Portrait Painting Tutorial | Girl with a Pearl Earring
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- Опубліковано 3 жов 2024
- Painting Vermeer's Girl with a Pearl Earring will be the topic of this week's episode!
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Oil Paints:
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Medium: Neo Megilp Medium - Gamblin Brand amzn.to/2Wzo9U4
Acrylic:
Masterson's Sta Wet Palette
Grumbacher, Liquitex, and Golden brand acrylics.
Canvas: 11x14" Panel.
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Signet Robert Simmons 40F Flat size 8 amzn.to/2Xqn8JC
Princeton Summit 2 Round 6100R amzn.to/2ME43nn
Master's Touch Bristles (variety of sizes)
Master's Touch Fan brush
Master's Touch size 1 round (tiny brush)
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This is one of my all time favourite paintings. her eyes are so alive and dreamy at the same time.
loved your explanation on the girl with the Peral earing
Ive fancied painting this portrait for ages and ages. Because of your excellent tutorial I am about to start it! Thank you so much.
One of the things I always come back to is the colours in her clothing, mainly the warms and cools in her top. The vibrancy of the yellows and what looks like desaturated blues just conveys the fabric so well and the colours really get to me. To be honest the painting as a whole, at face value, is just a painting to me. It’s the individual things within it on their own when looked at from an artists perspective that get my brain going, for example; how did Vermeer manage to get those tones down so perfectly? The shapes and tones in the clothes are the best things about this painting to me, the blocking shapes in the headband and the rounded and fluffy shapes on her top, they just look so flavourful. Almost like I can touch them.
Vermeer's half-turning subject seems caught in time, as well as caught by surprise. Blackness and brilliant light surround her. She's not really smiling, not in her eyes, not with her mouth. Not a conventional beauty, but completely compelling. The almost non-existent eyebrows and the large eyes are for me, the most memorable aspect of this powerfully composed painting. Excellent demonstration, especially the delicate skin tones around the eyes.
What I find most captivating: There are four pearlescent shapes in this painting: the earring, the two eyes, and the bottom lip. The girl's facial features are the same teardrop shapes as the pearl itself. It's a synecdoche. I think that's very Baroque.
the eyes are captivating they move with you
To me the most amazing thing is her smile. I couldn't. Capture it when I painted it. Also is his use of blue values because blue pigments were'nt easily available . Maybe on his time he had them but again the smile is key element.
It's not really a smile. Draw what you see
ME GUSTO MUCHO LA PINTURA , LA ENCUENTRO MUY CERCANA A LA ORIGINAL QUE, POR CIERTO NADIE PODRIA PINTARLA IGUAL NI EL PROPIO PINTOR ,YO LLEVO MUY POCO TIEMPO PINTANDO AMIGO SOLO 2 AÑOS SIN ESTUDIOS EN ARTE , MIS ENSEÑANZAS SON PERSONAS COMO USTEDES QUE VEO EN UA-cam, LE FELICITO POR SU OBRA PARA MI ESTA SUPER PARAECIDA A LA ORIGINAL, ME SUSCRIBI A SU CANAL,SALUDOS DESDE CHILE .
I enjoyed listening to your narrative, and was impressed as always with your technical knowledge of the painting process. Thanks a Yupari 👍😊
This is an absolutely stunning recreation. You really captured the essence and mystery of the woman in the painting. May I ask how long it took you to do this recreation? Thank you for your work, I have just subscribed.
Thank you for subscribing! At the time of this video, each filming session was about 3 hours a day. So, with video edits I was likely 6 hours for this. Thank you 😊🎨
You finally did it, man! 😍 It's awesome. I think what I love most in this painting is the mysterious feel of the composition, as you said. Makes me wanna know more about the girl, where she was, what's the story. But I think most people think that, anyway. Thank you for sharing!
My favorite of all your paintings
I love the reflective colours.
Brilliant work!! It was very easy to follow the instructions!!
I am trying to paint her. I am new to painting.
That was an excellent tutorial. Really nice.
Preciosa!…….gracias por esta clase……👏👏👏🥰
ME GUSTARÍA VER LA MEZCLA DE COLORES Y QUE LA PINTASE COMPLETA . GRACIAS
Great video!
very good
EXCELENTE YUPARY!!!!
FELICIDADES! !!
Y GRACIAS POR COMPARTIR !!!
UN SALUDO DESDE MÉXICO Y MUCHAS BENDICIONES PARA TI Y LA OBRA QUE ESTAS REALIZANDO! !!
😮I have ben paining for over fifty years now...I did one of her. The first one I. Did was not so good..but the second one was .a kipper
Your voice is very similar to Van Dreisan. The hippy teacher in Beavis and Butthead. Lol.
Love the tutorials by the way.
She had a captivating smile
Thank you for the lovely tutorial. Can we complete the entire painting with acrylic paints? Would the techniques differ?
The techniques would definitely differ since acrylic dries so much more quickly! This means that you can’t blend areas together later like he does here, instead you have to do it right away :)
Really helpful. Thanks !!
Good study. I did one myself, it’s a deceptively difficult subject
So beautiful. Pity you cut out some of the original one/turban
You didn't have to crop. You could have scaled down.
Thanks for this excellent tutorial! I especially enjoyed your assessment of the difference between acrylic and oil painting.
Last year I did a copy of the work, and was happy with it except for the age of my subject! Instead of 'The Girl' I got 'The Young Lady'. I would say you got much closer: 'The Teenager'. So my question is how do we achieve a younger portrait? What is the difference between a girls face and an adult face?
Thanks!
Excelent
Nice
thank you so much i loved it you are greatto watch and listen to catherine
i also painted her 3 times lol
j adore!!merci beaucoup!
What kind of varnish do you use? Is it a spray? or painted on with a brush? How do you avoid brush strokes? Is there more than one coat?
Going to be doing my own version, well at least try 🤣
Great
U didnt make the same painting but i appreceate to your work its ezcellent
After seeing it closely it looked real thats why i edited my comment
First of all, thanks for the great demo but I have a few criticisms:
The blue headscarf in the original is clearly a transparent glaze with the underpainting showing through.
Also, the drawing issues with your painting bother me:
1. The chin is too big.
2. The mouth is too far away from the nose.
3. The cranium is too small.
4. The eyebrows are also incorrect.
You would have got better results if you printed the image on transfer paper.
Stephen Griffin. The reason for these differences lays on the artists unique psychological view of the subject.. This means that if You were to paint it(unless you trace it),there would be differences as well.
@@penelopegallardo5386 Spare me the bullshit, Penelope. The drawing issues I mentioned have nothing to do with the artist's interpretation. They are just plain bad drawing.
Painting an opaque blue over the headscarf is a technical mistake for this type of painting. That colour in the original is transparent.
The purpose of a grisaille underpainting is so you can glaze semi-opaque and transparent colours over the top and add detail later. It is, generally, a soft underpainting.
PS: Vermeer used a camera obscura type of device to project and trace the contours of the subject onto his canvas. It seems logical to me that a great idea would be to reflect this process accurately from start to finish.
Sorry, Man. I prefer seeing the differences between the study and the original. To me it's admirable, it has personality and the awesome thing is exactly the fact that is not transferred/traced as a simple copy. But I respect your opinion :)
Stephen griffin you are not easy man
Pretty helpfull critic for the artist. I would appreciate it if I was him.
Great tutorial. Do you have plans for more masterpieces of Vermeer? I started UA-cam art channel for oil paintings too. 🎨
What I like the most is who was she. See looks at him totally unveiled as if she knows him. There's just a hugh mystery about this painting. I read this is called a tonie (?) and she has on a custom people didn't dress that was back then. I've painted this but not as efferly as you did. Incidentally the collar goes further around her neck. You have to look close to see it. But your version is incredible. Just lovely. naw Venmeer didn't use the camera obscura, he didn't need to. He was too good.
Its seems that was one of his daughter
@@gabia.6213 That was checked out, none of his daughters fit te age.
Not up to the standard...
Good on you sir. Good on you 👍I’d love to see your artworks sometime.
I don't understand why you paint mouths narrower than they are in the models.
it takes quite a bit more to paint like vermeer - still you made an effort for what it is - a quick painting. Imagine you would actually take a month and longer to finish - what it could be if you would not rush the process
Not. Bad. But. I. Saw. Better.......the one I. Did is better..
Yupari Artist
The left side of the face needs to be corrected!
Why you dont want to тry harder то draw ...or is important just to upload the video....its no good
Your painting has crooked eyes 😲✌
Good video nonetheless.
I follow you long time and i love your work...with this one i dont get why you put her all to the side...in real she is in the middle. Also the end result is not what i normally see in your work...sorry
Looks nothing like her
A serious painter should never put oil over acrylic, period. Why would you want to put oil paint down on a film of plastic that will shrivel and delaminate over decades? You may as well paint on a plastic bag pulled over a stretcher. Acrylic is made from plastic, an absurd medium for any archival purpose.
😂😂😂😂 calm down
Yeah 🤦🏽♀️ shows exactly how much you know about painting