Handwriting seems to stuck in pre-quadratic writing, to enhanche fluidity of writing and to avoid disambiguities, but it creates new ones. The „raschi font“ is untoppable in disambiguity as if was a coerced element of the catholic printing license, intended to impede their clerics to read jewish commentaries.
Handwriting seems to stuck in pre-quadratic writing, to enhanche fluidity of writing and to avoid disambiguities, but it creates new ones. The „raschi font“ is untoppable in disambiguity as if was a coerced element of the catholic printing license, intended to impede their clerics to read jewish commentaries.
I think there's quite a bit of truth to that theory...