This one is by far my favourite one from the album, it's a perfect mix of everything I've liked about the genre over the years, though I'd say it's mostly leaning towards deathstep-tearout than minatory, even if pretty much everyone involved is a minatory artist. It's energetic, it's heavy, and it's violent, but it's also very complex and made me question some things with the album itself. Thing is, LeBawski's elements are massively dominating on this track, from the filters used on the voices and how the ambience lays below them, to the styling of the drops, cutting them at unexpected points just to half a second later hit you again with them. It is really difficult to tell what did the rest do, though I feel certain elements of Kretan & Moth's patterning style on 1:50 until 2:05 where it goes back to LeBawski's switcheroos. Automaton diss track is insane I must admit 😭 The thing that personally didn't convince me as much with the album was the difficulty to tell artists' iconic sounds apart when doing multi-collabs like these. It's golden to hear that my favourite artists are back, sometimes even collaborating when they didn't back then, and the tunes made for the album are immaculate, but I'm having difficulties _hearing_ most of them back on some of the tunes due to how much is there packed within, or how dominant is one style over the others. Typhoon of Steel & Plataea are very LeBawski-esque, just like White Death is very Skrush-y, but overcharged with more cool sounds. However, Revival for example features at perfection the sounds of Dyroth, Viri & Dani, both in the metalwork and deathstep itself, so do The Rumbling and Skull cup, though these last two, do a bit more like Helheim where it mixes everyone creating something that sounds like none. And I'm sure this was precisely a challenge, as everyone has distinct sounds so it's pretty much impossible to create a piece where elements of everyone are noticeable when doing bigger teamups as they chose. It really makes me wonder how was this album planned! Perhaps future collab releases are smaller teamups, typical 2 or 3, and it's easier to hear again all those sounds I've grown to love. Revival is pretty much the best example of how to mix three artists and make all three of them noticeable without fighting for protagonism, less is sometimes more! Now, for a 2025 full of chunes to blast my eardrums and break my neck to🎧
Was very interesting to see how different artists tackled the variety of styles they worked with, so it’s cool you picked up on this! There were team leaders per track, so you can tell who led each one haha, only way to make progress in a timely manner. Still had an absolute blast with this mega project
@@paulhank1444 you nailed everything you said here! This track in particular was a bit of a struggle, since everyone involved on this song were also involved with other projects, it kind of got neglected until right up at the deadline, so me and a few guys tackled it using other people’s sounds and what little bit of the song was already done. It was a crunch getting this one together, I almost opted out from it entirely. I’m honestly stoked how it turned out with how down to the wire it was, I would have loved another day or two to polish it Whereas Plataea I was in charge of from the start, the entire arrangement I did, but I didn’t use a single sound of my own, except for in the intro and one Reese bass lol, but that one is a lot more polished and one of my favorites from this year. Glad you dig this one and the comp, we were challenged by it, but in a good way, it was awesome to see so many producers working with each other, who otherwise may have never ended up collaborating. All credit goes to DJ Frost for making this thing come to fruition, without his planning, communication and consistency this compilation would have just been a pipe dream lol
@@lebawskimusicThat’s the thing I loved the most about this project. Everyone on SBR working with eachother who probably wouldn’t have collabed otherwise I agree that style-wise, you can not clearly hear all the producers but that’s ofcourse because it’s just too many people on 1 tune and 1 person has to take the lead for a project like this
I thought the same thing. I was like is this album just Le Bawski himself??? As much as his style stands out due to it being more tearout above anything else, it was most of it
![CIRCLE OF TERROR | Heaviest Deathstep & Dubstep Mix 2019 [REVISED]](http://i.ytimg.com/vi/F_TYtoqL2bs/mqdefault.jpg)
Merry christmas yall.
Merry Christmas
❤
Merry christmas
Merry Christmas
Merry Christmas Angel!! Thank you so much for your support! 🙏🏻💪🏻
Massive collab, really great working with everyone involved on this one
IN. SANE. 🤩
The big big collab. Much love to everyone involved and Le Bawski for taking the lead in the end and completely nailing it 🔥
Moth is back?! Last thing I expected
look at the desc this is like more than a year old
@@ThePhantomIsRealincorrect, this came out just a few months ago. Moth is in fact back.
@@ThePhantomIsReal A mistake in my part, my bad.
@@HydraulicRecords so he is back? les gooooo
@@ThePhantomIsRealDon’t worry. He is still active. We have stuff in the works 👀
damn video was so accurate. genius editor
This one is by far my favourite one from the album, it's a perfect mix of everything I've liked about the genre over the years, though I'd say it's mostly leaning towards deathstep-tearout than minatory, even if pretty much everyone involved is a minatory artist. It's energetic, it's heavy, and it's violent, but it's also very complex and made me question some things with the album itself.
Thing is, LeBawski's elements are massively dominating on this track, from the filters used on the voices and how the ambience lays below them, to the styling of the drops, cutting them at unexpected points just to half a second later hit you again with them.
It is really difficult to tell what did the rest do, though I feel certain elements of Kretan & Moth's patterning style on 1:50 until 2:05 where it goes back to LeBawski's switcheroos.
Automaton diss track is insane I must admit 😭
The thing that personally didn't convince me as much with the album was the difficulty to tell artists' iconic sounds apart when doing multi-collabs like these.
It's golden to hear that my favourite artists are back, sometimes even collaborating when they didn't back then, and the tunes made for the album are immaculate, but I'm having difficulties _hearing_ most of them back on some of the tunes due to how much is there packed within, or how dominant is one style over the others.
Typhoon of Steel & Plataea are very LeBawski-esque, just like White Death is very Skrush-y, but overcharged with more cool sounds.
However, Revival for example features at perfection the sounds of Dyroth, Viri & Dani, both in the metalwork and deathstep itself, so do The Rumbling and Skull cup, though these last two, do a bit more like Helheim where it mixes everyone creating something that sounds like none. And I'm sure this was precisely a challenge, as everyone has distinct sounds so it's pretty much impossible to create a piece where elements of everyone are noticeable when doing bigger teamups as they chose.
It really makes me wonder how was this album planned!
Perhaps future collab releases are smaller teamups, typical 2 or 3, and it's easier to hear again all those sounds I've grown to love.
Revival is pretty much the best example of how to mix three artists and make all three of them noticeable without fighting for protagonism, less is sometimes more!
Now, for a 2025 full of chunes to blast my eardrums and break my neck to🎧
Was very interesting to see how different artists tackled the variety of styles they worked with, so it’s cool you picked up on this!
There were team leaders per track, so you can tell who led each one haha, only way to make progress in a timely manner. Still had an absolute blast with this mega project
@@paulhank1444 you nailed everything you said here!
This track in particular was a bit of a struggle, since everyone involved on this song were also involved with other projects, it kind of got neglected until right up at the deadline, so me and a few guys tackled it using other people’s sounds and what little bit of the song was already done. It was a crunch getting this one together, I almost opted out from it entirely. I’m honestly stoked how it turned out with how down to the wire it was, I would have loved another day or two to polish it
Whereas Plataea I was in charge of from the start, the entire arrangement I did, but I didn’t use a single sound of my own, except for in the intro and one Reese bass lol, but that one is a lot more polished and one of my favorites from this year.
Glad you dig this one and the comp, we were challenged by it, but in a good way, it was awesome to see so many producers working with each other, who otherwise may have never ended up collaborating.
All credit goes to DJ Frost for making this thing come to fruition, without his planning, communication and consistency this compilation would have just been a pipe dream lol
@@lebawskimusicThat’s the thing I loved the most about this project. Everyone on SBR working with eachother who probably wouldn’t have collabed otherwise
I agree that style-wise, you can not clearly hear all the producers but that’s ofcourse because it’s just too many people on 1 tune and 1 person has to take the lead for a project like this
I thought the same thing.
I was like is this album just Le Bawski himself???
As much as his style stands out due to it being more tearout above anything else, it was most of it
@@lebawskimusicAlright then. Makes sense now!
The washing machine is back!!!❤❤ Yeees!!!
This collab is just unreal
This track has always blown me away every time I’ve heard it. What a raw piece of pure fire.
That second drop is 🔥
So glad this was uploaded
Washing Machine never dies 🔥
amazing edit
GET IN ON BANDCAMP FROM SBR
Marry Xmas dude, i love your Videos 😂
7 Collab.!!! 😈🤟🏻
Mantap guys
Das Wetter ist perfekt um zu scheißen 😮
The clip of the washer made me lose my shit.
Washing machine type beat