I appreciate that it's for decent sampler that way I can use it I'm old school lol I use musescore4 and actually notate and musescore 4 now has vst capability and is okay with decent sampler.
@@StephenTallamyMusic I am an actor (retired) - film/TV/voiceovers - and kudos to you for your on-camera skills. It's a gift. I was a studio musician/songwriter/composer in Nashville and L.A. before the acting career took over and now in my "long shadow years" I can compose cues and longer pieces to my heart's content....and I am a big fan of the Spitfire approach to things...plus their zeal...such tools did not exist when I was a lad, so it's a pleasure to be "part of the family." Keep up the good work....
@@StephenTallamyMusic Relax about the fluffs. All an actor needs is one day on a movie set..if you get my drift...I promise you...the weirdest things can happen. Like a can falling off a table during a love scene...or a helicopter on it's way to who-knows- where in the middle of key dialog while doing a scene between two "cowboys" in the 1880's outside a "saloon." Just have fun....
If it truely syncs with many tempos it REALLY looks you did this for me on time. I am still not 100% converted as film composer and got mind blowed how EW expect i sync their samples with my music. Many libraries are so RIGID and want that you have all ready with just one loop by key. Many times sampling like in Sampler of Logic is the alternative to sync or do proper changes. Anyway the best is to have two keys for we play this a trill, and has to be very vel. sensitive. There is no point in have a perc. instrument that has not the sample mirrored in the next key, since this is the best simulation of playing with mallets. You can do in octaves as well, and play like a tremolo.
Agree. If this was drum hits then I would mirror the notes on multiple keys. For a cymbal swell then this is not really relevant though as you would not play them quickly.
Great Sample
Congratulations on 1k! 👍👍👍
Thanks Matt! It was a long time coming and then suddenly crashed through it over Christmas. Mr Henson is a gent!
Thanks for this generous offer. This is I think by far nicest cymbal library ever.
Glad you like it Ugur!
Left a review n PB 🙂Also, walkthrough of the "Patchworks" track = yes!
Thanks for the review and the suggestion!
@@StephenTallamyMusic my pleasure, sire!
This sounds lovely and the timing thing is just great work. Very, very well done.
Thanks Dan. It’s great to be able to focus a sample pack so that, whilst it does one thing, it does that one thing well.
Great library Stephen! The sync option is astonishing, thanks very much for sharing this. Cheers!
Thanks Marc. Glad you like it
Fantastic library Stephen! Thanks for sharing!
It's just sound perfect, new subscriber.
Thanks for subscribing!
Congrats, Stephen. Always find your videos interesting 👍
Thanks for watching Ian!
Amazing
Thanks for watching!
I appreciate that it's for decent sampler that way I can use it I'm old school lol I use musescore4 and actually notate and musescore 4 now has vst capability and is okay with decent sampler.
DecentSampler is amazing!
Excellent vid Stephen! Useful as always!!
Thanks Marco. Thanks for watching
Hey Stephen - Really nice! And congrats on crossing the Rubicon 👍😊
Thanks - next step I need is to get over 4000 public watch hours, so keep watching!
Amazing the sync extra tool! Well done Stephen!
Thanks Quetzal - I’m pretty pleased how the sync turned out
Great stuff! Brilliant. Thanks for sharing. Very impressive and musically inspiring! That sync function is insane! ❤️.
Thanks Duncan. Yeah… I was pretty pleased with the sync function, once I had figured out the maths to make it work!
@@StephenTallamyMusic It’s good to know it exists at least! Now to work on my maths! 😁
I'll have a play around later Stephen, they sound great
Let me know how you get on!
Excellent presentation. Thorough and incisive.
Thanks for watching Charles!
@@StephenTallamyMusic I am an actor (retired) - film/TV/voiceovers - and kudos to you for your on-camera skills. It's a gift. I was a studio musician/songwriter/composer in Nashville and L.A. before the acting career took over and now in my "long shadow years" I can compose cues and longer pieces to my heart's content....and I am a big fan of the Spitfire approach to things...plus their zeal...such tools did not exist when I was a lad, so it's a pleasure to be "part of the family." Keep up the good work....
@@chasvox2 thanks so much! I owe a lot to the edit to cover up the fluffs!
@@StephenTallamyMusic Relax about the fluffs. All an actor needs is one day on a movie set..if you get my drift...I promise you...the weirdest things can happen. Like a can falling off a table during a love scene...or a helicopter on it's way to who-knows- where in the middle of key dialog while doing a scene between two "cowboys" in the 1880's outside a "saloon."
Just have fun....
God bless you
If it truely syncs with many tempos it REALLY looks you did this for me on time. I am still not 100% converted as film composer and got mind blowed how EW expect i sync their samples with my music. Many libraries are so RIGID and want that you have all ready with just one loop by key. Many times sampling like in Sampler of Logic is the alternative to sync or do proper changes. Anyway the best is to have two keys for we play this a trill, and has to be very vel. sensitive. There is no point in have a perc. instrument that has not the sample mirrored in the next key, since this is the best simulation of playing with mallets. You can do in octaves as well, and play like a tremolo.
Agree. If this was drum hits then I would mirror the notes on multiple keys. For a cymbal swell then this is not really relevant though as you would not play them quickly.