Phantasm introduced me to Entombed. They were the band that showed me that Death Metal could be more than just brutality. The whole Swedish DM scene is truly astounding, Heavy, Aggressive and Melodic. Entombed didn't owe me anything but gave me so much. LG was a beast, Entombed is legendary, and your cover is absolutely superb 🤘💀🤘
A great part of my childhood days in this song and video... It brings back to my memories a B&W photo from Entombed in front of a large cross... Epic. Thank You for this amazing cover
Then there was the time I saw them at the Vatican(or it might have been the Abyss at that time. Same club) with Morbid Angel and some dude got stabbed about 15 times about 6 feet away from me, during the Phantasm outro 😐
The outro of this song truly is genius. Uffe is a legend for the first lick in the first solo, and Alex is a legend for the tapping section. They both tell different stories with the same heavy weight.
Superb cover great tone mate! Flawless brother! The band that got me into death metal. Been a fan since 92 and saw them loads over the years damn I miss them! 🤘🏻🇸🇪
Fuckin' hell! For some reason the weird YT algorithms suggested this video to me. So I checked it out, and boy, you nailed it! Awesome cover and a fantastic tone! Spot on, mate!
This is a great job man. Funny I’ve been such a big Entombed fan for so long but this is the first time I’ve actually really seen just how impressive the actual chord progressions and changes are on guitar in this masterpiece. Mind blowing to think also how these late 80’s and early 90’s Death Metal musicians were writing songs like this and in their early 20’s!
not just how they could write such a complex melody lines, but also, how it is possible that so much people from different places on Earth start to make such a similar or perhaps the same music? death metal has very very unique riffs and it is hard to believe that this is spontanius...have you ever think about that?
@@BareKragujevdza Yeah it’s strange that there hasn’t been more music scenes that have blown up like the Thrash Metal, Death Metal and Black Metal scenes did. There was a very active underground back then of young kids communicating all over the world and trading demo tapes with each other that started with Thrash and bands like Metallica, Megadeth, Exodus and Slayer and spreading to places like Germany with bands like Kreator and Destruction then more kids got involved and wanted to make even more aggressive music with bands in Tampa, FL like Death, Morbid Angel and Cannibal Corpse as well as the Swedish bands like Nihilist, Carnage and Unleashed to UK bands like Napalm Death and Carcass then spreading to Norwegian Countries in an even more extreme manner with bands like Mayhem, Burzum, Emporer and Immortal. Then like any genre once it reaches its maximum selling point (which even ironically happened with Black Metal bands becoming commercial) then people get tired of its new iteration and move onto the next thing. You still have some Thrash, Death and Black Metal bands around today but it was never as fresh and amazing as it was in the early days when young kids were really committed to it and dedicating their every waking moment to it. As someone who has had a record collection of hundreds of classic Thrash, Death and Black Metal albums it is still astonishing the amount of bands and albums from the late 80’s to early 2000’s of incredible music made by such young musicians. Bands and albums that many people will never even be aware of sadly like Gorguts, Demilich, Timeghoul, Pestilence, Morbid Saint, Purtenance, Demolition Hammer, Infester, I mean there’s so many it’s stupid to name them all.
@@chriskeelor799 My favorite Dismember album is “Indecent & Obscene.” I don’t think they made a “bad” album really as their whole discography is pretty Ace. “Like An Everflowing Stream” is an incredible debut, “Death Metal,” “Massive Killing Capacity,” “The God That Never Was,” “Where Ironcrosses Grow,” awesome stuff. When I think of that classic Boss HM-2 Chainsaw guitar tone I can’t help but think of Dismember.
@@springbloom5940 also very good. But man back then a lot of things weren't available. If you didn't physically have it you never heard it. Now you can get anything instantly.
Cool guitar man what kind is it bruther !!! This song still gives me chills I mean literally typing this my hairs are standing up 🤟🤟🤟😭 ve entombed are amazing and the swedish scene had soo many other kick ass bands man it's FUCK ng beyond understanding unless you like us grew up with this stuff the day the CD or tape came out at the record store man fuck yea bro 🤟🤟🤟🤟🤟RIP L.G 💯🙏🙏🙏
You nailed it man!! I have a huge doubt as a "beginner" guitarrist. If you can help me, what is the tuning for the 7 strings? Because b standard for 6 string is different from the standard B for 7 string, right? I have a 7 strings and i dont know if i just let it in B standard for 7 or change for the b standard from the 6 strings.
B standard for a 7 string is basically standard E for the high 6 strings with an extra low B on the low string so its pretty much the same as if it was a 6 string but with an extra string is all
How did you learn this song so precise? By ear or tab or both or other? Also what string gauge you using? Everything is perfect from your execution to your tone.
I used both tab and by ear. If I noticed a part in the tab is wrong (which is very common) then I'll figure it out by ear. The strings I use on that guitar are 10-62. I also used a Boss HM2 for this video!
@@freudstein5860hey I really appreciate you replying to my comment. That’s why I asked about the preferred method you used to learn the song because I happen to be exactly like you in the method used to learn a piece. I like to use a tab at the very least as a reference point because it helps speed up the process for finding out which chords and notes are played and what areas of the neck are used most in a song or in specific sections of a song. I think tabs get a bad rap mainly because the errors they tend to have are on the rhythm side and how many times a certain chord or notes are strummed or picked rather than the actual correct chords or notes being used. Having the song in my head makes the rhythm part easy for me but referencing the tab for finding the exact chord shapes is what really helps me. I just finally was able to buy an electric guitar again a week ago after 2 long years of not having any guitar or amp. I bought a Matte Black EVH Wolfgang Standard with an EVH branded Floyd Rose bridge and a baked maple neck. It was $400 used and I asked them if they could drop it down to $360 so I am extremely happy. However I kept having frustrating issues with string buzz at various places along the neck even after many different truss rod adjustments and bridge height adjustments trying to find a sweet setup spot. It came with 09-42 gauge strings which are pretty light in my opinion for Metal playing which I think was a large reason for having such trouble with the setup so I just ordered a set of 10-60 gauge strings and I really hope this helps to alleviate much of the string buzzing issues. I do t have any effects pedals in my possession but I was able to afford 2 small practice amps so that I would have a decent rig for playing in my bedroom. At the same used music store that I found the guitar I also found a used Randall KH-15 amp which is a small 2 channel amp with a good sounding clean channel but more importantly a great sounding distortion channel especially for this size and it even has a “Boost” button which basically acts like a tube screamer to tighten up the distortion and sounds great. Another really cool design of the amp is that the clean channel has an independent volume control and the distortion channel has an independent volume control and the amp has a master volume control as well. Then for the clean sounds I got a used Vox Pathfinder 10 amp which is a small 2 channel amp as well with an amazing clean channel and a surprisingly great sounding distortion channel. So the combination of the distortion channel on the Randall amp and the clean channel on the Vox amp allows me to have a really great sounding rig that is perfectly sized and loud for bedroom playing without pissing off neighbors or sounding crappy and uninspiring.
I believe it's a company that is based in Germany MGM . Don't quote me on that though I could be wrong. Reason why I believe it is is because of the Finish plus they have other ironbird models
![[PROSHOT] Entombed - Left Hand Path - live Way of Darkness 2011](http://i.ytimg.com/vi/qGAWxkqRpeI/mqdefault.jpg)
![[PROSHOT] Entombed - Left Hand Path - live Way of Darkness 2011](/img/tr.png)
What a great cover dude !
Thanks man!
Slowly scrolling through the comment section
Master meets Master
I love both of your UA-cam channels
Hail Shaitan
"Left Hand Path" is one of my all-time-favorite albums...
The Gold Standard of Swedish Death Metal !
Phantasm introduced me to Entombed. They were the band that showed me that Death Metal could be more than just brutality. The whole Swedish DM scene is truly astounding, Heavy, Aggressive and Melodic. Entombed didn't owe me anything but gave me so much. LG was a beast, Entombed is legendary, and your cover is absolutely superb 🤘💀🤘
One of the best ever in Swedish old school death metal.
Wonderfull Petrov is proud. Amazing cover.
All time classic, solo is one of the best
Le meilleur effectivement
A great part of my childhood days in this song and video... It brings back to my memories a B&W photo from Entombed in front of a large cross... Epic. Thank You for this amazing cover
Nice cover man, great sound. Was lucky enough to see Entombed a few times in my younger days. Awesome band.
Then there was the time I saw them at the Vatican(or it might have been the Abyss at that time. Same club) with Morbid Angel and some dude got stabbed about 15 times about 6 feet away from me, during the Phantasm outro 😐
Just awesome!!! What else is there to say? But yeah that was excellent! Don't Go In The House Shirt!!!
Cheers!!!
Pete.
The outro of this song truly is genius. Uffe is a legend for the first lick in the first solo, and Alex is a legend for the tapping section. They both tell different stories with the same heavy weight.
Was just looking for someone who played the outro solo "correctly" and man, what a treat. The whole thing was 🔥.
Superb cover great tone mate! Flawless brother! The band that got me into death metal. Been a fan since 92 and saw them loads over the years damn I miss them! 🤘🏻🇸🇪
Fuckin' hell! For some reason the weird YT algorithms suggested this video to me. So I checked it out, and boy, you nailed it! Awesome cover and a fantastic tone! Spot on, mate!
Great job dude, you nailed the song
That tone is spot on \m/
Damn, didn't know Entombed's vocalist died. Rest in power!
Great cover dude. Pretty tight. Loved that Tribute to L.G Petrov during the bridge of the song. RIP Petrov. Hail Entombed
Great! Thanks for good memories 🙂
This is the song that got me into death metal. Awesome cover. Also, tell me more about that shirt. I need one.
I got the shirt from Pallbearer Press!
Best Death Metal album ever!! great cover mate.
This is a great job man. Funny I’ve been such a big Entombed fan for so long but this is the first time I’ve actually really seen just how impressive the actual chord progressions and changes are on guitar in this masterpiece. Mind blowing to think also how these late 80’s and early 90’s Death Metal musicians were writing songs like this and in their early 20’s!
not just how they could write such a complex melody lines, but also, how it is possible that so much people from different places on Earth start to make such a similar or perhaps the same music? death metal has very very unique riffs and it is hard to believe that this is spontanius...have you ever think about that?
If you have not already checked out Dismember
@@BareKragujevdza Yeah it’s strange that there hasn’t been more music scenes that have blown up like the Thrash Metal, Death Metal and Black Metal scenes did. There was a very active underground back then of young kids communicating all over the world and trading demo tapes with each other that started with Thrash and bands like Metallica, Megadeth, Exodus and Slayer and spreading to places like Germany with bands like Kreator and Destruction then more kids got involved and wanted to make even more aggressive music with bands in Tampa, FL like Death, Morbid Angel and Cannibal Corpse as well as the Swedish bands like Nihilist, Carnage and Unleashed to UK bands like Napalm Death and Carcass then spreading to Norwegian Countries in an even more extreme manner with bands like Mayhem, Burzum, Emporer and Immortal. Then like any genre once it reaches its maximum selling point (which even ironically happened with Black Metal bands becoming commercial) then people get tired of its new iteration and move onto the next thing. You still have some Thrash, Death and Black Metal bands around today but it was never as fresh and amazing as it was in the early days when young kids were really committed to it and dedicating their every waking moment to it. As someone who has had a record collection of hundreds of classic Thrash, Death and Black Metal albums it is still astonishing the amount of bands and albums from the late 80’s to early 2000’s of incredible music made by such young musicians. Bands and albums that many people will never even be aware of sadly like Gorguts, Demilich, Timeghoul, Pestilence, Morbid Saint, Purtenance, Demolition Hammer, Infester, I mean there’s so many it’s stupid to name them all.
@@chriskeelor799 My favorite Dismember album is “Indecent & Obscene.” I don’t think they made a “bad” album really as their whole discography is pretty Ace. “Like An Everflowing Stream” is an incredible debut, “Death Metal,” “Massive Killing Capacity,” “The God That Never Was,” “Where Ironcrosses Grow,” awesome stuff. When I think of that classic Boss HM-2 Chainsaw guitar tone I can’t help but think of Dismember.
Hell, these guys were actually all 16-17 when this was recorded. Their parents had to sign the Earache contract😮
I bought this tape in the 90's along with Obituary Cause of Death and it changed my life. Nothing heavier than that tone.
This album was just pure evil, unlike anything else. But the death metal crown still forever belongs to the first two Malevolent Creation records.
@@springbloom5940 also very good. But man back then a lot of things weren't available. If you didn't physically have it you never heard it. Now you can get anything instantly.
absolutely sick old school. following now
Awesome cover. That buzzsaw tone, yeah.
Badass cover. Killer tone out the 7 string.
Good job mate. Good sound too. 🤘👹🤘.
Very very tight cover! Great job! So glad I was ables to catch them on the Clandestine tour. Epic fucking show!!
What a treat! Awesome guitar work 👏🥰
Riffs are legit. I almost never sign in for YT. Totally worth it. I subscribed today. Amazing job my ginger friend 🙏🏼
Damn bro, killer job. Nailed the solos and Entombed tone perfectly!🤘
just amazing bro \m/ r.i.p. lars goran petrov \m/
Amazing cover and wicked guitar too! This song got me into death metal and helped me explore outside my punk roots!
Absolutely breathtaking cover !!!
Great tone man! I love it cranked or scooped up like that sounds badass! #LetTheMetalFlow
Glorious!
Fantastic cover Freudstein
Keep them coming
🤘🤘🤘🤘
Brilliant bro!
wonderful....just perfect
Great Work, Man!
My brother! That's fucking good!🤘🤘🤘
Is this basically Alex’s part? Love the scrapes! That is such a signature of the band.
An awesome cover!
Great job buddy 🔥
Nice one Man, amazing! 🤘🏻
What the heck-so good-please give us a tutorial at that killer sound!!!!!!!!
Love the guitar
Cool guitar man what kind is it bruther !!! This song still gives me chills I mean literally typing this my hairs are standing up 🤟🤟🤟😭 ve entombed are amazing and the swedish scene had soo many other kick ass bands man it's FUCK ng beyond understanding unless you like us grew up with this stuff the day the CD or tape came out at the record store man fuck yea bro 🤟🤟🤟🤟🤟RIP L.G 💯🙏🙏🙏
Beautiful rendition! And nice beard! 😉
Awesome cover man!
Nicely done 🤘
Badass guitar 🤘
Congrats from Brasil!
This is sick man, I'd be doing either drums or vokillz in honor of LG alongside you. 🤘
Great!!!!
Excelente!!!!!
Awesome
🤘🤘🤘
Nice
Respect, merci
Dude is strait cooking…
@ 2.56 I see where the inspiration for Crawl was potentially seeded 😜
10/10
i miss my peavy bandit 112
🤘🤘.
Baaaad aaaasss..
Nice rug Ryan 👊
Thanks man!
What guitar are you using?
🤘🏽🤘🏽👏👏👏👏👏👏👏
Fantastic, and a nice looking guitar! The tone is absolutley perfect, what are you using to get it? What tuning is it? B standard?
Thank you! It is in B Standard and I'm using a Boss HM2 pedal
You nailed it man!! I have a huge doubt as a "beginner" guitarrist. If you can help me, what is the tuning for the 7 strings? Because b standard for 6 string is different from the standard B for 7 string, right? I have a 7 strings and i dont know if i just let it in B standard for 7 or change for the b standard from the 6 strings.
B standard for a 7 string is basically standard E for the high 6 strings with an extra low B on the low string so its pretty much the same as if it was a 6 string but with an extra string is all
What tuning are you in? This is sick.
B Standard!
La classe
Great cover mate. I am currently waiting for my aunger bird to be built. How do you like yours?
Thanks man! Glad you enjoyed the cover!
I love it! One of the best guitars I've owned.
What kind of Ironbird is that? That thing is killer!
@@harrisonhoyt1187 It was made by a guitar company called Aunger guitars
How did you learn this song so precise? By ear or tab or both or other? Also what string gauge you using? Everything is perfect from your execution to your tone.
I used both tab and by ear. If I noticed a part in the tab is wrong (which is very common) then I'll figure it out by ear.
The strings I use on that guitar are 10-62. I also used a Boss HM2 for this video!
@@freudstein5860hey I really appreciate you replying to my comment. That’s why I asked about the preferred method you used to learn the song because I happen to be exactly like you in the method used to learn a piece. I like to use a tab at the very least as a reference point because it helps speed up the process for finding out which chords and notes are played and what areas of the neck are used most in a song or in specific sections of a song. I think tabs get a bad rap mainly because the errors they tend to have are on the rhythm side and how many times a certain chord or notes are strummed or picked rather than the actual correct chords or notes being used. Having the song in my head makes the rhythm part easy for me but referencing the tab for finding the exact chord shapes is what really helps me. I just finally was able to buy an electric guitar again a week ago after 2 long years of not having any guitar or amp. I bought a Matte Black EVH Wolfgang Standard with an EVH branded Floyd Rose bridge and a baked maple neck. It was $400 used and I asked them if they could drop it down to $360 so I am extremely happy. However I kept having frustrating issues with string buzz at various places along the neck even after many different truss rod adjustments and bridge height adjustments trying to find a sweet setup spot. It came with 09-42 gauge strings which are pretty light in my opinion for Metal playing which I think was a large reason for having such trouble with the setup so I just ordered a set of 10-60 gauge strings and I really hope this helps to alleviate much of the string buzzing issues. I do t have any effects pedals in my possession but I was able to afford 2 small practice amps so that I would have a decent rig for playing in my bedroom. At the same used music store that I found the guitar I also found a used Randall KH-15 amp which is a small 2 channel amp with a good sounding clean channel but more importantly a great sounding distortion channel especially for this size and it even has a “Boost” button which basically acts like a tube screamer to tighten up the distortion and sounds great. Another really cool design of the amp is that the clean channel has an independent volume control and the distortion channel has an independent volume control and the amp has a master volume control as well. Then for the clean sounds I got a used Vox Pathfinder 10 amp which is a small 2 channel amp as well with an amazing clean channel and a surprisingly great sounding distortion channel. So the combination of the distortion channel on the Randall amp and the clean channel on the Vox amp allows me to have a really great sounding rig that is perfectly sized and loud for bedroom playing without pissing off neighbors or sounding crappy and uninspiring.
great cover where'd you get the tabs for this one
@@packrunnerweiland Thanks! I didn't use tabs, all done by ear
Who made that ironbird? It looks sick.
I believe it's a company that is based in Germany MGM . Don't quote me on that though I could be wrong. Reason why I believe it is is because of the Finish plus they have other ironbird models
Its a UK company called Aunger Guitars
@@freudstein5860 oh really? All right so it wasn't MGM. Thanks for telling us it was yet another company that makes ironbirds.
@@freudstein5860 Awesome. Gonna have to check them out.
Tuve la cinta 30 años y jjamas supe quienes eran, me la paso un amigo en año 90, y la llevaba a todo gas y al final averigue quienes eran
EMTOMBED
Sick as fuck
you need to tab this up! sounds a bit more accurate then the other version thats floating around in tab sites
Yes, would be amazing 🤘🏼🤘🏼🤘🏼🍻🍻🍻
Who built that beautiful piece of gear?!
Check out Aunger Guitars!
That's an awesome T-shirt. What band is it?
Thank you! Not a band, its a movie called "Don't Go In The House"
press F Petrov наши русские люди всегда были гениальными во всем лайк за соляныч!!)))
i think LG was not so evil like on photo
Nie wiem czy Ty grasz... Też tak potrafię.
fat with butter
Кавер? может фанера)
👏👏👏
🤘🤘🤘