Once I get bass into the mix is when I start to hate mixing. It all starts with certain notes jumping out in the mix, even when the playing is seemingly even. Then, after awhile, ear fatigue sets in, and you're toast. That's why people who are great at mixing get paid for it. Because, make no mistake, it is a job, and it can be a killer !!
>certain notes jumping out in the mix, even when the playing is seemingly even You might be experiencing resonance or room modes or standing waves or whichever of those applies. Most people have that at home, in untreated rooms. It drives me crazy and there's really no easy way to get rid of it without acoustic treatment.
I've found that it's dangerous to cut or boost low frequencies in kick and bass. Eq can break the sounds easily. The bass will have uneven volume between notes, and the kicks that have quickly dropping frequency curve will have their dynamics altered, and that often deteriorates the sound. Volume balance is by far the best tool.
Thanks, Joe. I have been watching your videos for a while after you took over RR. I had a big issue with a bass part and had checked quite a few sites for help. I watched yours and your EQ frequencies and got it fixed. Quite an achievement! You helped fix a bass track in Chile. A million thanks, man. Way to go!
I am primarily a bass player but also play guitar. Now into music production and recording. Have been a recording revolution member and follower for many years now glad to see you there. This video was very helpful. Thanks for your work teaching. Also a StudioOne user.
So for me, saturation => fix lowmid => adjust 200-400 => cut stereo till 300hz if it is a multi channel bass recording. Thanks Joe, helped me even better :)
Hi Joe, thanks so much for these videos. Greatly appreciated. Many of us have been taught over the years that the kick drum eq should be different from the bass guitar eq, thus the “carve out” thinking to keep the two separate. While I totally see where you’re coming from, there is an old teaching point about carving out and separating bass guitar and kick drum.
I'm doing an audio engineering at AIM in Sydney Australia now and I really like your philosophies and way of thinking! I'm using and implementing quite a bit in my mixes keep it up!
Keep in mind that this advice is not for every genre. Not every bass player plays along with the kick note per note. If you have a great bass line please don’t bury it in the mix!!
Same man. I've had a revelation recently that I've been far too scared of bass, I think it just appears 'too loud' all the time and I destroy it. Now I've embraced the boom and life is much better.
@@Parabolabwoy I actually just decided randomly yesterday that the bass was far too loud on a mix of mine and I looked into it and it was at least 7dbfs more than the panned guitars and drums. So I brought it down to be even with everything else but now it just lacks balls. I suspect my original decision was better. Where's your bass sit in terms of dbfs's in comparison with your other elements?
Hi Joe.. Could you suggest how to clearly mix a complex song having a bass guitar and multiple percussive instruments (e.g. acoustic drums, cajon, Indian/African rhythm instruments)?
The hum of the low feels good but low mid of the elec bass gives us the real voice of the instrument. That rubbery, throaty growl is what makes the instrument the kind of animal that it is.
I had a similar situation with a kick drum that I could hear rather than feel and I used some gentle compression which worked a treat. The trick is less is more - you could try that, or a multi band too, again gentle up to around 250hz
Thank you great video that's funny you made this video because I just recorded the song and played the bass before I did to kick drunk and the drums what's totally backwards cuz I'm playing the drums in the base so it's kind of a interesting in this production here in studio 67 have a great weekend thank you so much🙏
Hi Joe, I have bought all of your courses, which are amazing. But I also love this free content , that you generously give away too. Another awesome explanation, in very simple terms. Thanks so much :-)
Hey Joe, does Studio One have a feature similar to FL Studio known as "Cut Itself"? This is where notes with long tails are cut off when the instrument is re-triggered. I know SampleOne does this but I don't care much for that sampler. This question is primarily in concern of preventing muddy or bleeding 808s.
The people asking that question about carving out space could be under the misconception that something like sidechaining is necessary here. May be used to carving out space in pop or dance mixes with higher punchy kicks and heavy bass?? Maybe my misconception 😂
If only Metal would take this into consideration...you can literally turn off the bass track to 90% of a track and it won't matter because that stupid kick drum drowns it out. It's only in the pickups to different sections of the song that you may hear just a tiny piece of bass.
Did I miss something? You are off with your frequency rangers from your multiband compressor. You were calling Lows to what was labeled Low mids, and you were calling mids to what was labeled low mids.
Once I get bass into the mix is when I start to hate mixing. It all starts with certain notes jumping out in the mix, even when the playing is seemingly even. Then, after awhile, ear fatigue sets in, and you're toast. That's why people who are great at mixing get paid for it. Because, make no mistake, it is a job, and it can be a killer !!
>certain notes jumping out in the mix, even when the playing is seemingly even
You might be experiencing resonance or room modes or standing waves or whichever of those applies. Most people have that at home, in untreated rooms. It drives me crazy and there's really no easy way to get rid of it without acoustic treatment.
Automation is your friend.
knock knock. who's there? soothe2, my friend
I've found that it's dangerous to cut or boost low frequencies in kick and bass. Eq can break the sounds easily. The bass will have uneven volume between notes, and the kicks that have quickly dropping frequency curve will have their dynamics altered, and that often deteriorates the sound. Volume balance is by far the best tool.
Neve eq
serious wisdom
Thanks, Joe. I have been watching your videos for a while after you took over RR. I had a big issue with a bass part and had checked quite a few sites for help. I watched yours and your EQ frequencies and got it fixed. Quite an achievement! You helped fix a bass track in Chile. A million thanks, man. Way to go!
I am primarily a bass player but also play guitar. Now into music production and recording. Have been a recording revolution member and follower for many years now glad to see you there. This video was very helpful. Thanks for your work teaching. Also a StudioOne user.
So for me, saturation => fix lowmid => adjust 200-400 => cut stereo till 300hz if it is a multi channel bass recording.
Thanks Joe, helped me even better :)
Can you do one on mixing synth bass?
Subbed because Studio One
Hi Joe, thanks so much for these videos. Greatly appreciated. Many of us have been taught over the years that the kick drum eq should be different from the bass guitar eq, thus the “carve out” thinking to keep the two separate. While I totally see where you’re coming from, there is an old teaching point about carving out and separating bass guitar and kick drum.
I'm doing an audio engineering at AIM in Sydney Australia now and I really like your philosophies and way of thinking! I'm using and implementing quite a bit in my mixes keep it up!
B..OOM Great little helper.. Thanks Joe.
Keep in mind that this advice is not for every genre. Not every bass player plays along with the kick note per note. If you have a great bass line please don’t bury it in the mix!!
If u can't play with kick you might as well give up playing. Both bass and kick keeps rhythm. I'm a pro
Thanks Joe. Your vids are always helpful. This one did not disappoint!
thank you joe
You said something once about getting a hug from your bass. That really helped me. I had been cutting out sooo much low end.
Bad idea
Same man. I've had a revelation recently that I've been far too scared of bass, I think it just appears 'too loud' all the time and I destroy it. Now I've embraced the boom and life is much better.
@@Parabolabwoy I actually just decided randomly yesterday that the bass was far too loud on a mix of mine and I looked into it and it was at least 7dbfs more than the panned guitars and drums. So I brought it down to be even with everything else but now it just lacks balls. I suspect my original decision was better.
Where's your bass sit in terms of dbfs's in comparison with your other elements?
Thanks Joe. Very helpful!!
You sir, are absolutely spitting 💯
I really appreciate your videos! Hope u have a good day 🫂
Stank! Love it. Another great video. Thanks!!
Thank you so much sir. You're a blessing 🙌
You are awesome! Thank you!
❤ Nice video. Thanks Joe!
Great stuff, Joe! Thanks!
This was a super simple and perfect explanation! Thank you!
Hi Joe.. Could you suggest how to clearly mix a complex song having a bass guitar and multiple percussive instruments (e.g. acoustic drums, cajon, Indian/African rhythm instruments)?
Crazy insightful. Thank you! Will be sure to use this advice in my next mix!
Love all your work. How would you approach mixing a Piccolo Bass?
I like a bit of growl in a bass sound. Excellent Info Joe.
Awesome video
You nailed it on the BOOM theory... defly subscribe
The hum of the low feels good but low mid of the elec bass gives us the real voice of the instrument. That rubbery, throaty growl is what makes the instrument the kind of animal that it is.
Thank you Joe, as always your viewpoints mixed with your experience and the way you explain things is endlessly valuable
I had a similar situation with a kick drum that I could hear rather than feel and I used some gentle compression which worked a treat. The trick is less is more - you could try that, or a multi band too, again gentle up to around 250hz
Thanks a lot..youv changed my life
Big thankyou
Spittin Truth. That's why when you see a live band, the bass player is normally set up very near to the drummer.
Thank you great video that's funny you made this video because I just recorded the song and played the bass before I did to kick drunk and the drums what's totally backwards cuz I'm playing the drums in the base so it's kind of a interesting in this production here in studio 67 have a great weekend thank you so much🙏
Thank you; super helpful!
B O O M …… love it!
Space carving as in cutting some 315hz on my guitar buss makes my snare sound punchier & louder.
Hi Joe, I have bought all of your courses, which are amazing. But I also love this free content , that you generously give away too. Another awesome explanation, in very simple terms. Thanks so much :-)
Hey Joe.Great video. Great info and succinctly put, and I loved the acronym boom.. And will pass that on...Consider yourself subscribed!
Whats the name of this Multiband Dynamics plug-in? Thank you!
Hey Joe, does Studio One have a feature similar to FL Studio known as "Cut Itself"? This is where notes with long tails are cut off when the instrument is re-triggered. I know SampleOne does this but I don't care much for that sampler. This question is primarily in concern of preventing muddy or bleeding 808s.
What’s your best advice about the level of the volume?
Are you still in Nashville?
Bass with stank. I like it
The people asking that question about carving out space could be under the misconception that something like sidechaining is necessary here. May be used to carving out space in pop or dance mixes with higher punchy kicks and heavy bass?? Maybe my misconception 😂
Awkward pause at the end. Lol. Great information once again. You rock.
If only Metal would take this into consideration...you can literally turn off the bass track to 90% of a track and it won't matter because that stupid kick drum drowns it out. It's only in the pickups to different sections of the song that you may hear just a tiny piece of bass.
Your t shirt has too much 400 hz😅
Low mid is the tall guy infront of you at a movie theater
Did I miss something? You are off with your frequency rangers from your multiband compressor. You were calling Lows to what was labeled Low mids, and you were calling mids to what was labeled low mids.
I was thinking the same...
If you don't have Pro Tools and want an original Sans Amp rack mount version I''m selling mine :)
Is there anyone here who knows that kind of EQ that can just shut off 100hz like that for OSX? Thanks so much youtubians
What if I always record my bass direct with a sansamp bass DI?
Not sure what you're asking. That's a great way to record.