Prioritizing the Big impression -404

A step-by-step walk-through of the Boston School way of producing the visual impression, without color, on brown, mid-tone paper with charcoal and white chalk. Illustrated by student examples from past Ingbretson Studios of Drawing and Painting workshops. Paul recommends this as a way of introducing yourself to key elements of our thinking prior to or alongside color attempts.
In Response to several viewers
QUESTION: Could you talk more about the brown paper studies?