Swell String Celeste, Choir Gemshorn Celeste, Antiphonal String Celeste. They are all coupled to the Choir manual. Swell at 8', Antiphonal at 8', Choir at 8' & 4'. Pedal is 16. and 8. Swell Flute; 16' & 8' Choir String, Antiphonal 16;' Flute. The main organ swell boxes are fairly closed while the Antiphonal box is wide open. This creates a wonderful effect in our gracious space which has 5.5 seconds of natural acoustic. The Solo on the Great is the 8' Flute Harmonique played up the octave. The end is the same setting as the beginning with the key factor being that the Antiphonal Swell is wide open while the Main organ boxes are fairly closed down.
All the Celestes are coupled to the Great at 8' and 4'. Same use of the swell shoes - Antiphonal wide open, Main organ in motion as desired through the phraising. Pedal has the Pedal 16' and 8' Flute added for some umpf. LOL
Beautifully played.
Can you tell me what registration you are using at the very beginning? At the end?
Swell String Celeste, Choir Gemshorn Celeste, Antiphonal String Celeste. They are all coupled to the Choir manual. Swell at 8', Antiphonal at 8', Choir at 8' & 4'.
Pedal is 16. and 8. Swell Flute; 16' & 8' Choir String, Antiphonal 16;' Flute.
The main organ swell boxes are fairly closed while the Antiphonal box is wide open. This creates a wonderful effect in our gracious space which has 5.5 seconds of natural acoustic.
The Solo on the Great is the 8' Flute Harmonique played up the octave.
The end is the same setting as the beginning with the key factor being that the Antiphonal Swell is wide open while the Main organ boxes are fairly closed down.
What registration is at 0:58?
All the Celestes are coupled to the Great at 8' and 4'. Same use of the swell shoes - Antiphonal wide open, Main organ in motion as desired through the phraising.
Pedal has the Pedal 16' and 8' Flute added for some umpf. LOL