12th NBF - Art Talk - Vid. Ramana Balachandhran
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- Опубліковано 7 жов 2024
- A delightful conversation with the talented prodigy, the well-balanced youngster, who seems wiser than his age...
Check out about his musical journey, his spiritual leanings, his interests, etc. and also watch out when he is the little boy of his parents.
You will not be disappointed...
@ramanabalachandhran @PramodiniRao @ChinmayaNaadaBinduOrg @ChinmayaUniversity
#veena #chinmayavishwavidyapeeth #cnbg #instrumental #music #carnaticinstrumental #saraswativeena #arttalk
Good god, this is something special. Ramana is blessed, and so are we to be able to enjoy his music and his personality. Kudos also to the interviewer for a great job, rarely seen.
Delightful conversation! Ramana himself is a prodigy and so deep-thinking! The interviewer also did a wonderful job in keeping the conversation free flowing and engaging!
I am blessed to have seen this. That's all I can say. Thank you to the organizers for arranging this.
I have listened fully to the Q & A Session. I am very much impressed with his mental and emotional intelligence evolution which are the prerequisites for the self realization and actualization both as a Vidwan
and a human being seeking enrichment.
I understood his logic for choosing Jai Jaiwanti and Darbari ragas compositions-a predominantly rasikas of Hindustani Sangitam. He missed out on reason to give experience of Vilamba Kala Karnataka Sangitam to the rasikas by choosing the second raga and composition.
Exalted state for both the Aritist and the rasika is in Nadanubhavam and unified consciousness with the Nada itself.
Instrumentalists-Veena and Venu in particular, singing while playing, this practice was in tradition. Ramana is not the first one. He didn't say it in answering.
I was surprised at his answer on voice training and sruti perfectionism of practices of HM which indirectly suggests it's lesser accomplishments by KM practitioners, and which is a popular belief. Svara, Anusara, gamaka/meand, intervallic sound spaces, styles, etc are vital differences between the two greatest forms of World Classical Music-Karnataka Sangitam and Hindustani Sangitam.
A popular Spiritual Sadgurus -'Anchors' do help the Artists followers to gain quick recognition and support from the followers in general. Ramana and Ramana Maharishi, no exception.
Fantastic interview! Got to know the human behind the musician which makes listening to him all the more special.
So grateful to hear the great Ramana Balachandran . Namo Ramana
3:06 - 9:26 - Main Ghulam Tera (Kabir Bhajan)
50:57 -58:00 - Chandrachooda Shiva Shankara
Very beautiful soul. So happy to hear home. Lots of blessings
Truly amazing What a maturity at such young age.❤🎉
Congrats Ramana - Excellent dialogue & interview - great singing & Veena play in as extension of his. Only comment I wish to bring out here is : there were four Tanjore Sivanandam & Sharaddha (others more I may not be aware) who planes Veena & sang - Karaikkudi SambasicaIer iyer & his disciples - Subramanian / Rajeshwari Padmanabhan l, Ranganayaki Rajagopalan. Audience need to be informed of this
What an amaazing interview !! Thank you for organizing and sharing this with us !
Glad you enjoyed it!
Hello Ramana, would love to meet your parents too, me as a parent would love them to share their knowledge and wisdom of parenting..if possible one of us organizers should arrange for an interview with the 3 of them to hear all of their prespectives 🙏
Very humble at such a young age, looking forward to many more years of good music from you
Very interesting one, particularly while speaking about the two types of spiritualty. Indeed a blessed child.
50:57 - 58:05
chandrachooda bliss by Ramana🧘🏻♂️🙏🏼
Lovely interview! Got to learn more about him, his spirituality and music. Thank you
mein gulAm
raagam: Jay Jay vanthi
taaLam:
Composer: Kabir
Language: Hindi
main gulAm main gulAm main gulAm tErA
tUhi mErA Sathya sAyI nAm lE Om tErA
rUp nahIn ranga nahIn, nahIn varN na chAyA
nirvikAr nirgun hI tUhI raghurAyA (main)
mEharbAn mEharbAn mEhar karO mErI
dAs kabIr sharan khaDA najar dEkh tEr (main)
RAgam: DharbAri kAnadA
Composer: Purandara dAsA
chandracUDa SivaSankara pArvati ramaNane ninage namO namO || pa ||
sundara mRugadhara pinaaka dhanukara gangA dhara
gajacarmAMbaradhara namO namO || a pa ||
dharege dakShiNa kAvEri kuMbhapura nivAsanu nInE
karadali veeNeya gAnava mAduva uragabhUShaNanu neenE
koraLOLi bhasma rudrAkShava dharisida parama vaiShNavanu nIne
garuDagamana shree purandara viTtalana parama priyanu neene ||
Ramana namasthe!
U r BMK sirS re incarnation in singing.
I have heard a Ramnam singing in Papaji tune (Swami Ramdas)
I liked it very much very melodious voice 💐🙏
I pray God to bless you for the progressive journey ahead
I wish the interviewer would let him finish what he was saying.
That woman is not connecting well… she talks out of sync
Beautiful last answer.
In this Era who is listening this song, it's blessing for us 🙏
You did a great Snape impersonation!!!
Freedom = Spiritual 1:14:49
Hari om we too enjoyed his concert
I am yet to listen to the interview. Being a Karnataka Sangitam vidwan, he chose to sing Kabir's bhajan announcing the raga as Dwijawanti but tuning was in Jai Jaiwanti of Hindustani Music. Why?
Beautiful
Ramana u r god
He is blessed
What a great pleasure!
lovely voice
❤
ONE OF A KIND, INDEED!!!
Arunachalam🙏🏻🙏🏻🙏🏻
21:26 what a dumb question to ask music vidhwaan!!
Mrs Nalini Rao loves to hear herself more than she wants to hear Ramana! 😂
Very childish too
Hari Om 2:00..that was cute
தமிழில் பேசியிருந்தால் மிக்க மகிழ்ச்சியாக இருந்திருக்கும்
This is an interview that was held in Pune. Majority of the audience do not know Tamizh there.
Why? Why not Spanish?😅
MANASUNA MANASAI BRATHUKUNA BRATHUKAI…….ATHE BHAGYAMU ATHE SWARGAMU::
I am yet to listen to the interview. Being a Karnataka Sangitam vidwan, he chose to sing Kabir's bhajan announcing the raga as Dwijawanti but tuning was in Jai Jaiwanti of Hindustani Music. Why?
@@madhvamuniraosandhyavandan7662 Jaijavanti of Hindustani music is known as Dwijavanti in Carnatic music. Two names - same Raga. Hari Om.
@@ChinmayaNaadaBinduOrg Dwijavanti raga though derived from Jaiwanti, Karnataka Sangitam lakshana differs. To know refer: en.m.wikipedia.org.wiki/Jaiwanti 🙏