@@leoploner8929 I'm not sure if it's him - it could be a recording technician. Klemperer's voice is well documented, for instance here: ua-cam.com/video/BnBpc59EJDg/v-deo.html
The story that Klemperer can be saying "Schon" was started in the review in "Gramophone" magazine. Lotte Klemperer wrote to say that it was NOT her father's voice, and that he would ever indulge in such a sentimental gesture. It's a nice story, but apparently untrue.
Maestro Klemperer: brilliant always... a genius!!
Thank you.
I'm told Otto had super slow tempos. I don't know how he gets away with it, but he manages to sound the *right* tempo every time I hear him.
Magnifico !!!!!
At the End - before audience claps - Klemperer says to the Orchestra: "Schön!"
@@leoploner8929 I'm not sure if it's him - it could be a recording technician. Klemperer's voice is well documented, for instance here: ua-cam.com/video/BnBpc59EJDg/v-deo.html
I seem to recall that his Philharmonia Unfinished was quicker. Havn’t heard it for years though.
Magnífica toma de sonido. Se nota que es en directo porque, lamentablemente, las toses de algún espectador rompen la magia.
The story that Klemperer can be saying "Schon" was started in the review in "Gramophone" magazine. Lotte Klemperer wrote to say that it was NOT her father's voice, and that he would ever indulge in such a sentimental gesture. It's a nice story, but apparently untrue.
Klemperer says "Schön" at the end. Tremendous version, in the expresionist side of lyricism.