👏👏👏 Tuba Skinny is an extraordinary brilliant band 🎶 . Thank you so much to all the artists for giving us these wonderful moment of music 🎶🎼🎷🪗🎺🎻🎼😍😍😍 🇺🇲🇺🇲🇺🇲
Feel that music! The 20's talking to us, sharp and lively. Time to get up and dance. Time to be romanced by Tube Skinny. What a wonderful contribution to NOLA! In love with what's been with me since the early '50's when old movies were broadcast on TV, many speaking this language. As I just wrote, just wonderful.
This is 'Wa Wa Wa', composed by Mort Schaefer in 1926 and recorded by King Oliver. For those who enjoy structures, this one seems to be: 00:23 INTRODUCTION - 4 bars. 00:30 STRAIN A : 20 bars. 00:55 STRAIN B : 16 bars. 01:15 STRAIN A : Taken as a cornet solo, with a break on the final two bars. 01:41 STRAIN A : As a clarinet solo, with breaks taken on bars 13 - 16 and the final two bars. 02:08 STRAIN A : As a trombone solo, with breaks taken on bars 13 - 16 and the final two bars. 02:32 STRAIN A : Ensemble, with final eight bars as sousaphone solo, with others holding long-note harmonies. NOTE - at 02:56 Shaye's signal to return to STRAIN B. 02:58 : STRAIN B : We are back to the 16-bar theme, played ensemble. 03:18 : STRAIN A : As a banjo solo, with breaks taken on bars 13 - 16 and the final two bars. 03:43 : STRAIN A : Ensemble, but with bars 13 and 14 taken as a clarinet break, bars 15 and 16 taken as a cornet break, and the final two bars replaced by a 4-bar Coda. 04:07 : CODA. The piece is played entirely in the key of B flat.
Thanks IVAN for this Analysis. Would be interesting to know how many people really listen to the WHOLE TUNE. One listener does in any case => Mr. Pops Coffee! I think many "traditional jazzers" listen only a part of a tune. In general NO PATIENCE enough. Maybe it is only ME?
As a Dixieland banjoist, I appreciate your list of the strains. The banjoist here gave a very worthy solo the likes of which are not often heard. Excellent arrangement.
Thanks, Daniel. String and brass bass players are rarely singled out for praise; but they certainly deserve it. I agree that Max's solo here is exemplary.
I need this every evening after dinner, relax and listen to an hour or so of Tuba Skinny!
👏👏👏 Tuba Skinny is an extraordinary brilliant band 🎶 .
Thank you so much to all the artists for giving us these wonderful moment of music 🎶🎼🎷🪗🎺🎻🎼😍😍😍 🇺🇲🇺🇲🇺🇲
Feel that music! The 20's talking to us, sharp and lively. Time to get up and dance. Time to be romanced by Tube Skinny. What a wonderful contribution to NOLA! In love with what's been with me since the early '50's when old movies were broadcast on TV, many speaking this language. As I just wrote, just wonderful.
quel plaisir de les entendre, on ne s'en lasse jamais !!!😍🥰
Muy bueno, gracias por compartir ! Saludos desde Venezuela !!
Exelente grupo musical, nos transporta a la década de los 20. Felicitaciones.
Can you bottle happiness,? ....this is pretty close..😊 Thank you Tuba Skinny.
Wie immer! Perfekt!
They just keep getting better and better!!
Simply brilliant.
Brilliant as usual,, Great
Toujours excellents !!!!
Real cool group! Thanks for posting.
This is 'Wa Wa Wa', composed by Mort Schaefer in 1926 and recorded by King Oliver. For those who enjoy structures, this one seems to be:
00:23 INTRODUCTION - 4 bars.
00:30 STRAIN A : 20 bars.
00:55 STRAIN B : 16 bars.
01:15 STRAIN A : Taken as a cornet solo, with a break on the final two bars.
01:41 STRAIN A : As a clarinet solo, with breaks taken on bars 13 - 16 and the final two bars.
02:08 STRAIN A : As a trombone solo, with breaks taken on bars 13 - 16 and the final two bars.
02:32 STRAIN A : Ensemble, with final eight bars as sousaphone solo, with others holding long-note harmonies.
NOTE - at 02:56 Shaye's signal to return to STRAIN B.
02:58 : STRAIN B : We are back to the 16-bar theme, played ensemble.
03:18 : STRAIN A : As a banjo solo, with breaks taken on bars 13 - 16 and the final two bars.
03:43 : STRAIN A : Ensemble, but with bars 13 and 14 taken as a clarinet break, bars 15 and 16 taken as a cornet break, and
the final two bars replaced by a 4-bar Coda.
04:07 : CODA.
The piece is played entirely in the key of B flat.
Thanks IVAN for this Analysis. Would be interesting to know how many people really listen to the WHOLE TUNE.
One listener does in any case => Mr. Pops Coffee! I think many "traditional jazzers" listen only a part of a tune. In general NO PATIENCE enough. Maybe it is only ME?
As a Dixieland banjoist, I appreciate your list of the strains. The banjoist here gave a very worthy solo the likes of which are not often heard. Excellent arrangement.
Thanks, Daniel. String and brass bass players are rarely singled out for praise; but they certainly deserve it. I agree that Max's solo here is exemplary.
Thanks, Robert. You and I both enjoy studying what goes on 'under the bonnet'.
Thanks for posting this!! Good recording!
iPhone 14 Pro
Lookin' good; playin' good. Reminds me of you Newport set. Thanks for the music!
Thanks,, Michael!!! Greeting from Argentina
Hello duende verde Saludos desde Texas.-
@@bobboscarato1313 my friend!! Greeting from Argentina, stay well, hug
@@duendeverde8319 Hago lo mejor que puedo todos los dias; un abrazo fraterno!
Hi still there in Argentina hope your all well Anthony.
Shaye blowin' some more of that sweet sweet horn as usual. These guys are like fine wine, they just get better with age.
Where’s Erika?
I followed longlime