Sebastian Salvo on the Incas, Nerdrum, and the Apelles Palette
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- Опубліковано 13 жов 2024
- Sebastian Salvo is a classical painter who employs myths and archetypal stories in his work. He studied with Odd Nerdrum in 2015, and has frequently returned to work alongside his master.
His technical level, handling of composition, and ability to depict liveful stories on the canvas, has made some to consider him one of the greatest living painters.
Salvo is one of the founding members of the Memorosa Group, an order of craftsmen who follow strict dogma in their work, chiefly based on Greek and Renaissance principles.
A study of great interest for Salvo has been the fierce competition among craftsmen in 15th century Europe, and how to reinstate this spirit among today’s painters.
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01:22 Chilean background
03:51 The Incas
10:08 Early education
14:28 University
19:46 Painting with black
26:15 Eurotrip with Grandfather
32:19 Tutored by Odd Nerdrum
40:57 Dare to make a masterpiece
42:58 Kitsch and Storytelling
56:08 Myths and the Hero Archetype
1:09:09 The Apelles Palette
1:20:41 Don't get caught in the metaphor
Interview conducted by Jan-Ove Tuv.
Filmed and edited by Bork Nerdrum.
Assisted by Nic Thurman and Lasse Bøyum.
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Excellent messaging for us the love to paint. Thank you!
I love my Salvo painting! War is a fantastic piece. Hope to acquire more paintings from this talented man.
Fascinating for a musician to understand the mind of great painters.
He looks so European tho ;) We are all over the world! Universal culture really. I loved this talk. Very relatable. :) I love to tie in to the heroes journey and divine archetypal stories like the story of Amaterasu. ♡ I enjoyed this talk alot! Thanks!
an extraordinary painter. i had the luck to study one week with him in Santiago de Chile and it changed my way to understand painting forever. Greetings Sebastian. Greetings Jan-Ove.
Thank you for this video. The long format is great to really discuss the topics deeply.
AMAZING WORK! Keep them coming !
Love watching Sebastian, ever since his dancing goat.
The Egyptian portraits he's talking about are Fayum portraits made under Roman rule, in the first few centuries CE. They don't represent a deviation of style within traditional Egyptian representational work, which was fairly constant for 3,000 years.
Fantastic painter..lobely, great personality...thank you to be a light for this world....thank you...Cielito....Artist of fine Art....
This set is bonkers.
dang I wish my family could afford for me to take a 4 month trip through Europe just to look at some cool paintings
Enjoying these discussions & have been thinking the same myself as a painter for some time. Have you guys seen the documentary from about 30 years ago about the Isreali painter Avigdor Arikha, or read his Essays on Depiction where he discusses past cultures/civilizations style etc.
Salvo - an honest heart
Great conversation! Thanks again!
Your work is appreciated. Thank you.
Nice to hear some of the frustrations I can relate to very much---Wanting to paint like the old masters and fighting to Contemporary mafia who want you to paint like them eg No No No black. Purchased Jans recent series on Odds journey with art and his influences. Very grateful for that as it gave me a much better understanding of his development.I have been keenly following Odd ,s work for a number of years and very appreciative on how his work has influenced the way I look at Art. I have studied Art for many years and was taken in by all the art police propaganda.I had a very wide appreciation of Art and now see how I have been seriously conned with the spin.My art appreciation has narrowed considerably now and I am much more comfortable now with my own Journey. Love being updated with anything about Odds work and his students and ex students. Please keep this type of material coming --always hungry for more
Beautiful description of the Apelles palette.
So affirming, thanks Jan and Sebastian.
Thank you for this wonderful video and discussion.
3rd time I’ve watched this, just can’t get enough
EXCELLENT
Good interview, really honest and refershing, although I think you can argue that you can build a new contemporary figurative painting tradition, without following what came before (which would be a high order task to do I'm afraid). How can you CANNOT find inspiration in Titian or any other of the old masters?
The non use of black actually is an idea that comes from Ruskin and pre Raphaelites in an attempt to recover brilliancy of pre Renaissance illuminated manuscripts and such
1:03:45 Camera man please pay attention where the wine bottle is.
Look for the Mochica Culture pre Incan, probably those were the heads, most of Inca doesn’t have naturalistic heads.
Like all Nerdrum disciples. Let's paint same, let's talk same. And then they think curators no nothing about painting and somehow they belong to a long hidden tradition.
sweet. Is that your own opinion?
Öde Nerdrum no. There are no "own opinions". Everyone can notice the same tendency and speeches in the group. Of course I like odd nerdrum paintings but the theory he presents is wrong.
English?
@@rodhidalgo6789What theory?
El pisco es peruano!
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