Great video that encapsulates the main idea well. I'm sure it's hard to articulate this stuff over written pages, but I was struggling to understand all of this through reading the beginning of chapter 2, alone. This helped a ton
I certainly will do, however any playing of mine from the last year or so I will have this in the back of my mind. I'll discuss it in more detail in future though for sure. Thank you very much for taking the time to comment :) Cheers
Good stuff Charles. I bought the book myself and have been working through it. It's full of invaluable insight. A personal favourite is "all music problems are hearing problems." We need to develop our ears to the point we can hear incredible melodies and rhythms. If we can hear them as we're playing, we'll be able to play them on our instrument.
Thanks for that Frank. I was inspired by the same comment. It led me to 'primacy of the ear' by Ran Blake. Possibly your next coffee table read? Cheers again!
@@CharlesHarrisonMusicTuition I just watched this video again as I've been reading the rhythm chapter of FM a lot recently. I've picked up the concept slightly differently from the vocal exercises he gets you to do - I find myself starting lines on the & of 4 on the first bar as a pickup and targeting the &of 1 on the third bar as a resolution point
Charles, I overpracticed my arm and need to rest today, luckely the UA-cam algorithm gifted your channel to me this morning, so I am looking forward to watching all videos of you instead of practicing and even more to using all those concepts from tomorrow on. Very interesting topics and a very different approach from the other stuff here on youtube
Sorry to hear about the arm, Jim. Pleased to hear this video was something of a silver lining. I am pleased that you noticed a slightly different approach here compared to other UA-cam channels, I don't think it's quite as popular but fingers crossed some people are able to benefit from these videos! Cheers
@@CharlesHarrisonMusicTuition yeah I was really amazed to find such quality content with "just" a few views, but judging from the comments here it at least finds the people that it is really meaningful to! I at least already have like 30 chrome tabs with your videos open that I will check out today. Its really cool how in depth you talk about phrasing, playing outside and real approaches to shredding, so really thanks a lot for your work here! it
Thanks for taking the time to say so. There is a direct negative correlation between the topics I consider are the most important and the number of views those videos receive! Cheers
This is more about how you feel the time in your head rather than the time being heard in the room. However you'll want to practice against different types of metronome feels. Practice with the metronome in 4 at say 120bpm but in your head you count 4 at 60bpm (i.e. every other click you count). Then mix up the metronome feel but still try to hear in half time. Hope that's clear! Cheers
dude this video helped me more than literally any other educational content i've watched
@@Sam-hh3ry thank you sir, that's very kind of you. Please do check out my free course if you're interested in discussions on other topics. Cheers!
Great video that encapsulates the main idea well. I'm sure it's hard to articulate this stuff over written pages, but I was struggling to understand all of this through reading the beginning of chapter 2, alone. This helped a ton
Glad it was helpful! Thanks for taking the time to comment 🎸
Underrated channel
You're too kind, good sir!
invaluable info. i hope you'll make examples applying this to your playing in the future.
thanks.
I certainly will do, however any playing of mine from the last year or so I will have this in the back of my mind. I'll discuss it in more detail in future though for sure. Thank you very much for taking the time to comment :) Cheers
Good stuff Charles. I bought the book myself and have been working through it. It's full of invaluable insight. A personal favourite is "all music problems are hearing problems." We need to develop our ears to the point we can hear incredible melodies and rhythms. If we can hear them as we're playing, we'll be able to play them on our instrument.
Thanks for that Frank. I was inspired by the same comment. It led me to 'primacy of the ear' by Ran Blake. Possibly your next coffee table read? Cheers again!
@@CharlesHarrisonMusicTuition I just watched this video again as I've been reading the rhythm chapter of FM a lot recently. I've picked up the concept slightly differently from the vocal exercises he gets you to do - I find myself starting lines on the & of 4 on the first bar as a pickup and targeting the &of 1 on the third bar as a resolution point
Charles, I overpracticed my arm and need to rest today, luckely the UA-cam algorithm gifted your channel to me this morning, so I am looking forward to watching all videos of you instead of practicing and even more to using all those concepts from tomorrow on. Very interesting topics and a very different approach from the other stuff here on youtube
Sorry to hear about the arm, Jim. Pleased to hear this video was something of a silver lining. I am pleased that you noticed a slightly different approach here compared to other UA-cam channels, I don't think it's quite as popular but fingers crossed some people are able to benefit from these videos! Cheers
@@CharlesHarrisonMusicTuition
yeah I was really amazed to find such quality content with "just" a few views, but judging from the comments here it at least finds the people that it is really meaningful to!
I at least already have like 30 chrome tabs with your videos open that I will check out today. Its really cool how in depth you talk about phrasing, playing outside and real approaches to shredding, so really thanks a lot for your work here!
it
GREAT! Thank you!
You're most welcome, Miklós. Thank you for taking the time to comment. Cheers!
Surprised by how few views this has, I found it very informative! Professional stuff dude
Thanks for taking the time to say so. There is a direct negative correlation between the topics I consider are the most important and the number of views those videos receive! Cheers
A great little concept, I love it, thank you.
I'm delighted to hear that this was useful for you as it was for me. Cheers Russell!
That's mind blowing! I have been struggling so hard! Thank you great vid
I feel your pain, Jason! Hal Galper is the don, cheers!
So according to this method if you’re using a metronome, should it click just on one and three or two and four, or all four beats?
This is more about how you feel the time in your head rather than the time being heard in the room. However you'll want to practice against different types of metronome feels. Practice with the metronome in 4 at say 120bpm but in your head you count 4 at 60bpm (i.e. every other click you count). Then mix up the metronome feel but still try to hear in half time. Hope that's clear! Cheers
🎼🎸
#emojis #🔥
@@CharlesHarrisonMusicTuition 👍
⭐⭐⭐⭐⭐
Cheers mate, hope it helped 🙌