Great video and perfect final result! Glad to see Urs Recher, met with him at the Broncolor masterclass in Moscow at 2007 ))) Mr. Karl Taylor, thank you for this video!
Amazing video again, thank you for sharing this great & quality content! These kind of how-to videos the reason why I absolutely love to watch Karl (& Urs) doing cool product photograpy tricks, even if it's the high-end, or just the low-budget solution. Well done!
great video, and nice and clear explination for the effect design, PS, you used the pico light at the rear, is this the one connected to the softbox too?, and what power pack?, as it is a good idea to get a grasp of what power of light was used, also what iso, apature & shutter speed on the camera to.
As usual with Karl, a nice succinct video that is easy to follow and understand. Being lazy it would be useful to include the link to the correct section of the Broncolor site in the notes along with the links to the Karl Taylor site.Thanks
+Don Fossey Thank you and here is their website www.bron.ch/broncolor/ and this page/PDF has the modifier that was being used www.bron.ch/uploads/tx_bronproducts/broncolor_download_brochures_lamps_effectlamps_en.pdf
Thanks for posting this subject Karl, really well executed with a great out come! But!! how would you do the same shot with engraving front and back? So far I have failed.
+Frank Jones Hi Frank you would have to avoid lighting the back engraving by positioning the spot projection attachment from almost above the glass but still enough from behind that you could get light into it to only hit the inside of the front of the glass. This should be achievable with a boom arm and the precise control that the blades offer on the spot projection attachment.
WOW, incredible results‼️ Newbie on a budget here.🙋🏻♀️ I’d REALLY appreciate it if anyone has an idea for a cost-effective solution to better capture crystal cuts and engravings on intricate Waterford crystal pieces. I’ll be using a 32x32” Trevor photo studio box that I’ll be getting from 🎅🏼 🎄. Btw, after binge-watching Karl’s videos, I plan to make small shiny gold and matte black reflectors to see what happens, but I know that’s not intended for the shots I’m trying to achieve here. Thanks in advance!
I see a flash went off when you shot the glass yet no mention of using a flash? The results are great but not a through explanation of all the steps or equipment needed to do the shot...
Hi, you're misunderstanding how studio flash works. The only lighting we are using to take the pictures is flash which is integrated into all the lights you are seeing. Please watch this video for a full explanation of how they work ua-cam.com/video/C2BpNBkLl74/v-deo.html
Great video and perfect final result! Glad to see Urs Recher, met with him at the Broncolor masterclass in Moscow at 2007 ))) Mr. Karl Taylor, thank you for this video!
A great class. Something to consider at home or rental at a studio. Thanks.
Very easy solution of complex problem :) Thanks for sharing.
Thanks for the update Mr Karl
This is so good!
I'm not a photographer but I will be talking photos of glass bottles & glasses. My reaction to this is OMG!! Thank You.
Have fun!
Brilliant technique!
Amazing video again, thank you for sharing this great & quality content!
These kind of how-to videos the reason why I absolutely love to watch Karl (& Urs) doing cool product photograpy tricks, even if it's the high-end, or just the low-budget solution.
Well done!
I learned a lot from this short video. Well done and thanks for sharing!
That was brilliant a brilliant solution.. thank you Karl! :-)
THANK YOU! Very Helpful
Superb technique
very nice piece of info... thanks karl
Thanks a lot! your videos are tottally usefull for begginers like me!
great video, and nice and clear explination for the effect design, PS, you used the pico light at the rear, is this the one connected to the softbox too?, and what power pack?, as it is a good idea to get a grasp of what power of light was used, also what iso, apature & shutter speed on the camera to.
Fantastic. Any tips on shooting fountain pen nibs and bring out the clarity
As usual with Karl, a nice succinct video that is easy to follow and understand. Being lazy it would be useful to include the link to the correct section of the Broncolor site in the notes along with the links to the Karl Taylor site.Thanks
+Don Fossey Thank you and here is their website www.bron.ch/broncolor/ and this page/PDF has the modifier that was being used www.bron.ch/uploads/tx_bronproducts/broncolor_download_brochures_lamps_effectlamps_en.pdf
+Karl Taylor And I forgot "on the ball with responses"Thanks
This is the first time watching these videos that I was able to correctly guess how it was done. I think I might just be catching on a bit... :)
same here!
Awesome video.
Excellent technique...
Excellent Video, thanks!
Now I need to find a way to use this info as a peasant civilian XD
Great video, what kelvin is being used? Thanks
5800K daylight studio flash.
Fantastic, supeeeeer thanks for sharing.
Thanks for posting this subject Karl, really well executed with a great out come! But!!
how would you do the same shot with engraving front and back? So far I have failed.
+Frank Jones Hi Frank you would have to avoid lighting the back engraving by positioning the spot projection attachment from almost above the glass but still enough from behind that you could get light into it to only hit the inside of the front of the glass. This should be achievable with a boom arm and the precise control that the blades offer on the spot projection attachment.
Nice!
Video wonderful !. I enjoy watching your video. You are very successful. I wish you happiness in your life. Best wishes. Gezen Adam
WOW, incredible results‼️ Newbie on a budget here.🙋🏻♀️ I’d REALLY appreciate it if anyone has an idea for a cost-effective solution to better capture crystal cuts and engravings on intricate Waterford crystal pieces. I’ll be using a 32x32” Trevor photo studio box that I’ll be getting from 🎅🏼 🎄.
Btw, after binge-watching Karl’s videos, I plan to make small shiny gold and matte black reflectors to see what happens, but I know that’s not intended for the shots I’m trying to achieve here. Thanks in advance!
Very informative video but my only issue is is that I don’t have all of that fancy equipment Any suggestions would be helpful
That’s a great tutorial
Cheers
Wonderful thank you!
Curious if you had to spend any time adjusting for random specular highlights and/or lens flare?
where can I get a "picolight" from
Woow that’s genius
I see a flash went off when you shot the glass yet no mention of using a flash? The results are great but not a through explanation of all the steps or equipment needed to do the shot...
Hi, you're misunderstanding how studio flash works. The only lighting we are using to take the pictures is flash which is integrated into all the lights you are seeing. Please watch this video for a full explanation of how they work ua-cam.com/video/C2BpNBkLl74/v-deo.html
Hi where can I find that Pico light?
broncolor
A led flashlight with a adjustable head for 10$ would do the same job... But good video nonetheless.