
Where are your Neve 1073? All i see are cheap DIY copies and cheap CrAPI..
chill bro
Dude some of those are the closest clones to their originals than even Neve or the makers make modern time lol. And you apparently don’t know shite if you’re calling CAPI crap
Yeah lol I use API 512s but CAPI is totally legit. I have a heritage audio successor with their 73 output stage and it does for the most part do that “thing” so I can only suspect their mic pres are at least in the ballpark for how much less you’d hopefully be paying. I have never used one, but I’ve heard their demos and they do sound very high-quality quality. Still not a bad idea saving up for a real 1073 at that point if you have a 500 series rack though