Wiersinga on Liebster Jesu, wir sind hier BWV 731 | Netherlands Bach Society
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- Опубліковано 11 вер 2024
- “It's always difficult to notate ornaments exactly, because once written down they become static.” Organist Erwin Wiersinga talks about 'Liebster Jesu, wir sind hier' BWV 731, which he performed for All of Bach.
Recorded for the project All of Bach on August 26th 2015 at Stiftskirche St. Georg, Goslar-Grauhof. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the complete performance of 'Liebster Jesu, wir sind hier' BWV 731 go to • Bach - Liebster Jesu, ...
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Erwin Wiersinga, organist
Organ: Christoph Treutmann, 1731
A very good insight on the subject of ornamentation (written fully or only signed, like the mordent) is given to us by the organist Erwin Wiersinga, plus the warning not to violate Bach's intentions even though there is a certain degree of freedom given to the perform by the definition of the ornamentation. Bravo and thanks for this upload.
Interessante uitleg. Prachtig stuk en mooi gespeeld op dit schitterende instrument. Bedankt.
Very interesting. Thanks, Mr Wiersinga. I'm sure you are right that in the repeats there should be variation in the ornaments.
Intéressante explication!
Prachtig
Did Bach indicate the use of tremulant in organ pieces or was that a later option for organists, as was varying registrations?
Tremulant has been around since the late 16th century so I’m sure Bach had a use for it. As to the notation of it I’m not sure if Bach ever actually indicated trems but it’s up to the organist do what they believe Bach would have used the stops available to him for a given piece. At least that’s how I see it
Mr. Wiersinga, from which church and city is this organ from? Greetings from a Brazilian organist.
This organ is from Christoph Treutmann (1731) and is located in the Stiftskirche St. Georg, Goslar-Grauhof, Germany.
What registration is he using