I love how Izotope not only makes good products but they give away real knowledge in their videos. Just that is worth subscribing and looking into their software
Thanks youtube recommendation, I don't do a lot of homestudio anymore, but didn't knew about the true peak limiter, interesting. I would add, digital clipping shouldn't be viewed as an absolute problem. Now, if you don't want or the audio clip by mistake, of course it's a problem and it's nice to know how to fix it. But there's a lot of creative use of "nasty" audible digital clipping that are fascinating and more and more common in mainstream music, creating a new additional popular aesthetic of distortion. It's controlled, used creatively and bring new emotionally engaging textures to the listener.
another great video Sam. Saturation is an interesting area, the clipping is almost more like compression, clipping without the hard top edge. Valve clipping and valve emulation gives you a thicker sustained note, keeps it going longer etc. You also might want to note why clipping sounds bad. Because a moving speaker has difficulty representing a waveform that stays out at a flat line position for extended periods. The Speaker malfunctions and that's why it sounds bad.
I actually use a clipping plug-in to introduce some clipping in a controlled manner on my 2 bus. This goes into a brickwall limiter that doesn't do much other than prevent overs. Right now this includes using LVC Clipped-MAX and Limited-MAX. However I recently bought SIR Standard Clip and TDR Limiter 6 GE for very good prices.
Excellent video and explanations. A quick suggestion for GUI -- since the Soft Clipper sits before the Limiter, moving it to the left side creates a logical "flow". Your video is one of the very rare times I've seen the Clipper mentioned as feeding the Limiter.
yeah, graphically it does appear in-plugin that the limiter is feeding the clipper, might be better on the left hand side...following signal flow. this was a great video on clipping
Interesting to compare this with the latest Studio One tutorial by Gregor Bayerle on this same topic.For those of us who are entirely home schooled in terms of audio engineering practice,there is so much contradictory advice around,for example the excellent Sage Audio offerings have stated explicitly on more than one occasion that not using True Peak detection on the master limiter achieves better results.Maybe just an artistic decision as opposed to scientific absolutism?
Great video as usual. I find that true picks limiters sounds often not as good as no true pick engaged. But It Is something I hear and cannot exactly understand. Any insight?
Hello! Couldn't find an answer to the next question. How do I fix the popping sound when pronouncing the letter "P" and "B" in podcast audio recordings while editing? Thank you!
What you’re describing is referred to as a ‘plosive’. At 11:52 you can watch a demonstration of the De-plosive module in RX tackling those audio problems: ua-cam.com/video/0OnTbxlI8s0/v-deo.html
Fix audio clipping with tools like iZotope RX for 50% off during Summer of Sound: www.izotope.com/en/shop/deals.html
I love how Izotope not only makes good products but they give away real knowledge in their videos. Just that is worth subscribing and looking into their software
Thanks youtube recommendation, I don't do a lot of homestudio anymore, but didn't knew about the true peak limiter, interesting.
I would add, digital clipping shouldn't be viewed as an absolute problem. Now, if you don't want or the audio clip by mistake, of course it's a problem and it's nice to know how to fix it. But there's a lot of creative use of "nasty" audible digital clipping that are fascinating and more and more common in mainstream music, creating a new additional popular aesthetic of distortion. It's controlled, used creatively and bring new emotionally engaging textures to the listener.
another great video Sam. Saturation is an interesting area, the clipping is almost more like compression, clipping without the hard top edge. Valve clipping and valve emulation gives you a thicker sustained note, keeps it going longer etc.
You also might want to note why clipping sounds bad. Because a moving speaker has difficulty representing a waveform that stays out at a flat line position for extended periods. The Speaker malfunctions and that's why it sounds bad.
I actually use a clipping plug-in to introduce some clipping in a controlled manner on my 2 bus. This goes into a brickwall limiter that doesn't do much other than prevent overs.
Right now this includes using LVC Clipped-MAX and Limited-MAX. However I recently bought SIR Standard Clip and TDR Limiter 6 GE for very good prices.
Excellent video and explanations. A quick suggestion for GUI -- since the Soft Clipper sits before the Limiter, moving it to the left side creates a logical "flow". Your video is one of the very rare times I've seen the Clipper mentioned as feeding the Limiter.
yeah, graphically it does appear in-plugin that the limiter is feeding the clipper, might be better on the left hand side...following signal flow. this was a great video on clipping
I agree 100%. I always assumed that the limiter was the very last thing because it logically has to be, but not everyone knows that.
Interesting to compare this with the latest Studio One tutorial by Gregor Bayerle on this same topic.For those of us who are entirely home schooled in terms of audio engineering practice,there is so much contradictory advice around,for example the excellent Sage Audio offerings have stated explicitly on more than one occasion that not using True Peak detection on the master limiter achieves better results.Maybe just an artistic decision as opposed to scientific absolutism?
Thanks Sam, very useful. Phil
so powerful instruction video
Highly appreciated !!!
Great video as usual. I find that true picks limiters sounds often not as good as no true pick engaged. But It Is something I hear and cannot exactly understand. Any insight?
brillant video. great host and very informative. i cant stand clipping
Great video!
awesome vid guys
Please make RX Connect available within Studio One. We need it.
Happy to pass your feedback on to our development team. Thanks for sharing 🙏
Declipping tool still sounded distorted to me.
Hello! Couldn't find an answer to the next question. How do I fix the popping sound when pronouncing the letter "P" and "B" in podcast audio recordings while editing? Thank you!
What you’re describing is referred to as a ‘plosive’. At 11:52 you can watch a demonstration of the De-plosive module in RX tackling those audio problems: ua-cam.com/video/0OnTbxlI8s0/v-deo.html
@@iZotopeOfficial Great! Thank you very much for the quick response! Now I know how it is called correctly and how to deal with it ).
Nice!
why does it feel like he's always on the verge of revealing some tragic piece of information, like my father just died
It must be the accent…
Omg why is this so accurate
It is because every day, every single moment some of the signal running around the speakers all over planet Earth gets clipped a bit !!!
Gracia, amigo de youtube
🙌🏻🙌🏻🙌🏻
please translation thank you