⏰TIMECODES ⏰- More info and links to downloads in the description. 0:00 Introduction 1:46 Level 1 - Basics of Melody 7:12 Level 2 - 1/8 Note Arpeggio 9:00 Level 3 - Lydian Mode & Syncopation 12:57 Outro
He told you, 1 3 5 are stable for certain scale. Chords with this notes are more stable than chords with unstable notes. Stable notes over unstable chord lose this stability. Unstable notes over stable chord feel better. Read about this deeper, like 2th is supertonic, 7th leading tone.
For this reason V want to to I cause its build from 5 7 and 2. V chord has two unstable notes which need back to tonic. subdominant IV similarly. Chord are responsible for feeling notes above him.
![Demonstrating 7 Ways that Composers Make Music Using Modes [SONGWRITING / THEORY]](/img/n.gif)
⏰TIMECODES ⏰- More info and links to downloads in the description.
0:00 Introduction
1:46 Level 1 - Basics of Melody
7:12 Level 2 - 1/8 Note Arpeggio
9:00 Level 3 - Lydian Mode & Syncopation
12:57 Outro
tremendous information thank you
As I see, you do a modal exchange but only applied to the melody, the chords and the rest of the elements of the track, if they are in the C scale?
how do you know which one is a tension note
4th 6th or 9th usually
He told you, 1 3 5 are stable for certain scale. Chords with this notes are more stable than chords with unstable notes. Stable notes over unstable chord lose this stability. Unstable notes over stable chord feel better.
Read about this deeper, like 2th is supertonic, 7th leading tone.
For this reason V want to to I cause its build from 5 7 and 2. V chord has two unstable notes which need back to tonic.
subdominant IV similarly.
Chord are responsible for feeling notes above him.