In the days after I shot this, I recorded a little EP with Scapeshift (and a bit of Korg Modwave) HERE - it's pay what you want so feel free to help yourself or just listen to more examples of stuff it can do: mylarmelodies.bandcamp.com/album/radium-mother-ep
Tim’s inventions blur the line between programmer, musician, and machine. Nobody really knows who actually made the music that comes out of them, but it’s always great.
This is an amazing thing to do 1st thing after beating cancer. I didn't know what would come after Endless and now he just made Reaktor and NI relevant again.
@@timexileThank you so much for your work, and for breathing life into Reaktor 🙏 Such a great platform for sooo long, but it takes real ingenuity to bring the best out.
Thank you Tim (and mylar) this will be fun. Your previous products which I’ve used were all exceptional fun with an immersive sound quality. This is a BUY for me.
Tim's involvement with Reaktor and Native Instruments is totally...... insane. Reaktor circa 2001 - every techno track coming out of Berlin had some wild ensembles in there and then things got boring. We need more of this shit going on - let it be loose, let it be wild, and let chance have it's way with you.
Careful kids, this seems very much like a gateway to generative modular. Looks absolutely brilliant and a very awesome way to pump out a set with minimal equipment. I'd love to construct a custom MIDI controller for this
@mylarmelodies Yes, a Launchcontrol, Launchpad and my nine channel Eurorack usb midi controller (36 knobs and 9 switches) would make such a killer combo with this if mappable! Would highly likely replace VCV rack for my PC noodling
@@mylarmelodies That sounds bonkers but awesome! I think I'm currently running about 8 algoquencers and two motoquencers in my Droid. It's like you preach: let the machine do its thing but you're in control of the chaos.
I bought it 2 days ago. I'm so happy to see something really cool be made in Reaktor nowadays. For a while it felt like Reaktor was going to dissipate into the ether. This is extremely fun to play.
This looks awesome. One thing I'd really like from this is to have the system running, but also split each running steam out through an external CV mixer
@ I will be buying this software next paycheck. However if he was able to put the software into a box that had individual CV outs for each audio channel I would pay good money for it.
@@mylarmelodies This is pretty near the top of the list of things I and at least 1 very cool youtuber want! Well to be fair I don't really own any kit any more, let alone the space to set it up - so I want it for others but not for me haha. I'm just a laptop guy now.
@timexile Hey Tim! Thanks for the info, and so quick. I love what I've seen so far. It looks amazing as it is, but with MIDI output, for those of us who have been enjoying the renaissance of hardware synths and don't baulk at using a laptop or even desktop, it's a bit of a no brainer! I wish you well, Tim. And thanks for sharing your bonkers genius with us all! Cheers 🤘
“Any sufficiently advanced technology is indistinguishable from magic” - yep. This is magic. Amazing work, Tim. I bought it even though I don't (yet) have Reaktor.
This thing seems to REALLY understand the importance of levels of control abstraction and appears to have a smooth transition between them. The entire challenge of live, procedural jamming, is being able to control a certain level of abstraction when the whim hits you. From Macro to super-micro. This goes from PC DAW based setups to eurorack. Literally every pre-built tool I've found out there has massive gaps in the control gradient. When you try to build on your own, it's too tempting to always just whip out the code editor, etc. Tim's ability to not only understand the control gradient from macro to micro, but to be able to control himself enough to make the tool controllable is commendable!
It's very interesting, but it feels to me like a colouring in book for music, as opposed to producing an artwork. I guess when the creator of Scapeshift uses it then it's his lines, tone and colour so it's his art. But everyone else that used it is just colouring in his book. I guess it is fun, relaxing and meditive just like a colouring in book. Have fun.
Tim has basically completed electronic music with this. I was wondering if its possible to route the different mixer channels out to record in the DAW?
Man that's so awesome! I built that thing 20 years ago. Wild. Hats off to NI to keeping it all working through the many twists and turns in the land of OSes
The only thing better than the joy you experienced while playing with this is being able to buy this and support Tim's extraordinary talent. Really a blessing that he's still with us.
As always, love the pure creativity of Exiles devices, yet, many of the sounds coming out if it... i can’t really befriend. It's like being fascinated with a huge modular setup, being totally blown away by creative possibilities, and yet, when listening to end results, not being blown away any more 😅 (Matter of taste and musical genre-interests of course)
Can you get the midi notes out of this? I mean it's reaktor I guess, but I have only used the old reaktor, so I don't know if you can tear this instrument open.
Not yet. But it was the first thing I asked Tim for - I know it’s high on the list. The ensemble is unlocked so you CAN tear it open, but it would not be for the faint of heart or casual user!
@@mylarmelodies Yeah, it'd be really great. But, I'd messed around quite a bit with puredata, bwgrid and have routed out midi from other reaktor devices as well, so good enough for me for the moment.
@@mylarmelodies Good to know, thank you. I'm buying this and will request it. For now it's going to be top tier sampler food, but imagine sending a sequence to Cirklon, twisting it more and then sending to another synth.. God, I hope he adds it.
If someone played me a track they made using this I would congratulate Tim Exile, not the person playing me the track. If that person had made this, then I would congratulate them. Same as Autechre. If I used their system and made something with it, I wouldn't feel authentic if I played it to someone else and they praised my work. The whole point, I think, is the creative vision, which is theirs and not mine
I mostly agree with this (see how I worded my credit in the liner notes for the EP I made with it), except that the more you learn how to (and choose to) use Scapeshift deliberately, the less it applies. If one can take credit for the results of using Turing Machines to sequence a modular - this is the same thing.
It’s fundamentally collaborative in both cases. Since this is so much more complex than Turing Machine, you’re starting from a point where it’s vastly more Tim than you, but you have something to offer and the more you offer, the more it becomes a joint work.
@mylarmelodies I don't think it is the same thing because for me an aesthetic, which this has, isn't only sound design or a sequencing tool. It's a framework of the different aspects that go into a creative work. Pressing play on a generative tool that is as complete as this is doesn't do anything to me. I'm not making reference to what you have made. I'm sure you pushed it and I haven't heard it yet. If a person figures out a way to make something using this that I think wow, I didn't realise that could be done, then I might care. But its a bit like buying flat pack furniture and calling yourself a craftspersons. I don't care if someone can accurately mimic Autechre, for instance. Like, cool that you figured it out. Well done. But it doesn't mean much in terms of cultural value. If a generic parody style popped up that mimicked Gantz Graf and all the kids started doing that, it would be lame as f!. Absolutely toy. For me Autechre are a singular creative statement that goes beyond the craft of music making. It wont be relegated to a box of $5 records that all sound the same. In part due to the systems they have designed which are an extension of a lifetime of dedication and innovation. It's theirs. I just don't get down with the idea of people taking shortcuts to mimic visionary work of actually talented and dedicated people. I reckon Tim should have kept this for himself. It's awesome and it tempts me but I hate the idea I would give up and let someone else's logic and design make my music
the tool you need if for some reason you hate AI generated slop and wanna create human made machine generating slop. So basicly AI but without prompting. This is for button smashing humans to defeat AI.
To me this is a little on the scary side. You can quote music theorists as much as you want, but we (meaning: society/technology/music production/entertainment/people) are drifting away from creating anything ourselves, floating through ideas of others (meaning: majority opinions and/or ideas of coders), choosing mainly what we like. So the act of creating is more and more replaced by choosing (choosing seems far less active than creating to me). I don't know... this tool by Tim, the idea seems fun to a certain degree, experimental even. And you can get into the nitty gritty, but chances are that many won't even touch something besides the basic controls. So the overall picture and the path scares me a bit. And you recorded and already released an ep? What timeframe are we talking about. Crazy all that... Edit: I did not know of Tim's situation. So thank you for that video because you raised some awareness about what is going on. I hope many can help Tim.
As with all tools, the choice in how you use them is just that - a choice! You can roll the dice, you can dial every condition exactly as you wish, you can just release what it spits out, you could take it as a starting point and further work it in a DAW/etc. Ultimately it relies on a person to decide whether or not to keep or throw out what it makes.
Isn't traditional music composition just choosing notes (and timing) from the scales and musical conventions defined by composers of the past? Drawing a firm line between "choosing" and "creating" seems entirely arbitrary.
@@daxtonfleming Composing may be somewhat similar to "choosing" but with a certain knowledge and skill attached to it. But there is always a factor of playing an instrument. But even then... I can't defend a tradition of classical music composition and all that comes with it. I am not opposed to the idea that a dripping faucet can be a musical instrument when put in a certain context. What I see and don't like so much is that the music production world is drifting to presenting their ideas of aesthetics, rhythm, arrangement in an all-in-one packet. Drummachines creating beats already, including fx etc. (sugar bytes drumkomputer for example...). This is alot different than programming a beat by yourself. Yeah you can do that with most utilities, but there is not much incentive. I guess there is always been this duality. It is a fact of technical progress that it comes with a certain comfort, some reliefs that contain simplifications at the same time.
You definitely do not have to pay ongoing or subscribe. Hit Buy Now on the link above and it’s a transaction rather than a sub. There is a box you can uncheck to receive free updates from Tim.
@@mylarmelodies wow I’m really having a Strother Martin moment with you here (Cool Hand Luke). I have to “sign in” which means I have to create “something “ with Patreon getting my email account and a password. I DON’T want to do this. FFS! I don’t want to have anything to do with Patreon. There is no “buy now” without Patreon getting that info. Jeez
Ah I see. Not sure it’s possible to buy anything on the internet without putting in an email address these days (in order to provide a receipt and future access to the thing you bought), one idea is could you have a different email address you use for purchases?
This is basically tweaking the multis of a Tim Exile album… it’s his music.. not yours . Using this and calling the outcome yours is laziness and delusion.
ok it's powerful, but staring 30 seconds at this UI just makes me want to quit . if you want to feel disconnected from the music you make, go spaceshift.
sounds like a fevered nightmare ADHD 90s rompler that became sentient and entraps the user with this subconscious request: "Dear fevered ADHD human with a sickness for knob twisting electronic blaps into oblivion (while the kettle boils over in the background and the baby cries out because he's hungry), won't you twist my digital nipples until I make the most extended musical fart you've ever heard and then you can sell fart noises to other unsuspecting humans with the same sickness?" and I love the sound, so I must have the sickness!!
In the days after I shot this, I recorded a little EP with Scapeshift (and a bit of Korg Modwave) HERE - it's pay what you want so feel free to help yourself or just listen to more examples of stuff it can do: mylarmelodies.bandcamp.com/album/radium-mother-ep
Luvs my Modwave. Good to see someone mentioning them
Tim is on another level. This is the what the 🤯 was made for
❤🫶❤🫶 - your creative DNA is in this thing fella
Tim’s inventions blur the line between programmer, musician, and machine. Nobody really knows who actually made the music that comes out of them, but it’s always great.
So true!
This is an amazing thing to do 1st thing after beating cancer. I didn't know what would come after Endless and now he just made Reaktor and NI relevant again.
Looks like an insane amount of work needed to create this instrument. Very cool!
haha yes there was quite a bit - I needed something to get my teeth stuck into while everything fell apart around me lol
@@timexile You did great, I'm happy you recovered! Congrats again on the release :)
~5 minutes in, I bought it. This is SO MUCH FUN! My only complaint is the dependency of Reaktor, however I saw that it can be used as a .vst.
Especially given the tough ride past few years Tim has had, that he’s dropped the only thing notable with NI’s name on it for years is incredible.
Getting so much strength from these words, thank you!
@@timexileThank you so much for your work, and for breathing life into Reaktor 🙏 Such a great platform for sooo long, but it takes real ingenuity to bring the best out.
Totally
@@timexileyou’re an inspiration mate
Wowwwwwww, almost speechless! That is just brilliant. I love Reaktor to death and now Tim created this! Thank you for making this video!
Thank you Tim (and mylar) this will be fun. Your previous products which I’ve used were all exceptional fun with an immersive sound quality. This is a BUY for me.
Tim's involvement with Reaktor and Native Instruments is totally...... insane. Reaktor circa 2001 - every techno track coming out of Berlin had some wild ensembles in there and then things got boring. We need more of this shit going on - let it be loose, let it be wild, and let chance have it's way with you.
Those were halcyon days but by no means beyond revival. Seriously considering getting some Make Reaktor Great Again hats made... nice big red caps lol
Careful kids, this seems very much like a gateway to generative modular.
Looks absolutely brilliant and a very awesome way to pump out a set with minimal equipment. I'd love to construct a custom MIDI controller for this
Now you’re on my wavelength! Hoping for MIDI control soon and I hope to map a Launchcontrol XL to it
@mylarmelodies Yes, a Launchcontrol, Launchpad and my nine channel Eurorack usb midi controller (36 knobs and 9 switches) would make such a killer combo with this if mappable! Would highly likely replace VCV rack for my PC noodling
I do plan at some point to see how many Turing Machines I can map in VCV and build something not dissimilar to this
@@mylarmelodies That sounds bonkers but awesome! I think I'm currently running about 8 algoquencers and two motoquencers in my Droid. It's like you preach: let the machine do its thing but you're in control of the chaos.
fantastic. but isn’t this an art installation by Tim? or is it an instrument that we “””play”””. Love this channel. Thanks.
I think it's both!
Radio Tim FTW!
I bought it 2 days ago. I'm so happy to see something really cool be made in Reaktor nowadays. For a while it felt like Reaktor was going to dissipate into the ether. This is extremely fun to play.
This looks awesome. One thing I'd really like from this is to have the system running, but also split each running steam out through an external CV mixer
Yep individual outs and MIDI outs would be stellar
@ I will be buying this software next paycheck. However if he was able to put the software into a box that had individual CV outs for each audio channel I would pay good money for it.
@@ThomasKirwanE8 Noted. Very noted haha!
@@mylarmelodies This is pretty near the top of the list of things I and at least 1 very cool youtuber want! Well to be fair I don't really own any kit any more, let alone the space to set it up - so I want it for others but not for me haha. I'm just a laptop guy now.
I love Tim's work. Obviously a buy. Is it planned to be able to sequence external MIDI hardware? That would be great for live work!
Cheers 🤘
This is the most hotly requested feature and firmly on my list!
@timexile Hey Tim! Thanks for the info, and so quick. I love what I've seen so far. It looks amazing as it is, but with MIDI output, for those of us who have been enjoying the renaissance of hardware synths and don't baulk at using a laptop or even desktop, it's a bit of a no brainer!
I wish you well, Tim. And thanks for sharing your bonkers genius with us all!
Cheers 🤘
I got lost playing with Scapeshift last night. Had I not had to get up for work this morning I probably wouldn't have slept at all 😂 So much fun 😁
“Any sufficiently advanced technology is indistinguishable from magic” - yep. This is magic. Amazing work, Tim. I bought it even though I don't (yet) have Reaktor.
"At a super high level...roll dice" - LMFAO
But... now we need a braindice interface
This thing seems to REALLY understand the importance of levels of control abstraction and appears to have a smooth transition between them. The entire challenge of live, procedural jamming, is being able to control a certain level of abstraction when the whim hits you. From Macro to super-micro. This goes from PC DAW based setups to eurorack.
Literally every pre-built tool I've found out there has massive gaps in the control gradient.
When you try to build on your own, it's too tempting to always just whip out the code editor, etc.
Tim's ability to not only understand the control gradient from macro to micro, but to be able to control himself enough to make the tool controllable is commendable!
Top comment. You get it.
It's very interesting, but it feels to me like a colouring in book for music, as opposed to producing an artwork. I guess when the creator of Scapeshift uses it then it's his lines, tone and colour so it's his art. But everyone else that used it is just colouring in his book. I guess it is fun, relaxing and meditive just like a colouring in book. Have fun.
Im at 0:05 and I see Hit-Em is a legitimate genre now. I love how this stuff blows up. Literally someones dream come to life.
00:39 Very good! 🔥🎵🔥
To be granted a Hit Em button, this is the future I was promised
Yes! First (that I've seen)! Thank you!
Great overview.. Thanks. Wondering if it's a bit complex..
Tim has basically completed electronic music with this.
I was wondering if its possible to route the different mixer channels out to record in the DAW?
Not yet but hoping that comes in an update
Extraordinary. I need this in my life.
absolutely MENTAL. Exile is the man,.Still use the finger on nearly everything.
☝️
Tim's done it again. Hes a gem.
I use Tim Exiles Vectory drum sampler from time to time, but this... this changes everything
Man that's so awesome! I built that thing 20 years ago. Wild. Hats off to NI to keeping it all working through the many twists and turns in the land of OSes
fuck yes, this sounds awesome! Love it!
Quote of the day... "i don't know what's happening, but I like it!"
Is mostly my outlook on life haha
Love the giddy laughs when you get into the happy place :D
Get well soon Tim! 🍀
The new embodme erae 2 is going to make a great controller for this when that feature's in
Not finished the video yet but I can see if this has scale locking it would be excellent as a backing track part generator to jam along with ❤️
oh! 😂
Tim, this is incredible ❤
MIDI, my question is MIDI. I've not watched the full video yet, but is it possible to send midi out from each track via their own channels?
Not yet, but it’s high on the development list
Amazing!! 😍😍😍
The only thing better than the joy you experienced while playing with this is being able to buy this and support Tim's extraordinary talent. Really a blessing that he's still with us.
is he sick?? what's the drama??
www.gofundme.com/f/support-tim-exile-his-family-while-he-recovers-from-cancer?viewupdates=1&rcid=r01-17301274219-06f548ca953d11ef&B1137-update-supporters-v5b
As always, love the pure creativity of Exiles devices, yet, many of the sounds coming out if it... i can’t really befriend. It's like being fascinated with a huge modular setup, being totally blown away by creative possibilities, and yet, when listening to end results, not being blown away any more 😅 (Matter of taste and musical genre-interests of course)
Can you get the midi notes out of this? I mean it's reaktor I guess, but I have only used the old reaktor, so I don't know if you can tear this instrument open.
That would be a great feature to have.
Not yet. But it was the first thing I asked Tim for - I know it’s high on the list. The ensemble is unlocked so you CAN tear it open, but it would not be for the faint of heart or casual user!
@@mylarmelodies Yeah, it'd be really great. But, I'd messed around quite a bit with puredata, bwgrid and have routed out midi from other reaktor devices as well, so good enough for me for the moment.
LOVE IT!
I hope Tim enables sample import.
Any chance to get links to these Autechre interviews? Quite curious about their setup.
There’s lots of you look about and also don’t miss the mad long sit down live Q&As Sean did on livestreams on UA-cam!
craaaeeiizy
Insane. Have you fed it's MIDI into the Cirklon?
No MIDI out! Yet…
@@mylarmelodies Good to know, thank you. I'm buying this and will request it. For now it's going to be top tier sampler food, but imagine sending a sequence to Cirklon, twisting it more and then sending to another synth.. God, I hope he adds it.
@@landonh3535 It's very high on the list!
Hey that looks and sounds really cool. is there any lag in response when using controller knobs via the Komplete software?
No MIDI control yet but it’s hopefully coming! I had the buffer way up high to help out the CPU load which is considerable
Great . Creative fun… looks like I’d have a wicked loops/sound design sesh with this…. Where’s the checkout 🧐
It’s here!! www.patreon.com/timexile/shop
Would very much enjoy a standalone version. Sounds great MacOs only though...?
I wouldn't think so... Reaktor is cross-platform.
Not Mac only but this does require you own full Reaktor 6! Not functional with Reaktor player unfortunately.
@@mylarmelodies What he said, although the plan is to get it authored as a Reaktor player instrument at some point - most likely for a 'version 2'
Is it possible to record each track individually? I really want this 👀
Currently only by soloing channels - Tim’s got plans though!
Ah this is ace!!
If someone played me a track they made using this I would congratulate Tim Exile, not the person playing me the track. If that person had made this, then I would congratulate them. Same as Autechre. If I used their system and made something with it, I wouldn't feel authentic if I played it to someone else and they praised my work. The whole point, I think, is the creative vision, which is theirs and not mine
i feel the same
Well said
I mostly agree with this (see how I worded my credit in the liner notes for the EP I made with it), except that the more you learn how to (and choose to) use Scapeshift deliberately, the less it applies.
If one can take credit for the results of using Turing Machines to sequence a modular - this is the same thing.
It’s fundamentally collaborative in both cases. Since this is so much more complex than Turing Machine, you’re starting from a point where it’s vastly more Tim than you, but you have something to offer and the more you offer, the more it becomes a joint work.
@mylarmelodies I don't think it is the same thing because for me an aesthetic, which this has, isn't only sound design or a sequencing tool. It's a framework of the different aspects that go into a creative work. Pressing play on a generative tool that is as complete as this is doesn't do anything to me. I'm not making reference to what you have made. I'm sure you pushed it and I haven't heard it yet. If a person figures out a way to make something using this that I think wow, I didn't realise that could be done, then I might care. But its a bit like buying flat pack furniture and calling yourself a craftspersons.
I don't care if someone can accurately mimic Autechre, for instance. Like, cool that you figured it out. Well done. But it doesn't mean much in terms of cultural value. If a generic parody style popped up that mimicked Gantz Graf and all the kids started doing that, it would be lame as f!. Absolutely toy. For me Autechre are a singular creative statement that goes beyond the craft of music making. It wont be relegated to a box of $5 records that all sound the same. In part due to the systems they have designed which are an extension of a lifetime of dedication and innovation. It's theirs.
I just don't get down with the idea of people taking shortcuts to mimic visionary work of actually talented and dedicated people.
I reckon Tim should have kept this for himself. It's awesome and it tempts me but I hate the idea I would give up and let someone else's logic and design make my music
Not the HIT-EM in the genre selector!
YES!
@@timexile Haha, love it Tim! Spread the dream!! Awesome work here!
Dices? My mom says gambling is dangerous.
Im going to have to dust my Reaktor off , this looks unmissable!!
Are you suuuure you didn’t have this software in 2019 for videomusik?
Ian Breno. Lol
the tool you need if for some reason you hate AI generated slop and wanna create human made machine generating slop. So basicly AI but without prompting. This is for button smashing humans to defeat AI.
how the everloving fuck do you make something like this in reaktor and change anything without breaking everything
He’s a wizard Timothy
To me this is a little on the scary side. You can quote music theorists as much as you want, but we (meaning: society/technology/music production/entertainment/people) are drifting away from creating anything ourselves, floating through ideas of others (meaning: majority opinions and/or ideas of coders), choosing mainly what we like. So the act of creating is more and more replaced by choosing (choosing seems far less active than creating to me).
I don't know... this tool by Tim, the idea seems fun to a certain degree, experimental even. And you can get into the nitty gritty, but chances are that many won't even touch something besides the basic controls. So the overall picture and the path scares me a bit. And you recorded and already released an ep? What timeframe are we talking about. Crazy all that...
Edit: I did not know of Tim's situation. So thank you for that video because you raised some awareness about what is going on. I hope many can help Tim.
As with all tools, the choice in how you use them is just that - a choice! You can roll the dice, you can dial every condition exactly as you wish, you can just release what it spits out, you could take it as a starting point and further work it in a DAW/etc. Ultimately it relies on a person to decide whether or not to keep or throw out what it makes.
Isn't traditional music composition just choosing notes (and timing) from the scales and musical conventions defined by composers of the past? Drawing a firm line between "choosing" and "creating" seems entirely arbitrary.
@@daxtonfleming Composing may be somewhat similar to "choosing" but with a certain knowledge and skill attached to it. But there is always a factor of playing an instrument. But even then... I can't defend a tradition of classical music composition and all that comes with it. I am not opposed to the idea that a dripping faucet can be a musical instrument when put in a certain context.
What I see and don't like so much is that the music production world is drifting to presenting their ideas of aesthetics, rhythm, arrangement in an all-in-one packet. Drummachines creating beats already, including fx etc. (sugar bytes drumkomputer for example...). This is alot different than programming a beat by yourself. Yeah you can do that with most utilities, but there is not much incentive.
I guess there is always been this duality. It is a fact of technical progress that it comes with a certain comfort, some reliefs that contain simplifications at the same time.
Tim I don’t do Patreon!
If it’s available any other way I’ll PayPal you
I did subscribe to your YT channel
You can just buy a copy as a one off here! www.patreon.com/timexile/shop
@@mylarmelodies it’s says I am signing up for patreon 🤬
You definitely do not have to pay ongoing or subscribe. Hit Buy Now on the link above and it’s a transaction rather than a sub. There is a box you can uncheck to receive free updates from Tim.
@@mylarmelodies wow I’m really having a Strother Martin moment with you here (Cool Hand Luke). I have to “sign in” which means I have to create “something “ with Patreon getting my email account and a password. I DON’T want to do this. FFS! I don’t want to have anything to do with Patreon. There is no “buy now” without Patreon getting that info. Jeez
Ah I see. Not sure it’s possible to buy anything on the internet without putting in an email address these days (in order to provide a receipt and future access to the thing you bought), one idea is could you have a different email address you use for purchases?
take my money
Got it, thank you for your money!
It's quite exhausting trying to make out what the guy is saying over the soundtrack.
sorreeee
Must be horrible having been forced to sit there and endure it!!!
This still sounds like a generic ai computer song.
Well, you DO need a human to "steer" the instrument. Don't blame the instrument, blame the captain 😉
I wouldn't say this sounds nice..🤮
Samples alone by itself as playable instruments much better. 7:40 was pretty good
but is it microtonal????
Yes! You can set notes per octave between 2-32, and apply that after 12-tone scale snapping as well to give traditional chords a bit of wonk
Not for me until/unless the midi gets sorted. A mouse is not a musical instrument.
Don’t let Laurie Speigel hear you say that! x
sounds like a train wreck
This is basically tweaking the multis of a Tim Exile album… it’s his music.. not yours . Using this and calling the outcome yours is laziness and delusion.
Imagine using any generative tool that you randomise until you like it
Yeah ok. Blindfolded fingerpainting meets music...or something.
Is it a great thing? No. Is it bad? No. It's a thing. It's easy.
Sure. That's "fine".
Yo one more reason to go modular and all analog to get away from this stupity
I got terrible news for you if you like making generative patches
ok it's powerful, but staring 30 seconds at this UI just makes me want to quit . if you want to feel disconnected from the music you make, go spaceshift.
Imagine when you can map MIDI controllers to it
The youtuber didn't do the user experience justice. He doesn't seem know how to use it well. The UX is actually genius. Watch Tim Exile's explanation.
the audio equivalent of rummaging through a dumpster
You speak as if experienced...
@ yep lol
sounds like a fevered nightmare ADHD 90s rompler that became sentient and entraps the user with this subconscious request:
"Dear fevered ADHD human with a sickness for knob twisting electronic blaps into oblivion (while the kettle boils over in the background and the baby cries out because he's hungry), won't you twist my digital nipples until I make the most extended musical fart you've ever heard and then you can sell fart noises to other unsuspecting humans with the same sickness?"
and I love the sound, so I must have the sickness!!