Autumn Leaves (Transcribed) - Peter Martin Trio
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- Опубліковано 4 жов 2024
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Pianists, bassists, drummers! Master your role in the rhythm section with the Peter Martin Trio’s new course "Rhythm Section Workout!
Peter Martin - piano
Reuben Rogers - bass
Greg Hutchinson - drums
It's fast, accurate, fresh, deeply idiomatic. As a jazz pianist myself, I appreciate the drums and bass players, and I consider the pianist (whichi I didn't know) as a killer 😀
I'm a guitar player, so any transcription is always welcome. In fact all the examples from the video have tons of great ideas/patters/motifs and concepts. And the performances are always refreshing and killing.
This was amazing. Their is so much to learn from this.
Wow! So uplifting and brimming with energy. While respectful of the tradition, they manage to incorporate the legacy of the innovators and the spirit of todays’ jazz. I’d love it if they’d do an extra contemporary take on the tune.
Oh man, such depth of perfection! What a wonderful groove from everybody! This fills me with so much joy!
Dig the sound. Outstanding solo lines. Really appreciate you sharing the notation so I can practice parts of it.
Superb music exploration and swingin’ all the way with a slick rhythm section. What we want more of from your talent on Standards like this.
That is some on-point transcription. Nice one guys!
Amazing! Peter killing as usual
It doesn't get better than this! A treasure trove of incredible material to study and 'borrow' :)
TO THE SHED!!! --->
Woah all that transcribed and presented in a readable way. You guys are putting the work in!
4:08 C#m / Cm7 F7 / Bm7 E7 / Bbm Eb7 / just in case you're wondering
Thank you!
Theres so much here, thank you so much for this
that trade was SICKLY omg
Oh, much to learn from this transcription, mucho, mucho studying to do. Thank you Gents.
Phenominal. So creative in so many ways. Thank you!
I support this Autumn message…..
Superb! 🍁😃
Wonderful performance & transcription !
Thank You very much! Great!
Mechanically stupendous
Wow, that was so good!
Yeah! Love those sharp keys at 4:10
RIP Peter Martin ✝️🥲👼🏽🕊🙏😇
How about the transcription? I transcribe a lot using the application Transribe!, but the work put it into this one is colossal. Is that all ears? Or is there some kind of magic software assist, too?
Absolutely sick!!!! Meat, potatoes and gravy! Wooooooo
I keep trying to type in a comment here, but this "'interaction design' JavaScript technology" keeps deleting what I type whenever I scroll away from the box when I type, so I don't know if this is going to go through. Obviously, I'm sort of riffing and through composing in that sort of jazzy stream-of-consciousness Kerouac sort of way perhaps, a hipper Virginia Woolf unshackled of those quintessentially unhip Victorian/Edwardian trappings that Mark Twain devoted his career to lampooning and debunking, giving us the truth...Anyway, to get to the point, I was just checking this out. I really dig the graphical, visual, analytical approach, whatever you would call it. It's very innovative, man, and very effective too educational. A lot of jazz education is "delivered" in a more systematic or even militaristic administrative Stan Kenton sort of way, which is cool, a cool first step, you know, but it's self-evidently not for everybody. So thanks. Furthermore, yeah, Autumn leaves, that's almost like the fundamentals of music theory; it's circle-of-fifths stuff. My bro' and I, we're working through some rhythm section stuff in an admittedly more amateurish way, and he hipped me onto this, your workshop. I don't much like UA-cam a lot myself, with the exception of stuff like this, music education sort of stuff, but it's not ideal, not the ultimate solution obviously. I checked you NYC cats out at a jam session in Sedona, AZ, like twenty years ago. That was real special, man. It made a big impression on me. For better or worse, we didn't have resources like this back then. I've kind of turned back to this music while I've been trying to get through some personal struggles in my own life in recent years. Thanks for deigning to do that. It was real noblesse oblige sort of thing for you to do, perhaps presaging your generous gesture with this video. I guess eventually hopefully you find a more musician friendly way to harness or leverage the power of the telecommunications revolution the educational potential of television technology than UA-cam. Not to mention other things, but YT has kind of a weird atmosphere, kind of a creepy, kind of trolly vibe to it. Maybe we'll find a different, more honest Socratic forum truer to the ideals of education or music or music education, maybe eventually.
You are the academy guys...
yeah man
Thanks!
Nice modern playing
Great. Like it very much!
I miss live jazz!
Fabulous.
this is totally awesome!
Top notch playing👍
WOW! J'adore!
And... I'd like to know: how the hell do you shred over the two major 7th chords? It's always there that I find it tough to put nice colors!
As many greats have said, learn the changes, then forget them. So on the major chords, don't think about major chords, but concentrate on what notes you would love to hear. I find it helpful to try it slowly with eyes closed. Another trick a pianist once taught me: on major chords she loves to play flat sixth. I asked incredulously, What?? Even on a downbeat? She said yes. Ionian is not carved in stone, it's just a choice, which you can take or leave. Another trick: on the head for a long time I used voice leading to the second major chord. After a while I started using that more on the improv to get a dissonant sound. Finally, if one is in a good groove one can try playing OUT completely: deliberate "wrong" notes all the way through, which you can resolve on the II-V. Dominants aren't the only place to play dissonant notes. On Brad Mehldau's improv on Solar, on the E flat major he plays E natural chord notes (!!) on at least three choruses!
You put movement in it; playing the V7b9 or the Io7 then resolving to I.
Woooooooooow! Top demais!!! Parabéns! 🇧🇷🇧🇷♥️👏👏👏
PM is smooth like butter and right in the pocket gosh! Grandmaster.
Wonderful!
Fletcher plays the piano well
Wonderfull
peter ! master teacher!
Very well done...
Great Job!
AMAZING!
Niiiiiiiiice
Man that's good.
yeah dudes!!!!!!!
I was fairly happy with my amateur improvising over Autumn Leaves, then I heard this and now I'm depressed.
well maybe when you've been playing for over 40 years and practising hard everyday you could sound like that too 😉
Try not comparing yourself to people who have done something for decades longer than you have lol
I am almost certain I'd disagree with you on the comparison - 40 years of hard work does add up to be sure then there is Mozart and countless players with an ear and a sense of time that are emotive and convey beauty and excitement without the highest degree of technical bravado.
WoW !!!!!!
When Fletcher plays the piano
instant midi transcription what more could we ask for.....
I wonder if Peter transcribed it
Open Studio has an in house transcriber and contracts out to musicians in multiple countries.
PDF!! Please, please, please!
MMMMYYYYY GGGGOOOOOODDDDD !!!
🔥🔥🔥🔥🔥🔥🔥🔥
KILLIN!!!!!
Спасибо огромное)
wuuuuuuuu MAGIC
First 4 bars of the head out have a transcription mistake - he plays an octave up from what’s written.
❤❤
FUCKING AWESOME!
Is there anyway to access the regular video?
Question from a jazz beginner: is Peter likely to play this more or less note for note each time, or is each time probably quite different from each other. In other words, is this transcription one "standard" way he plays it, or just one of many ways he plays it. I know that improving could change things in any given performance, but what I mean I guess is would Peter practice this note for note as transcribed?
Pretty sure he would play a lot differently on another take. This is improvised and even though some licks might be part of his vocabulary, the solo would be different and full of new interesting phrases as well!
At this level of playing, it's full jazz : every performance is new and the player himself doesn't know at all what is going to happen. Some usual patterns can eventually pop up, but always depending of the actual musical context. The thing is to get enough fluidity and knowledge of the music, of your instrument to have the freedom to just play what you feel on the spot. A lot of patient work, but a lot of fun at each learning step...
Tight
Swingin'!
Is there any PDF that I can download this transcription?
Просто супер
3:45 superhero mode on
👍
i don't always listen to autumn leaves but when i do....
wtf was that - I'm happy!
did somebody say jazz guitar...?
PDF?
SUPER.
I will have to jam along to this on the sax yummy
dood can swing
omg
You only play half of "Les Feuilles Mortes", just the chorus. The beginning, the couplets are more interesting, I think.
🤍🤍
What’s up with the notation on measure 8? I hate that shit! Instead of a dotted quarter starting on the and of 2, please do an eighth tied to a quarter! Divide the measure in half pleeeeeeeeeeease
Must be really tough.
A true scandal, send NATO troops, and quickly !
Who cares...just play the thing